Scanners II / Scanners III

Scanners II

Ten years after David Cronenberg showed moviegoers exploding heads and popping veins, producer Pierre David decided it was high time for a sequel to revisit this imaginary universe where people with unique telepathic powers, called "Scanners," live amongst us. As we see in the opening to B.J. Nelson's script, these people sometimes fail at keeping their anonymity, especially since their numbers have grown since we learned of them. Scruffy-looking vagrant Peter Drak (the enigmatic Raoul Trujillo from 'Apocalypto' and the upcoming 'Riddick') brings more public awareness to his kind when walks into an arcade and plays a videogame without touching the controls.

An electric shockwave shoots through the whole building later and he's become the latest test subject to a mysterious company headed by Dr. Morse (Tom Butler), a seemingly caring scientist who clearly harbors some darker intentions. He's secretly in cahoots with police commander John Forrester (Yvan Ponton), and they've gathered a collection of "scanners." Much of this exposition is somewhat dull and a tad overlong but still interesting nonetheless, largely due to the central mystery of what these men are really planning. It's not until me meet veterinary student David Kellum (David Hewlett), a gullible Vermont farm boy living in the city for the first time, that the plot suddenly peaks and finds its proper footing, as Forrester uses David's talents to manipulate and influence political officials.

Picking up the mantle after Cronenberg's departure is Christian Duguay, who made his feature-length debut here, and the director does a rather fine job although there's nothing of real serious note or praise. Several moments can seem rather substandard and clumsily done, made worse by a majority of mediocre performances, yet the production manages to entertain to some degree — just enough to make 'Scanners II' a decently satisfying follow-up to Cronenberg's classic. Taking inspiration from the end of the Cold War political rhetoric that quickly occupied the imagination of early 90s pop-culture, the plot about Forrester using "scanners" to initiate his "new world order" keeps things pretty intriguing while the gory and surprisingly well-done special practical effects shock the imagination of audiences. (Movie Rating: 3/5)

Scanners III

With production on the sequel completed, producer Pierre David, the only filmmaker to take part in all three pictures, immediately followed up the movie with a third entry and released it direct-to-video in less than a year. Working from another script by B.J. Nelson, the story grows bigger and grander in its imagination, as it deals with corporate espionage and hostile takeovers, but the budget noticeably shrinks and is limited to reality. Duguay returns to helm this second sequel, and his direction, too, changes from restrained but adept to comically frantic and self-indulgent. In spite of his stylistic attempts at seeming innovative and edgy, much of the action feels laughably stilted, spiritless and at times, frustrating.

It's too bad, really, because Nelson's plot actually touches on some rather intriguing possibilities. Following Cronenberg's original outline, the most difficult hurdle for "scanners" is controlling their telepathic and telekinetic powers — especially under extreme stress and when in self-defense mode — while also remaining relatively sane and psychologically healthy. For one particularly powerful "scanner," Alex Monet (Steve Parrish), he finds relief and learns to control his talent in a Buddhist monastery after accidentally killing a friend during a party trick. His sister, Helena (Liliana Komorowska), on the other hand, becomes dependent on an experimental drug treatment that impairs moral conscience.

These issues on cognitive control, the greed for power and the dangers on mental health via pharmaceuticals are the only things linking all three films. Whereas Alex pursues natural remedies and being at peace with his "gift," Helena takes comfort in being a homicidal megalomaniac, as if prescribing to another Eastern philosophy, namely Sun Tzu's principles applied to the business world. Cronenberg's original dealt with science and military goals, and the sequel looked towards politics and extremist ideologies. This third installment tries its hands at the might of corporations and the media. It's a lofty, ambitious intention for a low-budget direct-to-video flick, to be sure, but Duguay fails at delivering on this ambition in any meaningful, or even entertaining, fashion. About the only highlight he can muster is a hilarious street chase between a motorcycle and a short, yellow school bus. (Movie Rating: 2/5)

The Blu-ray: Vital Disc Stats

Shout! Factory brings 'Scanners II/Scanners III' to Blu-ray as a double-feature two-disc combo pack under the distributor's Scream Factory line. The Region Free, BD50 disc is housed inside a blue, eco-elite case with a second DVD-9 disc on the opposing panel. At startup, the disc goes to an animated screen with music where viewers can choose between the two movies, which play automatically upon selection.