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When it comes to American independent cinema, there's no one quite like Jim Jarmusch, the celebrated auteur behind such classics as Stranger Than Paradise and Only Lovers Left Alive. Eschewing his usual American landscapes in favour of a variety of locations throughout urban and rural Spain, his 2009 anti-thriller The Limits of Control remains one of his most alluring and multi-layered creations.
An enigmatic loner (Isaach de Bankolé, Black Panther, Ghost Dog: The Way of the Samurai) arrives in Spain, instructed to make contact with a series of strangers in different locations throughout the country, each of whom provides a cryptic clue which propels him further towards his mysterious goal. But who is the Lone Man? Why is he here? And how does the recurring figure of an alluring femme fatale (Paz de la Huerta, Enter the Void) fit into the puzzle?