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In fifteen linked chapters shot in locations ranging from Moscow to New York to Istanbul, Counting merges city symphony, diary film, and personal/political essay to create a vivid portrait of contemporary life. Perhaps the most personal of Cohen's films (Museum Hours, Chain, Instrument, Benjamin Smoke), Counting measures street life, light and time, noting not only surveillance and overdevelopment but resistance and its phantoms as manifested in music, animals and everyday magic.
