Would you want to invite the Corleone family over for dinner? Sure, they are well dressed, polite and esteemed connoisseurs of fine pasta and red wine, but they can also be a bit, um, temperamental, and what if they don't like dessert? You may find a horse's head in your bed the next morning. Yet audiences worldwide did more than invite the Corleones into their homes, they lovingly embraced a clan thoroughly evil, and unapologetically so. Wrapped up in misguided loyalties, passionate betrayals, and epic violence, 'The Godfather Collection' is the Corleone saga, the rise and fall of the screen's most prominent mob family, and considered by critics and audiences alike to be one of the greatest triumphs in cinema history.
Based on the novel by Mario Puzo, Francis Ford Coppola's 'the godfather' revolutionized American cinema. This 1972 film showed us just how powerful, ornate, and elegant filmmaking could be. It once and for all vindicated the auteur theory, which says that a film is a director's medium. And it proved just how transformative mainstream filmmaking could be when the collaborative processes are firing on all cylinders and filtered through a single, unifying sensibility.
'The Godfather' and its sequel, 1974's 'The Godfather Part II,' are quintessential '70s movies. Both were also Best Picture Oscar winners ('Part II' was the first sequel in history to earn such an honor). Coppola managed a daring feat: keeping the world of the Corleones completely insulated. We never see the civilian victims of their violent crimes or the families left devastated by the trail of corruption they leave behind. Instead, we share in their triumphs, tragedies and ambitions, solely on their terms -- Coppola refused to critique or satirize from the outside. This led many to lambast the films as a glamorization of a very real and pervasive evil. Because while the moral codes we all adhere to are often complex and contradictory, the mob adheres to only one: "Don't ever take sides against the family."
More than fifteen years passed before 1990's 'The Godfather Part III,' still the black sheep of the Corleone family trilogy. Coppola constantly refers to this trilogy as being "one film, a sequel and an epilogue." (Coppola's original title for his saga? 'The Death of Michael Corleone.') It's a minor distinction but an essential one, and absent from most negative responses to the film. 'Part III' is certainly the most cryptic of the three, and some of Coppola's choices are questionable. Is Sofia Coppola underacting or merely being natural? Why stage a lengthy opera sequence as a climax to the film? But it is impossible not to admire Coppola's unwavering dedication and sheer ambition. And 'Part III' is truly a film whose appeal has grown as the bittersweet aftertaste of disappointment has faded.
Strip away the grandeur, majesty, bravura and bloody violence, and 'The Godfather' saga may be just a simple family melodrama. But it's also symbolic of an America in transition, and a portrayal of the lust for the American Dream taken to nightmarish extremes. Coppola stages Puzo's soap opera-meets-dime store gangster storylines with the ferocious intensity and serious authority of a manic, fevered social theorist. That any saga this potentially dark, morose, and seemingly oft-putting could remain so compulsively watchable is some kind of cinematic miracle. When you throw together good filmmakers, an extraordinary story and enough money in your budget to pay for all of it, Hollywood movies really can be both popular and great.(Individual movie ratings: 'The Godfather' -- 5.0/5.0; 'The Godfather Part II' -- 5.0/5.0; 'The Godfather Part III' -- 4.0/5.0.)
'The Godfather' films first made their DVD debut back in 2001. That highly-anticipated restoration left me underwhelmed. The source material appeared aged, with spotty prints, weak contrast and blacks that were far from consistent. Now, in a move of surprising speed, Francis Ford Coppola and his Zoetrope Studios have embraced Blu-ray, releasing this new and improved "Coppola Restoration" of 'The Godfather Collection' only three years after the format's launch. Newly-restored and remastered for high-definition (under the auspices of Coppola, director of photography Gordon Willis, and restoration expert Robert A. Harris), I found the result overall to be a very good to great improvement. Those expecting the pristine look of a modern film will still be disappointed, but it is certainly hard to imagine these films looking any better.
Coppola's approach to restoring the 'Godfather' films is immediately obvious from the first frames of 'The Godfather.' All three films are presented on their own BD-50 dual-layer disc (with the only extra taking up any precious real estate a sole audio commentary by Coppola on each film), in 1080p/AVC MPEG-4 encodes (framed at an open matte 1.78:1). As we will learn in the disc's included supplements (which details at length the restoration process), new prints were struck from the original negatives, and restored frame-by-frame (in a process that took over a year to complete). Though a few very minor blemishes remain -- a rare white speckle here, a smidgen of dirt there -- these sources are quite clean. Grain is apparent but consistent, and I never found it excessive or particularly distracting. Blacks easily best the previous DVDs -- they never waver -- which greatly adds apparent visual depth and richness.
Coppola's approach to brightening his films (particularly 'The Godfather' and 'The Godfather Part II') will undoubtedly be controversial. Contrast is intensified on these transfers, which does improve image clarity but also adds a hotness (particularly to outdoor scenes) that may shock those used to the previous, much more muted video editions. The use of soft filters (again, more on the first two films) is further exacerbated here, with many scenes now looking quite misty and soft. This does add a very vintage look to the transfers which is elegant, but if you're looking for razor-sharp presentation, this is not it. Colors are likewise dulled, which brings out an orange-brown cast throughout and very few instances of vivid primaries (blood, however, does have a wonderfully rich, deep crimson hue). Detail is overall good on 'The Godfather' and 'The Godfather Part II,' with the Blu-rays adding noticeable fine texture and improved shadow delineation compared to the DVD. The increase isn't revelatory, but it's substantial enough to be appreciable.
'The Godfather Part III' has always been the odd-man-out of the 'Godfather' trilogy, at least in terms of visual style. Though reminiscent of the first two, it has a far more saturated look, and lacks the more sepia-toned, "classic" veneer of the first two chapters. As such, 'Part III" is perhaps then the "best" transfer of the bunch, at least in terms of color saturation, detail, and depth. The film remains soft by today's standards, but contrast remains more consistent and there are fewer of the minor print fluctuations (with areas of the picture suddenly appearing to "flash") as evident on 'The Godfather' and 'The Godfather Part II.' Darker areas of the picture boast better shadow delineation than the standard DVD, and mid-range has also been boosted, which again brightens up the picture considerably. Sharpness is again superior to any previous video version, if not absolutely razor-sharp.
The encodes for all three pictures are very clean. Zoetrope and the Coppola restoration team have done a fine job, with no major artifacts, motion jaggies or -- thankfully -- intrusive edge enhancement. 'The Godfather Collection' on Blu-ray is undoubtedly the finest presentation of these films yet seen. Some of Coppola's stylistic improvements may remain debatable amongst purists, but overall I was quite pleased with this restoration. (Individual scores: 'The Godfather' -- 4.0/5.0; 'The Godfather Part II' -- 4.0/5.0; 'The Godfather Part III' -- 4.0/5.0.)
To go along with the upgraded video, Francis Ford Coppola has befitted 'The Godfather Collection' with brand-new English Dolby TrueHD 5.1 Surround (48kHz/24-bit) tracks for all three films. The results, alas, did not really deliver much improvement for me. Fidelity is improved, but you'd be hard pressed to find much that has been boosted in terms of surround presence or envelopment.
Rear channels are still underutilized. I was hard-pressed to notice much in the way of any clearly discrete effects throughout either 'The Godfather' or 'The Godfather Part II.' The sporadic bursts of gunfire deliver a bit of echo to the surrounds, but it sounds pretty hollow and tinny. The operatic segment that brings 'The Godfather' to its final act enjoys some moments of score bleed and a smattering of ambiance, but that's about the best you're going to get here. 'The Godfather Part III' is clearly the star of the bunch then, undoubtedly due to it being produced in 1990, well into the age of multi-channel theatrical presentations (both 'The Godfather' and 'The Godfather Part II' were originally monaural). Rear engagement is more consistent and pronounced, with better dynamics, improved transparency, and at least some sense of score bleed. 'Part III' is still far from the best soundtrack I've heard from this era, but it well exceeds the first two.
Where these tracks do shine is in enhanced dynamic range. Carmen Coppola's scores on the first two films finally sound lush and full, with a very pleasing warm tone and less of the brittle high-end that marred the DVD versions. Low bass still does not deliver truly deep frequencies to the subwoofer, but it supports the action well enough and is free of distortion. Dialogue is a bit better balanced as well -- I never struggled to hear any of the actors (which was a problem for me on the original DVD, which I found frustrating in terms of always have to adjust the center channel volume), and the words always sound clean and natural. The sources for these tracks has also been improved, with no dropouts, hiss or flatness. None of 'The Godfather' films come off as a million bucks here, but as with the video, this is probably the best they are ever going to sound. (Individual scores: 'The Godfather' -- 3.0/5.0; 'The Godfather Part II' -- 3.0/5.0; 'The Godfather Part III' -- 3.5/5.0.)
'The Godfather Collection' hit standard DVD in an elaborate box set with hours (and hours and hours...) of newly-produced bonus content. It was a wonderfully comprehensive set, and Zoetrope has wisely not abandoned any of those features for Blu-ray. In fact, they've sectioned them off on the menus to an area called "2001 DVD Archive," and then gone and added a ton more that's new. (As these new bonus features are also included on the DVD re-issue of 'The Godfather COllection," I've included them here and not in the HD Exclusives section below.) All of the new material is presented in 1080i/AVC MPEG-4 video, while the original 2001 DVD Archive is in 480i/MPEG-2. Optional English, French, Spanish, and Portuguese subtitles are provided for the video-based supplements.
Let's start with the new material produced for 'The Godfather Collection - The Coppola Restoration':
Also included on disc four is the entire "2001 DVD Archive," which compiles all of the bonus materials found on the previous 'Godfather Collection' four-disc box set:
'The Godfather Collection' is finally on Blu-ray, and the films themselves need no recommendation. These are simply classics of American cinema -- pure and simple -- and even the more controversial third chapter is a worthy coda to a landmark trilogy. Technically, I'm quite pleased with the "Coppola Restoration." The video is better than any previous version, and the audio -- if lacking in impact -- is still perfectly fine. Topping it off are hours and hours of quality supplements. I'm afraid -- at the risk of sounding like marketing slogan -- 'The Godfather Trilogy' on Blu-ray is an offer you can't refuse.