Blu-ray Releases Details
Warning from Space

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This title will be released on October 13, 2020. Pre-order now.
  • Note To Viewer

    This disc has not yet been reviewed. The following information has been provided by the distributor.

Genres: Sci-Fi
Starring: Keizô Kawasaki, Toyomi Karita, Bin Yagisawa
Director: Kôji Shima
Plot Synopsis:

The first Japanese science fiction film to be made in color, Koji Shima's Warning From Space features eye-popping special effects from the same team at Daiei Studios that would bring Gamera to life a decade later.

As Japan is rocked by mysterious sightings of UFOs over Tokyo and large one-eyed aliens attempting contact, scientists collaborate to investigate the unexpected rise in extraterrestrial activity. Unbeknownst to them, one of the aliens has already assumed human form and is about to deliver a very important message… that could be humanity's last hope for survival.

With a witty script by Hideo Oguni (screenwriter of several Akira Kurosawa classics including Seven Samurai) and iconic starfish-like aliens designed by avant-garde artist Taro Okamoto, the original Japanese version of Warning From Space finally makes its official English-language video debut.

  • Release Details
    Release Date: October 13th, 2020
    MPAA Rating: Not Rated
    Movie Release Year: 1956
    Release Country: United States
    Movie Studio: Arrow Video
  • Technical Specs
    Length:87 Minutes
    Specs:Blu-ray Disc
    Video Resolution/Codec:1080p AVC/MPEG-4
    Aspect Ratio(s):1.37:1
    Audio Formats:Japanese: PCM Mono
    English: PCM Mono
    Subtitles/Captions:English
    Special Features:
    • Brand new commentary by Stuart Galbraith IV, author of Monsters Are Attacking Tokyo!
    • First-ever HD transfer of the American release version of the film, including a newly restored English dub track
    • Theatrical trailers
    • Image galleries
    • Reversible sleeve featuring newly commissioned artwork by Matt Griffin
    • First pressing only: Illustrated collector's booklet featuring an essay on artist Taro Okamoto by Japanese art historian Nick West, and an essay on the production of the American edit of the film by David Cairns