The Green Hornet

'The Green Hornet' attempts to dissect an oddity in the superhero universe (well, he really isn't a superhero since he doesn't have any super powers, but we'll use it for lack of a better term). What if the sidekick was actually the brains and the brawn of the operation? What if the superhero's sidekick was in all respects much better than the superhero? It's an interesting premise, one which is largely overlooked in 'The Green Hornet'.

I think we've reached a Seth Rogen saturation point. He's dropped some weight for the role as the masked vigilante, but he's still the same old Rogen who yells his way through most of his dialogue. One lesson that can be learned from 'The Green Hornet' is to never allow a star who already talks too much to write the script. Rogen, along with co-writer Evan Goldberg, gives the main character character, Britt Reid, way more lines than he deserves. Like the recently released 'The Dilemma,' we find Rogen seemingly unable to shut up, just like Vince Vaughn. His overbearing yelling becomes tedious and grating as the movie labors through it's bloated near-two-hour runtime.

Britt Reid is the son of media magnate James Reid (Tom Wilkinson). Reid owns a newspaper in Los Angeles, but lives in a house that makes Aaron Spelling's estate look like a doublewide. Perhaps the most unbelievable aspect about 'The Green Hornet' is its rosy optimism about the newspaper industry. In this movie The Daily Sentinal newspaper is treated like it's the only news outlet in the country. There's a brief mention about how the internet has slowed newspaper sales, but you'd never be able to tell. The Reids live a lavish lifestyle, full of endless supplies of money, fancy cars, and yummy coffee delivered bedside every morning.

Britt is a lousy, good-for-nothing trust fund baby who spends his nights partying and his days recovering from hangovers. He doesn't care much for his dad's business other than the fact that it keeps the family flush with cash. Then his father dies, but Britt doesn't really care, cause his father was a douche. After meeting his father's mechanic, Kato (Jay Chou) who just so happens to be a super martial artist, inventor, and killer piano player, the two decide the only logical thing for them to do is become vigilantes.

Why they decide this isn't quite clear, other than Britt is extremely bored and needs something to occupy his time. The main criminal in LA is Chudnofsky (Christoph Waltz) who delivers a somewhat shiny performance mired in a dingy movie. Chudnofsky wants to rule the LA crime scene, and he plans to do so by killing his competition. Britt and Kato plan to act like criminals, but in reality they're trying to save the town. I know, it doesn't make much sense, but it's a way for them to eventually meet up with Chudnofsky and destroy countless amounts of public property in the ensuing car chases and shootouts.

By the way, what happened to heroes that actually care about innocent bystanders? Heroes nowadays are content with smashing up a town and driving through any number of buildings without the slightest thought that there may be someone on the other side. Whenever I see these types of action scenes with would-be heroes I'm reminded of the scene where Will Smith and Martin Lawrence barrel down a mountain side covered in shanties in 'Bad Boys 2' without regard to who might actually be in those houses.

When all is said (and said, and said) and done, 'The Green Hornet' is an overly long jumble that doesn't go anywhere in particular. It seems like just another vehicle to let Seth Rogen shout his lines at us.