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Blu-Ray : Good Flick, Bad Disc
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Release Date: June 29th, 2010 Movie Release Year: 1987

Predator: Ultimate Hunter Edition

Overview -

Arnold Schwarzenegger stars in this action-packed adventure story of fighting men pitted against an unseen enemy, a force more powerful than their fiercest weapons. Recruited by the CIA to rescue hostages held by guerrilla fighters in a Central American country, Schwarzenegger and his men encounter an enemy unimaginably more deadly than any on Earth--because the Predator is not of this Earth.

Good Flick, Bad Disc
Rating Breakdown
Tech Specs & Release Details
Technical Specs:
Region A Locked
Video Resolution/Codec:
1080p/AVC MPEG-4
Aspect Ratio(s):
Audio Formats:
French DTS 5.1 Surround
Special Features:
Release Date:
June 29th, 2010

Storyline: Our Reviewer's Take


'Predator' is one creature-feature that revels in its own animated excess, a major studio production of graphic exuberance. A combination of The Most Dangerous Game meets Lord of the Flies, the John McTiernan-directed blockbuster infuses a tongue-in-cheek attitude into a cheap-thrills plot, where audiences are expected to actually believe the unstoppable, muscle-bound Arnold Schwarzenegger could ever be in mortal danger. As it turns out, only a seven-foot, big-game hunter from outer space can provide such a menacing threat to the rippling stature of the Austrian megastar of the decade. The following year, McTiernan would go on to change the face of the action movie with 'Die Hard' — average Joe turns action hero. But here, the director delivers with a boisterous combination of formulaic style and 1980s ultra machismo.

At first a seemingly brainless summer action flick, 'Predator' is a surprisingly well-structured movie which seamlessly and cleverly melds genre conventions. Even the promotional campaign took part in convincing moviegoers this was a straightforward guns and explosions type of feature while at the same time keeping the alien's appearance to a minimum. The sci-fi aspect was not a secret, but no one really anticipated the sudden shift in formula, treading carefully between horror and slasher elements. It was like nothing that had really been seen before. To have a movie unexpectedly change into a thrilling cat and mouse game of human versus extraterrestrial was a bit of a shock to say the least. And somehow, the experience isn't jarring or irritating at all, but exciting and novel.

As the movie moves along, McTiernan shows great control of the camera by maintaining focus on his main attraction, namely Schwarzenegger. And later, when the elite commando team raids a rebel encampment, the filmmakers have us fully convinced that things will continue in this direction. Essentially, the entire first act is nothing more than a setup, a crafty swindle of sorts to draw viewers in with expectations of a typical Schwarzenegger actioner. It's much like what Dillon (Carl Weathers) does to Dutch in the story. It's no coincidence the film follows a small fighting force into the jungles of Central America with what at the time was standard action violence. The moment it's over, the deception — both on Dutch as in the audience — commences, with tension that never lets up and a gory spectacle from an unseen assailant that stalks and kills his victims, one at a time.

Even as 'Predator' abruptly changes gears into a suspenseful thrill ride, McTiernan keeps our attention on the soldiers while keeping the alien at bay. Sure, we're allowed some minor glimpses of the creature, but it's always from a distance so as to save the best for last. Unlike the horror/slasher flicks which occupied many of the screens at the time, these men are not simply fodder for the massacre. They're a group of guys we end up liking, combatants with highly-specialized skills of defense. And unlike standard action fare, we are made to believe these fearless warriors are in serious peril, that they are victims rather than the heroes. Again in the encampment scene, they demonstrate their competence and know-how during a dangerous confrontation. So when the creature finally goes on the hunt, their expertise is put to the test while the alien is practically seen as more effective and proficient, which only adds to the overall suspense.

Born of a joke that Rocky's next title match should be with E.T., 'Predator' is ultimately a spectacle of violent, self-indulgent action with a surplus of manliness that humorously borders on homoeroticism. From the very start, we see that the movie will be a gathering of enormous, throbbing muscles — Dutch and Dillon arm wrestle as part of their introduction — including that of the alien played by Kevin Peter Hall ('Harry and the Hendersons'), who thankfully replaced Jean Claude Van Damme for his more physically dominating presence. Normally, Schwarzenegger is the sole brawn giant on screen, but here, he's joined by a cast of gung-ho behemoths with sizeable, intimidating weapons. Jesse 'The Body' Ventura chews tobacco and loves his Gatling gun (nicknamed "Old Painless"), Bill Duke shaves his face without the luxury of saving cream, and Sonny Landham is just one scary-looking dude.

The only characters without their own gravitational orbits are a female prisoner (Elpidia Carrillo), who's obviously exempt from the blatant display of virility, and two average guys, Poncho (Richard Chaves) and Hawkins (Shane Black). Other than proving to be efficient soldiers, the two men seem to be compensating for their lack of muscles. While one carries a grenade launcher to make really big explosions, the other comes equipped with really bad, vulgar and lewd sex jokes. Now, I'm not pointing this out to form a disapproving judgment of 'Predator.' Rather, I like to think of it as part of the film's overall effect, where all the heavy firepower and strong presence of machismo clearly does nothing in combating a superior alien being. This forces the main protagonist to find his inner hunter-gatherer, to use his primeval instincts as a means to fight back.

In the end, 'Predator' is one sci-fi/action extravaganza with a shrewdly understated sense of irony, using genre conventions effectively for a fun time at the movies. No matter how we look at this now classic, the creature-feature was a novel twist to the summer blockbuster, igniting a popular franchise. Today, it remains just as entertaining as ever with one of Stan Winston's most memorable creations.

The Blu-ray: Vital Disc Stats

20th Century Fox Home Entertainment unleashes 'Predator' on a single BD50 Region A locked disc, which is housed in a standard blue keepcase. At startup, viewers can skip over a preview for the latest installment to the franchise, 'Predators,' from Robert Rodriguez and Nimród Antal ('Vacancy,' 'Armored'). The main menu offers a standard selection of options while full motion clips from the movie play in the background.

Video Review


'Predator' has been released so many times on DVD and other formats that it's difficult to keep count anymore. Unfortunately, the film has never made much of an impression visually, including its original Blu-ray debut from 2008. While the quality of that initial hi-def release was not a complete disaster, the MPEG-2 encode brought with it a few issues and artifacts as well as simply not comparing to other catalog presentations. According to a disc announcement, Fox promised a new restoration of the film, and fans were somewhat excited — if not slightly skeptical — to see what this classic creature-feature would ultimately look like. I'm sorry to say, the studio has actually made matters worse with this so-called "new" 1080p/AVC MPEG-4 transfer, retaining its original 1.85:1 aspect ratio.

When 'Predator' was originally shot, the makers used a specific film stock with a color temperature that required little filtration or expensive lighting equipment. Given the schedule and limited budget before dailies were shown to investors, photography was done quickly and with available, natural light of the Mexican jungles. On this hi-def presentation, the benefits are fairly clear in many exterior shots where foliage is distinct and excellently detailed. The finer lines in clothing, weapons and the alien costume are terrific while facial complexions are often revealing with beautiful, lifelike texture. Colors are nicely saturated and clean, with primaries looking really vibrant but not overstated. While I couldn't detect any edge enhancement, I did notice sharpening tools were in definite use. Thankfully, it wasn't to the point of annoyance, but it's still there.

Now, the one drawback of shooting with a high temp stock and poor lighting conditions is a much grainer picture, especially during dim, night scenes. With this being the case, 'Predator' should show heavy amounts of film grain, but it's not to be seen. It's pretty obvious that much of this structure — a natural and expected result of celluloid photography — has been digitally removed via noise reduction. Most immediate and damning is the indoor, dimly-lit scene where Dutch and Dillon first reunite early in the story. Both actors look artificial and synthetic, lacking any definition in their aged faces and plenty of soft edges. Adding to the disaster are a couple of frames which appear natural one second and then strangely foggy and dreamlike the very next instant. Carl Weathers' moustache is a deplorable and unacceptable travesty (because of the noise reduction mind you!) .

Later, in the final fight at night where grain should be thickest, minor background info is missing and the entire sequence loses its overall gritty nature. This is not only a disappointment which distracts from the picture's better parts, but it's also a significant detriment to the film's entire presentation. Complicating matters, contrast has been boosted somewhat. Granted, there are no issues with clipping and the image possesses a nice pop, but this is at the cost of weaker black levels during night scenes. In daylight, things look acceptable, but when Schwarzenegger goes 'Lord of the Flies,' we lose depth, gradational details are lacking, and shadows are murkier. All things considered, this is nowhere near how 'Predator' was originally shot or even presented theatrically.

I don't doubt Fox has gone out of their way to strike a new HD master for this presentation — as seen in several sequences of this Blu-ray edition — but it is unfortunate they deemed it necessary to alter a great deal of the image. For a true remaster, the original film elements should have been scanned and cleaned with the least amount of digital manipulation. Sadly, this latest version of a Schwarzenegger classic appears less like an improved restoration and more like digitized man-handling with some scenes almost looking computer-generated. I don't believe making an entirely new internegative (IN) for a fresh, "untouched" release print is too much to ask of a studio, especially for a film with such a strong following.

When that day finally comes — and hopefully, it will — we'll, of course, have yet another version of 'Predator.' But as long as it's done properly, we'll at last be given the film as it should've always looked rather than this presentation of wax figurines.

Audio Review


On the brighter side, the DTS-HD Master Audio soundtrack makes a better impression, sounding pretty much as expected of an 80s film. Compared to the previous Blu-ray release, both tracks appear to be identical. Listening specifically to the musical score during opening credits, the attack on the rebel encampment and the final battle with the alien, I alternated between discs and found no discernible difference. It's not that I hoped for some kind of improvement, but after watching the mess made of the video, I figured the studio might have also manipulated the audio. Luckily, it remains unscathed.

Personally, I like the way 'Predator' sounds on this high-resolution codec. But I have to admit the original design doesn't really allow for a very immersive home-theater experience. At its worst, the low-end is fairly weak and cuts off far too early, making several of the action sequences feel rather flat. The first major explosion at the camp is a good example where the lower frequencies are greatly lacking. A few sporadic atmospherics help to enhance the soundfield somewhat, but they're not very convincing or consistent throughout.

At its best, the front-heavy presentation displays a clean mid-range with strong fidelity. The entire soundstage fills with good imaging and balanced separation between channels, feeling very open and wide. Dialogue reproduction is stable and appreciable during the mix's loudest moments though nothing standout. Alan Silvestri's memorable score is the lossless track's best feature, extending into the background smoothly and keeping viewers engaged. Overall, 'Predator' sounds good on Blu-ray, but it doesn't pack much of punch to rank any higher.

Special Features


Part of the disappointment with the first Blu-ray release of 'Predator' was a bare-bones package. For this new Ultimate Hunter Edition, Fox Studios corrects their previous blunder by porting over the same set of bonus features seen on the two-disc special edition DVD of 2004. And they add a couple of new featurettes.

  • Audio Commentary — Director John McTiernan rides solo on this rather humdrum track. Though dull in many spots, he does provide some informative details on creative decisions and other recollections of the production and cast. While not entirely bad, it's also not all that interesting either.
  • Text Commentary — As the title implies, white text provided by film historian Eric Lichtenfeld is superimposed on the movie similar to subtitles. Mostly interviews with various crew members, fans can learn a great deal about the film's production, on-set anecdotes, and many other insights surrounding the characters and the visual design. It's good viewing for those interested.
  • Featurette: If It Bleeds, We Can Kill It: The Making of 'Predator' (SD, 29 min) — This making-of doc is actually a retrospect that features footage from the set and allows a good majority of the folks who worked on the movie to speak. Conversations cover everything from the script literally landing at the doorsteps of Fox Studios, the origins of the alien's fearsome appearance, and filming under humid conditions. For those fans unfamiliar with the history of 'Predator,' this makes for a must watch.
  • Inside the Predator (SD, 31 min) — This piece is broken up into seven segments, each detailing different aspects of the movie. Most interesting is a talk about the jungle terrain, the choice of weapon for Ventura's character, and a look at the stunts. Topping them off is a heartwarming tribute to the late Kevin Peter Hall, who sadly passed away in 1991.
  • Special Effects (SD, 4 min) — Five really short pieces which are weirdly organized make up this look at the camouflage effects in the movie.
  • Short Takes (SD, 10 min) — Four more individualized segments focused on John McTiernan as a director, Ventura's venture into acting and then politics, Stan Winston's sense of humor, and a warning about the drinking water in Mexico.
  • Deleted Scenes and Outtakes (SD, 5 min) — Four pieces make up this small group of scenes removes from the final print. Although rightly deleted, they are still worth a quick look.
  • Photo Gallery (HD) — It goes without saying that these on-set stills are only interesting to those who like looking at production photos.
  • Predator Profile (HD) — A photo still of the alien and text detailing its weapons and gear.
  • Trailers — Two theatrical previews are collected here: one for 'Predator' in HD and the other for 'Predator 2' in standard definition.

Final Thoughts

John McTiernan's 'Predator' is a fun and entertaining creature-feature which revels in its animated machismo and an exuberant display of graphic action. The movie is a surprisingly well-structured blend of genre conventions which draws viewers in with one set of expectations and abruptly changes pace for a suspenseful thrill ride. This new Blu-ray comes with a video presentation that's shockingly worse than the first release, and the audio is the same as before. However, Fox does correct past blunders by porting over the same set of bonus features, along with a couple of exclusives, for this Ultimate Hunter Edition of the Schwarzenegger classic. All things considered, this is just another case of good flick, bad disc.