Blu-ray: Recommended
4 Stars out of 5
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Release Date: June 18th, 2013
Movie Release Year: 1923
Release Country: United States
COLLAPSE INFO -

Safety Last!

Review Date June 24th, 2013 by
Overview - The comic genius of silent star Harold Lloyd is eternal. Chaplin was the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. And with its torrent of perfectly executed gags and astonishing stunts, Safety Last! is the perfect introduction to him. Lloyd plays a small-town bumpkin trying to make it in the big city, who finds employment as a lowly department-store clerk. He comes up with a wild publicity stunt to draw attention to the store, resulting in an incredible feat of derring-do on his part that gets him started on the climb to success. Laugh-out-loud funny and jaw-dropping in equal measure, Safety Last! is a movie experience par excellence, anchored by a genuine legend.
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  • TECH SPECS & RELEASE DETAILS
    Technical Specs: BD-50 Blu-ray Disc
    Video Resolution/Codec: 1080i/AVC MPEG-4
    Length:84
    Release Country:United States
    Aspect Ratio(s):1.37:1
    English Descriptive Audio: LPCM 2.0 Stereo,LPCM 1.0 Mono
    Subtitles/Captions: English
    Special Features: Audio commentary featuring film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll
    Introduction by Suzanne Lloyd, Lloyd's granddaughter and president of Harold Lloyd Entertainment
    Harold Lloyd: The Third Genius, a 104-minute documentary from 1989
    Three newly restored Lloyd shorts: Take a Chance (1918), Young Mr. Jazz (1919), and His Royal Slyness (1920), with commentary by Correll and film writer John Bengtson
    Locations and Effects, a new documentary featuring Bengtson and special effects expert Craig Barron
    New interview with Davis
    A booklet featuring an essay by critic Ed Park
    Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision
    Alternate score by organist Gaylord Carter from the late 1960s, presented in uncompressed monaural
    Movie Studio: Criterion
    Release Date: June 18th, 2013

Story Review Storyline: Our Reviewer's Take

4 Stars out of 5

Although he was a comedic peer of Charlie Chaplin, and was more successful in terms of earnings (due in part to his prolific output), Harold Lloyd is not as well known a filmmaker from the silent era, which is surprising, because his work is still referenced. For example, a man dangling from a clock, as seen during the climatic climb in 'Safety Last!', is an image that has been used repeatedly throughout the years in movies like 'Back to the Future' and 'Hugo.' His notoriety will likely be increased because of 'Safety Last!' getting the Criterion Collection on Blu-ray.

The film tells the story of The Boy, later identified on his pay stub as Harold Lloyd, who hopes to make good in the big city by earning enough money that he can request The Girl (Mildred Davis) come be with him and get married. The audience first sees Harold behind bars, appearing as if he is about to make his way to the gallows, but it proves to be a visual gag at a train station before he departs his little town of Great Bend. It might also offer some commentary about the pursuit of money and marriage by the writers.

A few months have gone by, and Harold's dream has yet to be attained. Part of the problem is that he isn’t very bright and is too single-minded, which doesn’t make the character very appealing. He and his roommate, known as The Pal (Bill Strother), are struggling. They're behind on the rent (there's a great gag as they hide from the landlady), yet Harold hocks their phonograph in order to buy The Girl jewelry to keep up the charade that he's doing well.

Harold works a counter at De Vore Department Store, which is mined for many funny bits, such as sneaking in late and dealing with crazy customers. The Girl shows up, thinking he is doing well with all the jewelry he's sent, so he pretends to be the boss, which leads to amusing interactions with the rest of the staff. However, there is an odd part where she gets upset when he helps out a customer, as if a store's general manager wouldn't do that.

Speaking of the general manager, he's not happy with business and offers $1,000 to anyone who can bring in a lot of people. Earlier, the Pal was shown to be a phenomenal climber, so Harold comes up with the idea to get him to climb their 12-story building to draw crowds. He show a bit of smarts, or greed, by offering the Pal $500, which is still a lot of money in 1923. Complications ensue when a police officer looking for the Pal causes ill-equipped Harold to accept the role of the Human Fly.

While the story is rather simple and Harold's character is non-descript, the ascent up the building is what makes 'Safety Last!' a memorable work, and it's easy to see why the sequence was so thrilling for audiences of that era. Although it's tame by today's action standards and there's movie magic at work and safety precautions just out of frame, an element of danger is still created for the view, even after the special features reveal how they shot it.

The Blu-ray: Vital Disc Stats

'Safety Last!' (#662 in The Criterion Collection) is a 50GB Region A Blu-ray disc in a clear keepcase. The discs boot up directly to the menu screen without any promotional advertisements. Included is a 20-page booklet containing "High-Flying Harold," an essay by author Ed Park.

  • TECH SPECS & RELEASE DETAILS
    Technical Specs:
    BD-50 Blu-ray Disc
    Video Resolution/Codec:
    1080i/AVC MPEG-4
    Length:84
    Release Country:United States
    Aspect Ratio(s):
    1.37:1
    Audio Formats:
    LPCM 2.0 Stereo,LPCM 1.0 Mono
    Subtitles/Captions:
    English
    Special Features:
    Audio commentary featuring film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll
    Introduction by Suzanne Lloyd, Lloyd's granddaughter and president of Harold Lloyd Entertainment
    Harold Lloyd: The Third Genius, a 104-minute documentary from 1989
    Three newly restored Lloyd shorts: Take a Chance (1918), Young Mr. Jazz (1919), and His Royal Slyness (1920), with commentary by Correll and film writer John Bengtson
    Locations and Effects, a new documentary featuring Bengtson and special effects expert Craig Barron
    New interview with Davis
    A booklet featuring an essay by critic Ed Park
    Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision
    Alternate score by organist Gaylord Carter from the late 1960s, presented in uncompressed monaural
    Movie Studio: Criterion
    Release Date: June 18th, 2013

Video Review

4 Stars out of 5

The video has been given a 1080i/AVC-MPEG-4 encoded transfer displayed at 1.37:1. The liner notes state it has been "presented at a variable frame rate of approximately 22 frames per second to conform to film historian and restorer Kevin Brownlow's presentation and the Carl Davis score that accompanies it. This new digital transfer was created in 2K resolution on a DTF Scanity film scanner from a 35mm nitrate print from Harold Lloyd's personal collection, made from the original negative. Thousands of instances of dirt, debris, scratches, splices and warps were manually removed using MTI's DRS and Pixel Farm's PFClean, while Image Systems' Phoenix was used for small dirt, jitter, flicker, and grain management".

There is a wide spectrum of hues across the gray scale, which contributes to great contrast. Blacks are deep, and as demonstrated with the ambulance and its drivers, whites are bright. A lot of grain can be seen throughout. The image offers a lot of details. The lines in the hands of The Girl reading the letter show how very fine the detail is.

No surprise at 90 years old to find some defects. On occasion, frames are missing which I first noticed when Harold helps crank-start a man's car. There's minor white specks and varying degrees of scratches. The latter got so bad at one point it resembled rain coming down. There is also what appears like water damage to the print that causes light flicker, seen in the wide shot of the stuntman climbing the building. There are no digital artifacts and no aliasing appeared on the brick buildings.

Audio Review

3.5 Stars out of 5

'Safety Last!' is accompanied by two musical options. Created in 1989, Carl Davis' orchestral score was synchronized and restored under his supervision for this release. It is available in LPCM 2.0. Organist Gaylord Carter's score was created in 1969 and is available in LPCM 1.0.

To no surprise, Davis' score sounds clean, and the instruments deliver a good dynamic range. In comparison, Carter's score show its age. The organ can't match the dynamics of an orchestra, causing the track to sound flatter. And yet, I found Carter's score to do a better job of capturing the mood of the scenes.

Special Features

5 Stars out of 5
  • Introduction (1080i, 17 min) – Suzanne Lloyd, granddaughter and president of Harold Lloyd Entertainment, sings the praises of Harold and the film.
  • Commentary – Recorded in 2005 for Criterion, film critic Leonard Maltin and Lloyd Archivist Richard Correll, who was also Suzanne's boyfriend for eight years, sit for a captivating discussion as they reveal a great deal of information about the production and Harold's career. Their enthusiasm is palpable.
  • Three Short Films (1080i, 10 min/10 min/20 min) – Harold stars in these pre-'Safety Last!' shorts. 'Take a Chance' (1918) and 'Young Mr. Jazz' (1919) find Harold's character trying to get the girl. 'His Royal Slyness' (1920) brings to mind Mark Twain's 'The Prince and the Pauper', as Harold switches places with The Prince of Razzamatazz, played by his brother Gaylord. They are all right, but forgettable.
  • Harold Lloyd: The Third Genius (1080i, 108 min) – Created by film historians, preservationists, and documentarians Kevin Brownlow and David Gill, this two-part English TV production is a thorough biography about Harold. Including items like this is what makes Criterion so revered.
  • Locations and Effects (1080i, 21 min) – Film writer/frequent Criterion contributor John Bengtson and visual-effects expert Craig Barron discuss the hair-raising stunts conducted by Harold and his crew. They even take viewers on location to a modern-day Los Angeles rooftop to show where the film was shot.
  • Carl Davis: Scoring for Harold (1080i, 24 min) – Davis discusses his process for creating the score for 'Safety Last!' and other silent films. Music fans should find it especially interesting.

Final Thoughts

There's no danger involved in adding Harold Lloyd's 'Safety Last' to your film library. It's a classic from the silent era, and with the outstanding collection of Special Features included, Criterion has made this a great buy for both his fans and those new to him. Recommended.

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List Price $22.97
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3rd Party $22.97
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  • TECH SPECS & RELEASE DETAILS
    Technical Specs:
    BD-50 Blu-ray Disc
    Video Resolution/Codec:
    1080i/AVC MPEG-4
    Length:84
    Release Country:United States
    Aspect Ratio(s):
    1.37:1
    Audio Formats:
    LPCM 2.0 Stereo,LPCM 1.0 Mono
    Subtitles/Captions:
    English
    Special Features:
    Audio commentary featuring film critic Leonard Maltin and director and Harold Lloyd archivist Richard Correll
    Introduction by Suzanne Lloyd, Lloyd's granddaughter and president of Harold Lloyd Entertainment
    Harold Lloyd: The Third Genius, a 104-minute documentary from 1989
    Three newly restored Lloyd shorts: Take a Chance (1918), Young Mr. Jazz (1919), and His Royal Slyness (1920), with commentary by Correll and film writer John Bengtson
    Locations and Effects, a new documentary featuring Bengtson and special effects expert Craig Barron
    New interview with Davis
    A booklet featuring an essay by critic Ed Park
    Musical score by composer Carl Davis from 1989, synchronized and restored under his supervision
    Alternate score by organist Gaylord Carter from the late 1960s, presented in uncompressed monaural
    Movie Studio: Criterion
    Release Date: June 18th, 2013