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Eight years after the controversial and shocking Irreversible, director Gaspar Noé cemented his reputation as the enfant terrible of New French Extremity with perhaps his most challenging film to date – a hallucinatory meditation on life, death and rebirth, shot entirely in the first person.
American siblings Oscar (Nathaniel Brown) and Linda (Paz de la Huerta, The Limits of Control) eke out a shared existence in Tokyo – he by dealing drugs, she by working as a stripper. However, tragedy strikes when a deal turns sour and Oscar is shot by the police. As his lifeless body lies on the floor of a public toilet, his soul floats high above the neon-drenched Tokyo streets, observing the effect of his death on his sister and reliving the events in his life that brought him to this juncture.
Described by Noé himself as a “psychedelic melodrama”, Enter the Void boasts mesmerising cinematography by the award-winning Benoît Debie (Climax, Spring Breakers) and a hypnotic soundtrack of experimental and electronic music. Powerful and transcendent, it offers viewers an immersive cinematic experience like no other.