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BLU-RAY NEWS TAGGED "HIGH-DEF RETAILING"

"Mastered in 4K" and the Road to Ultra HD

Fri May 17, 2013 at 05:00 PM ET
Tags: Ultra HD, UHDTV, 4K, High-Def Retailing, Industry Trends, Mastered in 4K (all tags)

by Steven Cohen

This week saw the release of Sony's new "Mastered in 4K" line of Blu-rays, and with them has come plenty of speculation, a bit of controversy, and quite a few questions. Questions like, "Are these discs actually in 4K?" and if not, "What benefits do they offer?" Also, "What do these have to do with Ultra HD?" and even more importantly, "What is Ultra HD?"

Well, those are all great questions, and great questions of course deserve answers! We'll break down all this recent 4K hoopla step by step, detailing exactly what these "Mastered in 4K" discs are and what they aren't. We'll also discuss how they relate to real Ultra HD and highlight what's currently available and on the horizon for the burgeoning Ultra HD format.

"Mastered in 4K"

Before going any further, I think it's important to immediately make this one point very clear: These new discs from Sony are not actual 4K Blu-rays. I repeat, the films on these discs are still presented in 1080p resolution not 2160p, and they will play on all standard Blu-ray players. So, with that out of the way, let's now address what this new line of releases actually offers.

Though the series doesn't present any of its films in 4K resolution, the video presentations are all sourced from 4K masters. They were then downconverted to 1080p. In addition, due to the lack of special features on these releases, the entire discs are being dedicated to the films' technical presentations allowing for higher video bitrates. In theory, this should all provide the best possible picture quality for the movies in question.

That might all sound fancy on paper, but in practice all this really amounts to is something very similar to the studio's previous "Superbit" line of high bitrate DVDs from back in the standard definition days. While these releases all provide great picture quality, there really isn't a whole lot that truly separates them from other "non-mastered in 4K releases." In fact, many existing releases from the studio (and other studios) have already been sourced from 4K masters (including several that are now being rereleased under this new label), making the distinction here even more irrelevant. Furthermore, there is some debate about whether 4K versus 2K mastering for 1080p transfers really makes much of a difference to begin with.

With all that said, there are still some subtle distinctions about these discs that are worth noting. First, these releases are all "optimized" for 4K upscaling and there are some claims that they even contain special upconversion protocols that will work in conjunction with Sony's new line of 4K Ultra HD displays. This proprietary algorithm will ostensibly provide the best possible upconverted picture. Of course, you need to have a Sony 4K display to take advantage of this and, for the time being, few of us are quite so lucky. For those with regular 1080p TVs, the higher bitrate video could still conceivably improve stability in fast moving scenes, especially on large projector screens. Lastly, the "Mastered in 4K" line is also said to feature an expanded color gamut that is designed to improve color reproduction. The packaging indicates that the expanded colors can be enabled through any xvYCC-compatible TV and Blu-ray player, but my testing with this feature yielded rather underwhelming results.

Using a Samsung LN46a650 TV, and both a Sony Playstation 3 and Sony BDP-S570 (all said to support the xvYCC color gamut) with the appropriate settings activated, the colors on screen became ever so slightly subdued rather than expanded. I'm not sure if this mode was being engaged properly or not, but if that's the intended result, then I don't really see a benefit to this feature. Though the packaging doesn't specify this, there is some speculation that in order for this feature to work correctly viewers actually need a Sony TV and Blu-ray player that support the company's proprietary Triluminos technology. Those with that capability might find better results with the disc's claims of "expanded color," but based on my experience with my equipment, it seems like this feature is a bit of a waste.

This initial wave of 'Mastered in 4K" titles includes ten films: 'Ghostbusters,' 'Spider-Man,' The Amazing Spider-Man,' 'Total Recall (2012),' 'Angels & Demons,' 'Battle: Los Angeles,' 'Glory,' 'The Karate Kid (2010)' 'The Other Guys,' and 'Taxi Driver.' Based on the discs we've covered so far, despite the flashy new branding, several of these movies appear to feature nearly identical transfers as their previous releases. 'Ghostbusters' and 'Spider-man,' however, have been given more apparent upgrades, and the results are certainly an improvement, though it's not really clear if these benefits are actually an outcome of the 4K mastering itself. For all intents and purposes, the improvements offered to their picture quality simply represent the type of transfers they should have received in their original Blu-ray releases.

As we continue to review some of the remaining titles, we'll point out any other minor or major improvements we come across, so be sure to check out the individual reviews for more updates.

All things considered, this new "Mastered in 4K" branding appears to be little more than a marketing tool aimed at promoting Sony's new 4K TVs -- but the discs themselves are still high quality and technically offer the best video transfers available for the titles included. Few will likely see much (if any) difference on the more recent films, but those with 4K displays or large projector screens might find some value in the increased bitrates and supposed upscaling benefits.

Ultra HD

These new discs might not offer true 4K content, but their release does coincide with the introduction of genuine 4K displays, also called Ultra HD. At 3840 × 2160 pixels (four times the resolution of standard 1080p), Ultra HD 4K displays can produce a much more detailed image than traditional HDTVs. With that said, screen size and viewing distance also play a large factor in how discernible these differences between resolutions really are. I haven't seen an actual 4K display in person yet (HDD's Michael S. Palmer had a chance to check them out last October), but it's likely that one would need a screen larger than 80 inches to gain the full benefits of Ultra HD from a reasonable viewing distance. Improvements will be readily apparent up close, of course.

As far as 4K displays go, Sony's XBR-65X900A 65-Inch 4K Ultra HD television is set for release on May 19 at a MSRP of about $7,000. The display is also available in a smaller 55-inch model ($5,000) and a much larger 84-inch variant (for a whopping $25,000) which should more readily show off the improvements in resolution. LG also has their own 84-inch 84LM9600 up for purchase ($20,000) and Seiki Digital has a very affordable SE50UY04 50-inch 4K set ($1,500) available as well. The Samsung S9 85-inch Ultra HDTV ($40,000) is also an option for those with an exorbitant amount of cash to spend. But again, despite the obvious increase in resolution, even this 85-inch set will likely only offer marginal improvements over 1080p at normal viewing distances, and all of these displays are still based on tried-and-true LCD technology which will probably suffer from the same old weaknesses of that format (most notably less than stellar black levels, uniformity, and viewing angles).

Much more enticing, however, is the prospect of true 4K projectors. Currently, Sony offers the VPL-VW1000ES which features a native 4K resolution. While it costs about $25,000, if you're going to actually invest in Ultra HD, projectors are likely the best route to go since they will allow for the largest screen size and thus show off the most improvement in visual quality.

It should also be noted that while Ultra HD displays are currently available, there is still no official standard for the technology with regard to color gamuts, frame rates, compression, and support for future HDMI revisions, which means that current displays might not actually be compatible with final specifications. This makes early adoption a bit risky.

4K Content

Unfortunately, when it comes to genuine 4K content, things get a little tricky. No specific Ultra HD disc medium currently exists, but the Blu-ray Disc Association is considering extending the Blu-ray format to include support for 4K video. A decision will likely be made later this year. Outside of discs, downloadable or streaming digital files are also a viable content delivery system (YouTube has actually had support for 4K video clips for several years now), though they usually lead to much more apparent compression issues and connection speeds will obviously be a factor. Regardless, Sony is releasing the puck-shaped FMP-X1 4K media player for $699 to support its new Ultra HD displays. The media player comes preloaded with ten films from the studio in true 4K resolution. A pay service for more downloadable 4K Sony movies using the media player is also scheduled to launch in the fall.

Though decisions regarding how we'll receive genuine 4K content are still being made (further complicating the current release of 4K displays) many feature length movies shot on film should benefit nicely from 4K transfers when they do eventually hit the market. Sadly, there is one notable snag when it comes to 4K and some specific film-based/digital movies. Over the past decade or so, digital intermediates have become the standard for post production work on all major releases. In several cases, only 2K scans of the original film elements have been used to complete many movies. Likewise, some digitally shot movies are only captured in 2K resolution to begin with. In these instances, the finished products are all limited to 2K. This means that any potential 4K releases of such titles will simply be upconverts. Thankfully, some contemporary films are now using 4K digital intermediates and several digital movies are now being shot natively in 4K (or even 5K), which will make their future transition to Ultra HD very smooth.

There are several kinks that need to be worked out when it comes to content and displays, and a true standard still hasn't been decided upon, but manufacturers are actively pushing for Ultra HDTVs to catch on with consumers. Hopefully true 4K media will become more readily available as the year goes on to give early adopters something to properly show off their expensive new gear. As always, we'll be sure to cover the latest developments and keep you posted on all HD and Ultra HD related news and products.

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High-Def Digest's Essential Picks: April 2013

Tue Apr 30, 2013 at 03:30 PM ET
Tags: High-Def Digest's Essential Picks, Steven Cohen , High-Def Retailing (all tags)

by Steven Cohen

Every month, dozens of Blu-rays hit shelves, littering stores with high-def temptation. New releases, catalog titles, complete TV seasons, and elaborate box-sets all vie for affection, and with so many worthy releases targeting our wallets, choosing which discs to spend our hard earned cash on can be rather tricky. To make things a little easier, we here at High-Def Digest thought it might be helpful to bring you our top three must own recommendations for the month.

Last month we spotlighted a noir mystery with an animated twist, a controversial historical thriller, and a visually stunning examination of survival. If you haven't already, be sure to check out the Essential Picks for November, December, January, February, and March.

This month, we're covering an unconventional romance, a revisionist "spaghetti southern," and a harrowing story about familial bonds and hope. Please be aware, that if you haven't already seen them, there might be some spoilers for the films listed.

If you can only buy three titles that hit Blu-ray in April, here's what we suggest you pick up, starting with the most essential...

'Silver Linings Playbook' - Much more than just that movie with all that "ho heying" in its trailer, David O. Russell's Oscar nominated film is a romantic dramedy with a refreshing edge. Avoiding most (but not all) of the clichéd tropes that plague its genre, the movie's characters feel fresh, and there is real insight layered within the drama and humor that helps the film dance into the hearts of even its most jaded viewers.

Through the story of two broken individuals who find common ground within their mutual distress, Russell taps into a very raw component of humanity. The film's examination of mental illness is multifaceted, finding both sorrow and humor in dysfunction without ever being too flippant or heavy handed. Granted, it's not exactly 'A Woman Under the Influence' when it comes to nuance, complexity, and realism, but Russell's display of sensitivity and honesty with the material is commendable. Not afraid to delve into some potentially dark and unsettling realities, the director doesn't shy away from the hardships his characters' face, nor does he ignore their joys and triumphs, lending the film some genuine bite in both content and cinematic form -- something that most of its genre contemporaries sorely lack.

In her much deserved Academy Award winning performance, Jennifer Lawrence easily cements herself as one of the best actresses working today. Fearless and unfiltered, her manic, spirited portrayal of Tiffany is like a force of nature, oscillating between feisty vigor and devastating vulnerability. There's a palpable level of electricity to her on-screen presence as her character rides a rogue wave of mixed temperaments. Her breakdown in the diner sequence is particularly impressive, unleashing a honed in display of unbridled emotion bursting into fits of passion, frustration, and pent-up fury. Though slightly up-staged by his co-star, Bradley Cooper is also very impressive as Pat, filling the character with a likeable, earnest positivity that's dashed by dangerous anger. They're both wholly flawed and damaged human beings, scarred by trauma, loss, and heartache, and both performers lend their grief real weight and surprising levity. Despite their fifteen year age gap, the pair shares completely natural chemistry, and one never thinks twice about their potential coupling. When they're on screen together, they simply fit -- even when they're nearly at each other's throats. Actually, especially when they're nearly at each other's throats.

As atypical and multi-layered as Russell's approach is, the film does falter slightly here and there. The scene where the climactic bet is made feels a little out of place, with some tonal choices that seem at odds with the rest of the picture. Likewise, the conclusion adheres to tried-and-true romcom sensibilities, and though the destination is disappointingly predictable compared to the more unconventional path that precedes it, the execution is more than strong enough to make it work. At the end of the day, this is really a film about optimism, but unlike other inferior efforts, it doesn't find its positivity through sugarcoated contrivance. It finds it through genuine struggles and pain and hard work. In other words… "Excelsior!"

'Django Unchained' - A spaghetti western about slavery. If it was directed by anyone else, I might have outright balked at such a notion, but under the insane guiding hand of Quentin Tarantino, this precarious concept becomes a pitch-perfect piece of cinematic exploitation. A stylistic throwback remixed with modern sensibilities, 'Django Unchained' is pure motion picture bliss. Fueled by an incredible soundtrack, amazing performances, playful wit, sumptuous dialogue, and wavering pangs of over-the-top cartoon violence and disturbing savagery, the flick is an impossibly bloody and richly verbose gunshot of filmic excess, carefully concentrated into an engaging and wholly satisfying story of revenge.

After his star making turn in 'Inglorious Basterds,' Christoph Waltz reteams with Tarantino, and this time the pair create a character on the complete opposite end of the moral spectrum from the infamous Hans Landa. A perfectly mannered, surprisingly cordial and business-like bounty hunter, Dr. King Schultz is an utterly likeable killer marked by a high code of ethics. A softie at heart, he gets swept up in Django's romantic quest, risking everything to reunite the former slave with his beloved Broomhilda (Kerry Washington). Sickened by the cruel realities of slavery, the man is slowly unraveled by the hellish horrors he sees, revealing his one, sadly fatal flaw… his conscience.

In the title role, Jamie Foxx oozes cool and icy determination. Willing to do anything to save his wife, the character exposes a sometimes unsettling level of fortitude, begrudgingly accepting injustice in order to free his love. Unlike Schultz, he really is willing to walk through hell to get what he wants. Making that hell a reality, is Leonardo DiCaprio in the part of the gleefully detestable Calvin Candie. A very special kind of evil, Candie is like an overgrown spoiled child, selfish and without morals. DiCaprio essentially disappears into the role, displaying so much dedication that he apparently went so far as to literally bleed for the movie.

Violent, disturbing, exciting, funny, and unabashedly entertaining, 'Django Unchained' is a true cinematic anomaly. Tarantino's approach to the potentially controversial content really has no right to work, and yet it does. Through a perfectly balanced mixture of spaghetti western, old school exploitation, revenge thriller, over-the-top action, crackling dialogue, and fully realized characters, the director funnels all of his disparate influences into something bizarrely unique. One could argue (very justly) that a topic like slavery shouldn't be dealt with in such an ostensibly immature manner, but Tarantino's command of tone and style is so secure and tight that it somehow works -- bringing thrills, laughs, and genuine emotion to the story. An explosive culmination of all of the director's varied sensibilities and inspirations, the film is among his very best work, and it easily earns a spot on this month's must own list.

'The Impossible' - An intense, inspirational film about love, hope, and endurance, 'The Impossible' is a non-stop, unrelenting roller coaster of emotion. Through one family's true story of survival, the filmmakers reveal mankind's universal propensity for compassion and unity in the face of unimaginable crisis.

While director Juan Antonio Bayona technically spends very little time setting up the characters and relationships, he uses this comparatively quick preamble to say so much with so little. Economic but potent, these early scenes perfectly establish the family through key interactions, giving the audience just enough to latch onto throughout the following chaos. Brilliantly juxtaposing the peaceful stillness that comes before and after, the tsunami sequence itself is simply horrifying, creating a breathlessly visceral experience that is uncomfortable, disorienting, and frequently painful to watch. Using a mixture of heavy practical effects with fairly minimal CG compositing and embellishments, the rushing waters and raging debris carry a distressing level of reality.

Getting swept up in this violent onslaught, Naomi Watts is simply incredible, turning in an equally primal and affectionate performance as Maria, the mother of three who fights to survive. Nearly torn apart by the disaster, she somehow clings to life, determined to care for her son Lucas (Tom Holland), while her husband (Ewan McGregor) and two other children remain missing and presumed dead. Of course, her wounds make this task incredibly difficult, forcing an occasional role reversal where Lucas has to become the protector and leader. As the character states in the movie, they "took care of each other." To this end, Holland is actually called upon to carry the film during several stretches, and the young actor does an exceptional job. Faced with unrelenting confusion and chaos in the wake of the tragedy, both mother and son do everything they can to not only help each other, but fellow survivors as well. Throughout it all, Bayona maintains a heart-tugging air of inspiration and emotion, and while his methods occasionally veer toward excess sentiment and dramatic contrivance, the core of the story is so powerful and harrowing that these slight oversteps become easily forgivable.

Some have criticized the filmmakers for focusing on white characters and changing the nationality of the protagonists, and while these concerns certainly have merit, judged for what it is, the movie remains a rather striking piece of cinema -- both from a technical and an emotional level. As the real-life Maria imparts in the included special features, this is a film about "people helping people," and on that front, it succeeds wholeheartedly. With incredible, disturbing visuals and powerfully immersive audio, the Blu-ray itself offers a fully enveloping experience that totally engulfs the audience in the characters' plight. This isn't always an easy movie to watch and there are some issues here and there, but the filmmakers and actors do the inspirational story justice, helping to cement this disc a spot on this month's essential picks.

So, there you have it. While there are many titles worth picking up this April, those are our top three must own recommendations. We'll be back next month with three more essential picks, but for now, what do you think of our selection? What are your choices for April's must own titles?

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High-Def Digest's Essential Picks: February 2013

Wed Feb 27, 2013 at 07:15 PM ET
Tags: High-Def Digest's Essential Picks, Essential Picks, High-Def Retailing, Fun Stuff, Steven Cohen (all tags)

by Steven Cohen

Last month we spotlighted a gritty cop drama, a Woody Allen classic, and an action-packed sci-fi reboot. If you haven't already, be sure to check out the Essential Picks for November, December, and January.

After a fairly underwhelming start to 2013, the last few weeks have actually been packed with a great assortment of top-notch Blu-rays, including a 007 blockbuster, an epic clash of kings, and a thrilling Best Picture winner. If you can only buy three titles that hit Blu-ray in February, here's what we suggest you pick up, starting with the most essential...

'Skyfall' - When it was announced that a third Daniel Craig James Bond adventure was finally going into production, I was relieved. Then, when Academy Award winning director Sam Mendes was confirmed to be helming the picture, I was intrigued. And then, when celebrated cinematographer Roger Deakins was announced to be shooting the movie… well, I think had a bit of a film geek heart attack. Suffice to say, I was fully expecting 'Skyfall' to deliver the goods, and thankfully, despite a few easily forgivable hiccups, the impressive creative team delivers in spades.

Fully acknowledging the series' important 50th Anniversary milestone, the script is packed with loving nods to the franchise's history, while also carving a unique identity of its own. All the essential elements of Bond are here -- the exotic locations, the beautiful women, the larger-than-life stunts, the cheeky quips, the shaken (not stirred) martinis, etc. -- but the filmmakers opt to put a slightly new spin on the proceedings, choosing to play up certain classic Bond aspects while diminishing -- but not altogether ignoring -- others. This allows the movie to further the more "realistic" interpretation started in 'Casino Royale,' without losing the sense of escapist extravagance that makes the franchise so fun to watch. The third act does take a notable departure from typical 007 fare, but this gamble pays off, and manages to result in a strong emotional component that emphasizes the interesting relationship between Craig's infamous philanderer and the only woman who's ever truly been able to tame him. In fact, while Naomie Harris and Berenice Marlohe both light up the screen with sultry allure, in her own way, it's really Dame Judi Dench who becomes the film's ultimate Bond Girl.

While 'Quantum of Solace' was forgettable (seriously, I can’t even say whether I liked it or not because I literally don't remember any of it), 'Skyfall' further elaborates on the strong promise established in 'Casino Royale,' leaving viewers with a 21st century 007. The Blu-ray itself is mesmerizing, the Oscar winning sound editing is sure to give your home theater a workout, and Roger Deakins' Oscar nominated (but sadly not winning) cinematography is an absolute treasure trove of eye candy (the film's lighting design is impeccable). Considering the various interpretations the character has gone through over the years, it's nearly impossible to completely satisfy every faction of Bond fandom. Though the flick does have its detractors, I think Mendes and company really have done a remarkable balancing act, resulting in one of the most successful entries in the series to date. Action-packed, exciting, visually arresting, and thoroughly entertaining, this is February's top must own title.

'Game of Thrones: The Complete Second Season' - I'm not sure if I've mentioned this yet, but I really like HBO's 'Game of Thrones.' In fact, I've already spent two lengthy reviews extolling my great love for the series, and yet somehow I still haven't run out of good things to say about it. Hell, now that I look back at my last review, I can't believe just how much I didn't get to touch upon. Every element of the show's production and storytelling is so densely layered, that I could probably go on and on about even the most minute details. With that in mind, I'm now going to use this opportunity to elaborate on two aspects of the series that I failed to discuss in my full review.

First up -- Lena Heady. Wow. The actress was already impressive in season one, but what she does over the course of the second season (especially in episode 9), is just plain incredible. Cercei is not a likeable woman, and it would be all too easy for her character to come across as one dimensional, but the actress completely imbues her with a believable undercurrent of vulnerability and genuine pathos. As Tyrion himself points out, her one redeemable quality is her love for her children, and this comes to a head in episode 9. The actress' performance is simply masterful, balancing every conflicting range of emotion she's experiencing. From her torment of Sansa, to the brilliantly cut sequence where she tells her son a "little story" about lions, and stags, and wolves -- she somehow creates a character that is regal, motherly, petty, manipulative, terrifying, tragic, and reprehensible all at once. In a cast full of standout performances, her turn in "Blackwater" really does rise above them all.

While the first season offered some tiny hints of the supernatural, this batch of episodes takes us further into the realm of fantasy. Newborn dragons, White Walkers, shadow assassins, and creepy warlocks all make appearances, and the show's treatment of magic continues to be unique, avoiding many of the clichés and cheesiness sometimes associated with the genre. In the world of 'Game of Thrones,' spells don't just conjure up with the twirl of a wand. Instead, there is something dark, primal, and inherently physical about the show's take on the otherworldly. Likewise, many of the characters are just as surprised by the mystical happenings as we are, further grounding these supernatural aspects in a certain level of realism. And the season's final shot? Well, much like last year, it's pure fantasy awesomeness.

Again, I could continue pointing out even more impressive feats of acting and writing that litter the series, but really I think you all get the idea. This is one of the best shows on TV, and this set from HBO features demo worthy video and audio, and a great assortment of special features. It's a must own release in every sense of the word. While I continue to count down the days until season three premieres, HBO has decided to help make the wait a little less agonizing by finally releasing the first trailer (embedded below).

You know what? I think I was wrong. After watching that, the wait is even more agonizing now!

'Argo' - A harrowing hostage situation and a cheesy science fiction ripoff. Under normal circumstances, these are two worlds that should have absolutely no association with each other -- but in 1979, the United States Government and Hollywood thought differently. Based on actual events, Ben Affleck's 'Argo' is a classically structured suspense thriller with a true-to-life twist, celebrating the unlikely intermingling of international crisis and flying saucers.

Packed with edge-of-your-seat drama and palpable tension, the movie is among 2012's most absorbing, giving viewers an enthralling and anxiety-ridden experience that holds up surprisingly well under repeat viewings. Every element of the writing, editing, and directing works to create an aura of suspense, and Affleck goes a step further by including a faintly satirical sense of humor that never undermines the film's strong sense of danger. Fun jabs at Hollywood add some levity to the situation, and Alan Arkin and John Goodman both turn in memorable performances. More than just a source of laughs, however, the moviemaking connection is also used to draw some interesting parallels. One cross-cutting montage sequence is particularly striking. As we see images of the turmoil in Iran juxtaposed against an elaborate Hollywood table read (complete with silly costumes and lavish media fanfare), we suddenly realize just how bizarre the incongruity between these worlds is, and just how much is resting on the success of their improbable union.

Really, my only complaint about the runtime is just how transparent the script's third act divergences from history become, with the writer relying on all the most basic and predictable Hollywood suspense embellishments imaginable. Thankfully, though a tad forced, these tried-and-true beats are executed perfectly, proving that when done right, clichéd plotting can actually work. In fact, it can work brilliantly.

The film's final images are actually among my favorites from any movie released last year. Filled with an endearing fondness for science fiction wonder, these closing shots add some nostalgic perspective, further reinforcing the unbelievable reality that rests at the core of the film -- that one day in 1979, a silly little story about spacemen and aliens actually played some small part in helping to save six lives. Recently crowned the Best Picture winner of 2012, 'Argo' is a great suspense film that hits all the right beats. It's not my personal pick for the year's best film, but it's certainly deserving of recognition. This disc from Warner Brothers is technically strong, helping to make the movie an easy selection to cap off this month's top three must own titles. Also, if nothing else, the film is responsible for creating one of my favorite movie catch phrases of all time. Basically, if you don't want to pick up this disc, then just 'Argo' f*&%# yourself!

So, there you have it. While there are many titles worth picking up this February, those are our top three must own recommendations. We'll be back next month with three more essential picks, but for now, what do you think of our selection? What are your choices for February's must own titles?

See what people are saying about this story in our forums area, or check out other recent discussions.

High-Def Digest's Essential Picks: January 2013

Tue Jan 29, 2013 at 03:20 PM ET
Tags: Essential Picks, High-Def Retailing, Steven Cohen (all tags)

by Steven Cohen

Every month, dozens of Blu-rays hit shelves, littering stores with high-def temptation. New releases, catalog titles, complete TV seasons, and elaborate box-sets all vie for affection. With so many worthy releases targeting our wallets, choosing which discs to spend our hard earned cash on can be rather tricky. To make things a little easier, we here at High-Def Digest thought it might be helpful to bring you our top three must own recommendations for the month.

Last month we spotlighted an underwater animated adventure, a blockbuster trilogy's grand conclusion, and an eccentric sci-fi satire. If you haven't already, be sure to check out the Essential Picks for November and December.

With the holidays behind us, January has been a comparatively quiet month for major releases, but there have still been a few worthy gems released in the past few weeks, including a gritty cop drama, a Woody Allen classic, and an action-packed sci-fi reboot. If you can only buy three titles that hit Blu-ray in January, here's what we suggest you pick up, starting with the most essential...

'End of Watch' - Despite the positive critical reaction, I was a little hesitant about filmmaker David Ayer's latest cop drama. I'm a fan of 'Training Day,' but Ayer's directorial debut, 'Harsh Times,' was very problematic, and his follow-up, 'Street Kings,' just plain sucked. Thankfully, 'End of Watch' plays toward all of the writer/director's strengths without falling victim to his previous movies' lofty flaws. A fly-on-the-wall action flick filled with strong characterizations and a surprising amount of heart, the film is both viscerally engaging and emotionally resonant, fulfilling the promise that was only hinted at in the director's earlier work.

Through the story of two L.A. cops who become the targets of a dangerous Mexican cartel, Ayer weaves a potent narrative about brotherhood and sacrifice. Admittedly, the shaky-cam, documentary aesthetic is a little off putting at first, but the filmmaker does a good job of blending this style into the story, gradually making it feel organic without becoming forced or overdone. Instead, what starts out as a minor annoyance actually ends up giving the film an appropriate sense of stark reality, lending the images a raw, unpredictable feel. Likewise, the characters' crass, expletive filled dialogue carries a certain authenticity (and leads to some of the most irritating villains I've ever come across). While there are some embellishments in the heart-stopping action sequences, the director's stripped-down style always keeps the movie grounded, and the violence is brutal, unflinching, and occasionally disturbing without growing too sensationalized.

Beyond the gritty shootouts and beat-downs, this is really a film about friendship, and Jake Gyllenhaal and Michael Pena share wonderful on-screen chemistry. Their unwavering bond is effortlessly conveyed throughout the runtime by both performers, and the pair's relationship proves to be truly affecting. Through their day to day actions as police officers, the director offers a simple portrait of two heroes -- but not of the invincible, square-jawed variety. On the contrary, these are flawed individuals. They make mistakes, they break the rules, they have emotional meltdowns, they curse like sailors, and though they seem tough, they wear their hearts on their sleeves. At the end of the day, the officers always have each other's backs, and when push comes to shove, they step up to the plate to protect the innocent -- even if that means risking their lives. The film's intentional style doesn’t lead to a traditionally impressive technical presentation, but this is an authentic Blu-ray through and through. Fueled by gritty action and heartfelt drama, 'End of Watch' takes the top spot on January's Essential Picks.

'Sleeper' - This month actually sees the release of two classic Woody Allen titles, and together they offer an entertaining contrast. One the one hand, there's Allen's dystopian, slap-stick farce 'Sleeper.' On the other, there's the director's insightful dramedy 'Hannah and Her Sisters.' While I've given the slight edge to Allen's silly sci-fi parody, for all intents and purposes both titles are essentially tied for this spot on the list.

Filled with loving nods to classic science fiction tropes and slap-stick conventions, 'Sleeper' is home to a delightfully goofy charm that places Allen's anxious on-screen alter-ego in an inept totalitarian future. Silly fish-out-of water antics, witty quips, and a few biting bits of satire abound, as Allen's character ends up joining a revolution against the dystopian society's not so oppressive rulers. While the comedy is layered with the writer/director's trademark penchant for neurotic observations, it's the film's frequent bits of physical humor that really end up leaving the most lasting impression. Inspired by the likes of Buster Keaton and the Marx Brothers, Allen's comedic timing is impeccable, and his attempt to disguise himself as a robotic butler is absolutely priceless. A prime example of the director's earlier, sillier period of moviemaking, 'Sleeper' just might be, as reviewer Daniel Hirshleifer states, "Allen's purest comedy film."

One of the director's biggest box office successes, 'Hannah and Her Sisters' offers a much more subtle and at times dramatic experience, but maintains a sweet and ultimately endearing quality. As I mentioned in my full review, Allen's Academy Award winning script is filled with understated insights about family, happiness, and the meaning of life itself. It's not as laugh-out-loud funny as some of the filmmaker's other efforts, but the clever comedy is very potent in sporadic bits (Allen's horrified facial expression during a rock concert just might be the movie's funniest gag). Important epiphanies and smaller moments -- like a rather poignant scene between Hannah and her parents -- are all given equal weight, and the episodic story is tied nicely together through unifying themes. Together, both films serve as great examples of different phases in the celebrated write/director's beloved filmography. 'Sleeper' might take the lead by a very narrow margin, but really, you can't go wrong with either one. Though disappointingly (but expectedly) barebones, both discs are given authentic yet modest technical presentations, and both Blu-ray releases are worthy of a place in this month's list of must-own titles.

'Dredd' - To be perfectly honest, I was actually a little disappointed by this comic book reboot. Perhaps my expectations were simply too high, but I ended up coming away a tad underwhelmed. With that said, the general consensus seems to be pretty positive on this one, and there's no denying that 'Dredd' is a kick-ass action flick. A far cry from the terrible 90s adaptation starring Sylvester Stallone, this new, much more faithful take on the long-running British comic is an exciting and bloody exercise in blazing bullets.

Eschewing traditional plotting and characterizations, director Pete Travis and writer Alex Garland opt for a much more visceral approach, thrusting the protagonist and audience into a tense thrill ride. With just the bare minimum of back-story and motivation, we hit the ground running, finding our law enforcement hero and a new recruit trapped in a building overrun by a vicious drug-addled gang. It's a very thin premise, but it offers a strong set-up for some intense action, and what the film lacks in story, it more than makes up for in pure adrenaline fueled mayhem. Karl Urban turns in an appropriately stoic and grizzly performance as the faceless title character (unlike the Stallone version, he never takes off his helmet), and Olivia Thirlby is very effective as the inexperienced rookie who gets thrown into the deep end (to say the least). Lena Heady also turns in a notable performance as the villainous Ma-Ma, and makes for a thoroughly repellent antagonist.

Visually, this is an overtly stylized and grimy experience, with heavy color correcting used to embellish the low budget, intentionally noisy and digital look. It's not a totally appealing aesthetic, but it fits right at home with the grungy, ugly tone of the story and action (though, I did find the CG blood effects to be oddly disconnected and distracting). It should be noted that I was unfortunately only able to view the film in 2D, and this was one of the first times that I actually felt like I was missing out on a significant portion of the overall experience. One really gets a sense that the cinematography and slow motion sequences were specifically designed for 3D, and I have a hunch that my overall reaction to the film would have been much more enthusiastic if I had been able to see it that way. While I would have liked a bit more character development and a little more meat to the plot ('End of Watch' does a much better job of mixing visceral action with actual emotional investment), 'Dredd' is still an entertaining and engaging example of sci-fi entertainment. If nothing else, it totally eviscerates the bad taste left by its ill-conceived predecessor. I wasn't exactly blown away by it, but the disc still edges its way into January's Essential Picks.

So, there you have it. While there are many titles worth picking up this January, those are our top three must own recommendations. We'll be back next month with three more essential picks, but for now, what do you think of our selections? What are your choices for January's must own titles?

See what people are saying about this story in our forums area, or check out other recent discussions.

High-Def Digest's Essential Picks: December 2012

Mon Dec 31, 2012 at 01:00 PM ET
Tags: Steven Cohen , High-Def Retailing, Fun Stuff (all tags)

by Steven Cohen

Last month we spotlighted a 70mm epic, a classic Hollywood noir, and an amazing comic book reboot. If you haven't already, be sure to check out November's Essential Picks. This month, we're covering an underwater animated adventure, a blockbuster trilogy's grand conclusion, and an eccentric sci-fi satire. If you can only buy three titles that hit Blu-ray in December, here's what we suggest you pick up, starting with the most essential...

'Finding Nemo' - I have a confession to make. Before its Blu-ray release earlier this month, I somehow made it through the past decade without ever seeing 'Finding Nemo.' This wasn't a conscious decision, mind you, as I've always heard nothing but good things about the flick, but the film just somehow continually slipped under my radar. Thankfully, I've now remedied this oversight, and after recently watching the movie for the first time, I've been left with a big old smile on my face (and a lingering bittersweet tear in my eye). Nobody understands family entertainment quite like Pixar, and their heartfelt and hilarious underwater tale about fathers, sons, and neurotic fish shows us exactly why.

The movie opens with one of the most devastating sequences I've ever seen in a Disney film. In fact, it's so heartbreaking that I was almost sure the writers would eventually find a way to undo it, to take it back, to somehow reveal that what we thought we saw was merely a trick. They don't. In fact, not only does the tragedy stick, but its ramifications go on to inform the thematic core of the entire story. You see, unwilling to talk down to their audience, Pixar doesn't shy away from potentially sad or painful emotions. Instead, they delicately use them to fuel the narrative, giving the characters believable motivations while simultaneously infusing the script with universal, relatable struggles. Tackling the hardships of parenthood and the necessities of letting go, the writers weave a perfectly structured journey for our protagonists to embark on, placing an overprotective clownfish on a journey to find his lost son.

While some of my preceding comments might make the film sound a bit gloomy, that couldn't be further from the truth. This is a joyous, hysterical, and genuinely heartwarming effort through and through. Filled with striking creativity, the filmmakers put a fun spin on the underwater world, layering each location with bright detail. From surfer sea turtles, to memory deficient fish, each character is absolutely bursting with personality. Clever jokes and exciting chases pervade the running time, and every thrilling set piece is carefully designed to further the protagonists' developing arcs. The colorful atmosphere of the sea is rendered through gorgeous animation, and thankfully the Blu-ray features demo worthy video and audio. With its all-ages appeal, thoroughly entertaining adventure, touching conclusion, and impressive technical presentation, 'Finding Nemo' is easily December's top title. Simply put, this is the type of release that should only engender one thought as you lock eyes with it on a shelf... "Mine? Mine! Mine! Mine!"

'The Dark Knight Rises' - While it might not be the flawless conclusion that some fans were hoping for, there's no denying that Christopher Nolan ends his 'Dark Knight' trilogy with reasonable style, class, and an appropriate sense of grandeur. Taking Bruce Wayne's story full circle, the director offers a unified and surprisingly finite take on the iconic character, closing the book on his very successful interpretation of the Caped Crusader. Yes, there are some notable issues throughout the runtime, including lapses in logic, pacing concerns, clunky plotting, muddled themes, unnecessary spectral cameos, and an eye-rolling shout-out to a certain boy wonder, but I found most of these faults to be forgivable -- especially whenever Anne Hathaway is on-screen.

In one form or another, Batman has been around for over seventy years. Throughout that span, countless creative teams have left their mark on the character, continually elaborating on, re-imagining, and re-inventing his world. While we all might have our favorites, there can be no real definitive version of Bruce Wayne and his crime fighting alter ego. After all, the comic book exploits of legendary superheroes are fated to continue indefinitely, and it's unlikely that DC's Dark Knight will ever get a true final issue -- but with the conclusion of his three film trilogy, Christopher Nolan is given a rather unprecedented opportunity. He actually gets to give Batman an ending. It's not perfect, and it might not be what some expected, but taken as a whole, the 'Dark Knight' series offers a satisfying, thrilling, and intelligent example of pop entertainment done right. The future of the franchise is pretty much up in the air at the moment (and further complicated by Warner's seemingly ill-conceived 'Justice League' plans) but the film serves as a fitting swan song for Nolan's striking vision... incoherent Bane mumblings aside.

How the 'The Dark Knight Rises' stacks up against the series' previous entries is debatable, but this is certainly one of the month's most hotly anticipated releases. Coupled with a strong soundtrack and an impressive video transfer (those IMAX scenes look spectacular!) the film earns a clear spot in December's essential picks. Also, as a side note, fans of Nolan's blockbuster efforts should definitely check out Criterion's recent release of 'Following,' the director's independent debut. It might not have the home theater allure of his final 'Batman' outing, but in many ways, I actually think it's the better movie.

'Brazil' - Few Terry Gilliam productions make their way to screens without some form of backstage controversy -- and his satirical science fiction masterpiece, 'Brazil,' is certainly no different. Subject to infamous studio tweaking (including a wisely abandoned "love conquers all" version), the film's release has quite a divisive history. Thankfully, in the end, Gilliam's vision prevailed, mercifully sparing the world from having to witness a butchered edit of his maddening opus. A dark, witty, disturbing, and at times even whimsical descent into Orwellian dreams and nightmares, the movie is funny, haunting, and utterly bizarre all at once. Also, it gets bonus points for featuring Robert De Niro as some kind of heroic air conditioning repairman. Yes, you read that correctly. This film is weird. Oh so wonderfully weird.

Presenting a dystopian satire on the inherent insanities of never-ending bureaucracy, incompetent totalitarian government, and soul-crushing industrial society, the script offers a biting, comedic take on many of the concepts found in George Orwell's classic novel, '1984.' Mixing absurdist humor with occasionally goofy, slapstick sensibilities, Gilliam creates a darkly farcical tone that often blurs the line between fantasy and reality. Captured in dizzying wide angle images, the visuals are frequently exaggerated and distorted, perfectly reinforcing the story's own manic and erratic beats. By the time the film's dizzying climax comes around, it becomes clear that we've entered a surreal fever dream gleefully hatched by a trio of insanely brilliant Brits. Masked by its deceptively jaunty theme music, the movie maintains a pitch-black underbelly throughout its sardonic runtime, and as funny as the whole affair can be, there really is an unsettling edge to the experience. Concluding with a bittersweet retreat into escapist fantasy, the film leaves us with the sorrowful sound of blissful madness tragically aching for romance -- all modestly captured in seemingly harmless verse...

"Brazil, when stars were entertaining June, we stood beneath an amber moon. And softly murmured someday soon..."

Previously released by Universal, this new Criterion disc offers a solid upgrade with improved video and a plethora of great special features. While it might not have the mass appeal of the previous two picks in this list, the movie is a definite must own for fans of more off-the-wall, out-of-the-box filmmaking. For those still in need of a bit more convincing, however, be sure to check out the clip below for three more reasons to pick this title up, straight from the horse's mouth.

So, there you have it. While there are many titles worth picking up this December, those are our top three must own recommendations. We'll be back next month with three more essential picks, but for now, what do you think of our selections? What are your choices for December's must own titles?

See what people are saying about this story in our forums area, or check out other recent discussions.

HDD Home Theater Connections: Year-End Wrap Up

Wed Dec 19, 2012 at 04:10 PM ET
Tags: Daniel Hirshleifer, HDD Home Theater Connections, High-Def Retailing, Industry Trends (all tags)

by Daniel Hirshleifer

High Def Digest is dedicated to bringing you the best coverage of Blu-rays that you can find anywhere on the net, but no matter how great a disc is, it won't shine without a great home theater setup. People might balk at the thought of the time and cost involved, but we're here to tell you that updating your hardware doesn't have to be a painful experience. With that idea in mind, we proudly present a new column: HDD Home Theater Connections. We'll comb through all the new technology and present the best of it right here, month after month.

As 2012 comes to its end, we thought it appropriate to look back on a year of tech and select the best displays, players, accessories, gadgets, and anything else that caught our eye. We're going to focus our coverage on items that are generally affordable, so while there may be really great high end products on the market, those won't be what we're highlighting. Instead, we will focus on the best affordable tech, in the hopes that people who don't have unlimited funds will find it useful.

Best TVs of the Year

For the longest time, it seems like the focus for HDTVs was to get them slimmer, lighter, and cheaper. Within the last few years, manufacturers have reached many of those goals, meaning that now they can spend their time on design and picture quality. This year, there have been some great TVs in multiple categories that justify an upgrade without breaking the bank.

When it comes to flat panels, LCD and LED have grown by leaps and bounds, but to my mind, the leader in picture quality remains plasma. And when it comes to plasma, no one does it better than Panasonic. This year saw many strong televisions from Panasonic, including the top of the line VT50, but the PST50 is the real winner, coming in at half the price of the VT but with nearly rival picture quality. The PST50 has top-notch black levels, color reproduction, and tackles bright lighting without breaking a sweat. The model has gotten rave reviews across the board, and even several professional calibrators have piped up with praise for this display. It's well equipped with three HDMI ports, and SD slot, and wifi with a suite of VIERA connect apps such as Netflix, Hulu, YouTube, Pandora, and more. You can even download an app to control the TV through your tablet or phone and share content between devices. The one downside is that although the display does offer good 3D support, there are no glasses included, and the active shutter glasses that work with it are not cheap.

Available in 50", 55", 60", and 65" models, the Panasonic TC-PST50 is simply the best bargain on the market, with the 50" currently going for just shy of a grand on Amazon. It's so good that I bought one for myself. Don't look at it as authorial bias, but rather a case of putting my money where my mouth is. I can tell you from personal experience that the PST50 is an absolute knockout of a television.

If plasma isn't your thing, you should take a look at Samsung's EH6000 line. It uses LED backlighting uniformly throughout the display and offers a sharp and uniform picture. The black levels won't compare to the Panasonic, nor does it offer Smart TV options (although you can jump over to the EH5300 line for that if you don't mind having a 60Hz TV versus the 120Hz refresh rate that the EH6000 line offers). The unit does offer built-in media playing capability through flash drives, however. The Samsungs are cheaper than the Panasonics, with the 55" model going for the same price as the corresponding 50" plasma, so if you want a little more size for the buck, this isn't a bad way to go. And if you're not interested in 3D, then don't worry—these televisions don't offer them.

If you've got a lot of space to fill, flat panels aren't going to do it. Oh, sure, manufacturers push massive flat screens, but they're prohibitively expensive, and mainly used for businesses. If you want a throw bigger than 65", it's probably time to start looking at projectors. Projectors start with a higher base price than a television, but given the sizes you can reach, the price per inch makes them a much better value. Also, by front projecting onto a screen, you get an experience that really puts the "theater" in home theater. The BenQ W7000 projector offers a pleasing picture at a 50,000:1 contrast ratio, with stellar 3D, and a good host of features often not seen on lower end projectors, and currently runs less than $2,000 on Amazon. Given that it can project up to 300 inches, that's an absolute steal. If you're just getting started in the world of projectors, you could do a lot worse than the BenQ W7000.

2012 is also the last year that Mitsubishi will be manufacturing consumer televisions. I personally had a Mitsubishi rear-projection DLP TV for many years, and I am very sad to hear they will no longer be competing. Mitsubishi's departure effectively ends the presence of rear-projection DLP and laser televisions in the home theater market. If you're a fan of either of those technologies, you might want to grab a new Mitsubishi set before retailers run out of stock.

Best Audio of the Year

As we all know, great sound can make a movie. Imagine a shootout without bass-heavy gunshots, or a musical without warm, expansive mid tones. Without the right receiver and speakers, even the best movie is going to feel decidedly underwhelming.

Receivers used to be a simple device designed to pass sound to a set of speakers. But with the advent of lossless sound, music streaming, HDMI cables, and other entertainment innovations, receivers are now essential hubs that connect the various elements of your home theater to make a cohesive whole. These days, choosing the right receiver can mean the difference between frustration and perfection. Budget receivers are frequently lacking in inputs, features, or both, but the Sony STRDN1030 is a powerful, full-featured receiver that comes at a reasonable price. This 7.2 receiver has 145 watts per channel, five HDMI inputs with 3D pass through and audio return channel. More importantly, it has built in wifi and Bluetooth for wireless streaming from other devices, as well as connecting to music services like Pandora and Slacker. Some reviews have noted that while the Sony is quite loaded with features, it has a poor user interface that can be difficult to navigate. The STRDN1030 normally retails for $500, but right now is going for $100 off at Amazon.

Another alternative is the Onkyo NR line of receivers. Their wattage ratings are lower, but at the levels we're talking about you won't hear any appreciable difference. What you will notice is the difference in price. The TX-NR414 5.1 channel receiver goes for under $300, while the TX-NR515 7.2 channel model is currently available for a hundred less than the sale price on the Sony. These receivers don’t have built-in wifi, but you can buy a dongle that adds such functionality for $25. The one thing this won't add is AirPlay, which the Sony has built in, although the Onkyo has a USB port that you can plug your iPod into, and even is preset to control an Apple TV, which does offer AirPlay. The Onkyos do have more HDMI inputs than the Sony, and Onkyo is a generally well-regarded name in the A/V field, although their unit reliability could be better.

Of course, once you get your shiny new receiver you'll need some speakers to pump out all that delicious sound. A lot of hay is being made about sound bars these days, which offer decent sound without requiring a receiver, but the convenience is more than outweighed by the loss of sound quality. To really bring your home theater alive, you need a true surround sound system. You might be tempted to buy a home theater in a box, which gives you a receiver and 5.1 set of speakers, but you'll almost certainly get a subpar receiver along with poor speakers. Instead, consider something like the Energy Take Classic 5.1 set of speakers. This $400 set of speakers has a small footprint, but large sound. It's the best-reviewed budget speaker set on the market for the price. $400 might seem a bit steep if you just spent a comparable amount on a new receiver, effectively doubling the price of your purchase, but if you don't get quality speakers, you might as well have wasted the money you spent on the receiver.

All The Rest

Now that you have all the big components in place, you'll need a few more items to really make things complete: Devices to play content, something to control all these devices, and cables to connect them all.

There are more ways to view media today than ever before. For a comprehensive rundown of different devices, check out our article on streaming services. If you want to play Blu-rays, the Playstation 3 is a powerful, versatile system that allows you to play Blu-ray, video games, and use multiple streaming services. To keep prices down, you could skip the PS3 and go for a Panasonic DMP-BDT220, which offers great Blu-ray playback, wifi for access to streaming services, and 3D support. It's currently going for $100 at Amazon.

If, like me, you have an ever-growing army of devices in your home theater, a universal remote is an essential addition to keep everything simplified. When it comes to universal remotes, there's only one name you need concern yourself with: Logitech. The Logitech Harmony line of remotes has ruled the roost for years. In fact, their products are so thoroughly entrenched as the industry leader that they haven't updated their selection in quite a long time. In October they released the Harmony Touch. While previous remotes like the Harmony One, the Harmony 900, and Harmony 1100 all had touch screens, the Touch is designed to maximize screen space and reducing physical buttons while maintaining a traditional form factor. The touchscreen is more advanced and interactive than previous Harmony remotes, and you can finally program it without plugging the accessory into a computer, a great boon that will save you a lot of time.

However, at over $200, the Harmony Touch and other similar remotes can be a price you don't want to pay after spending so much to overhaul your system. And it's a price you may not need to pay. A lot of smart phones and tablets have apps that can interact with the various devices in your home theater. A 7-inch Samsung Tab is cheaper than most Harmony remotes and can do much more than just interact with your TV. If you subscribe to streaming services, you can view them on your phone or tablet when you're not at home, or in another room. The downside is that not every device will have a remote app, so you may still have to use the supplied remotes every once in a while.

Finally, let's not forget cables. Most new TVs and players will have built-in wifi, so you probably won't have to deal with too many Ethernet cables. HDMI is the standard connection for home theaters, as it passes HD sound and picture in one cable. If you're planning on having a 3D setup, you'll want to make sure you have HDMI 1.4 all the way along your connection chain. One interesting new wrinkle in the HDMI game is the introduction of Redmere technology. Redmere cables are much thinner than normal HDMI cables, about as thick as a USB cable. This is great for cable management, as HDMI cables can normally be a pain to organize. This is even more important if you're using long runs of cables, because HDMI cables need to be thicker as they get longer, but Redmere cables can stay just as thin at any length. Of course, they aren't as cheap as normal cables, but if you need thin cables, the technology is now available.

This past year has seen a lot of great technological releases. Who knows what we'll see in 2013? What we do know is that if it's gear, and if it's good, you'll be hearing about it at HDD Home Theater Connections!

See what people are saying about this story in our forums area, or check out other recent discussions.

High-Def Digest's Holiday Gift Guide 2012: HD Gear & Demo Material

Thu Dec 13, 2012 at 04:30 PM ET
Tags: HDD Holiday Gift Guide, Holiday Gift Guide 2012, High-Def Retailing, Michael S. Palmer (all tags)

We've once again researched and tested the top equipment available, watched all the latest Blu-rays on the market, and scoured the net for the very best deals, all to give you HDD's 2012 Gift Guide to HD Gear & Demo Material!

by Michael S. Palmer

Happy holidays, HDD Readers!

Tis the season where you best be on the lookout for new HD gear for your loved ones (or yourself!). 2012 has been an exciting high definition year for me, personally. A few months ago, I purchased the 3D Plasma display of my dreams, a Panny VT50 along with a new 3D-capable AVR. For enthusiasts like us, other than your very first HD purchase, I'm not sure if there's anything better than swapping out aging gear for the latest and gee-whiz greatest. When I was a kid, we had the same TV for what felt like centuries, and then, when we did go out and get a new one, chances are we placed it right on top of the old TV because it was too heavy to remove. But everything changes so quickly these days... Blu-ray version 1.0 to 2.0. HDMI 1.1 to 1.4a. 3D. 4K capabilities. It's hard to keep up with the technology itself, let alone the cost of constant upgrades.

So we wait. Years go by. Prices plummet. And finally, when we can't takes it no more, a trip to the store to research the 2012 HD Gear Gift Guide turns into an cat n' mouse dance of haggling and epic credit card bills. Enough about me, though. I want to let you guys know about some excellent 2012 gear at a few different price points. Everything here is top notch in terms of image and sound, and includes all the latest Internet connectivity, streaming, and 3D capabilities.

Friends, I hope this is your year for an upgrade. I hope you love what you get. I hope you inspire passion in others to care about picture and sound. But most of all, thank you for reading our humble site.

Thank you for loving film and television.

DISPLAYS

Bargain 3D: Panasonic's ST50 Series.

What's to Love: Other than a few filters, calibration menus, appearance, and THX-mode, Panasonic's cheaper plasmas include most of the same technology from their flagship televisions. According to CNET, the ST50 series outperforms black levels on most 2011 plasmas, and you can pick up one for less than $1,000 (for the 50-incher) and less than $2,000 (for the 65-incher). They also include built-in WiFi with access to Vierra Connect streaming services. The ST50 series are available in the following sizes: 50-inches, 55-inches, 60-inches, and 65-inches.

Potential Tradeoffs: There are certainly better televisions, and cheaper televisions, but there aren't any televisions that are bigger and better at these price points. As always, plasmas are constructed with a reflective glass panel, which isn't great in overly bright rooms.

For the Bright Room: LG's Cinema Screen LM6700 Series.

What's to Love: Light and bright, the beautifully styled LG LM6700 series TVs are Internet ready, ship with six pairs of passive 3D glasses, and features 4 HDMI inputs. They do need a bit of calibration to tone down the factory defaults, but once set up right, these TVs look sharp and don't suffer from terrible amounts of light bleed. The 55-inch LG-55LM6700 will set you back just under $1,500, and the smaller 47-inch LG-47LM6700 just over a grand.

Potential Tradeoffs: Passive 3D technology may be a little easier on the eyes than Active Shutter glasses, but there's a trade off in resolution, which may be noticeable to some viewers.

Best Overall Picture Quality: Panasonic VT50 Series.

What's to Love: Panasonic's flagship VT50 series boasts the inkiest black levels of any plasma television available in 2012. It's still not quite KURO good, but it's damn close. The VT50 is built with a single sheet of glass, making the display appear slim and futuristic. The built-in ambient filter also helps reduce reflections. I just purchased one of these, and the 3D experience is truly immersive and breathtaking (check out the 3D demos listed below). I tested a passive 3D TV last year for this list, but didn't love the loss in resolution. Some active shutter glasses give me headaches, but I've watched full two to three hour movies on this TV and enjoyed every minute. Incredible picture and black levels, I can't recommend this display enough. The 65-inch TC-P65VT50 is under $3,400 and the 55-inch TC-P55VT50 is under $2,300.

Potential Tradeoffs: It's pricy, does not come with any $80/pair 3D glasses, the included plastic stand is surprisingly flimsy, there is minor crosstalk with 3D content, and side-facing HDMI inputs are annoying.

Better Black Levels than Kuro: Sharp Elite PRO-X5FD LED TVs.

What's to Love: From what I've seen and read, this is the best looking LED TV on the market, with black levels and contrast that outperforms even the old Kuros. The massive 70-inch Pro-70X5FD, and the 60-inch Pro-60X5FD will set you back around $5,000 and $4,600, respectively, and includes two pairs of 3D glasses.

Potential Tradeoffs: The most expensive model listed here, the X5FD might be overkill and it doesn't perform as well at off-angles than the aformentioned plasmas.

BLU-RAY DISC PLAYERS

Best Bang for Your Buck: Panasonic DMP-BDT220.

What's to Love: Much like last year's BDT210, the Panasonic BDT220 loads Blu-rays faster than just about any standalone machine, plays back 3D content and, thru Viera Connect and built-in WiFi, includes all the best streaming services like Netflix, Hulu Plus, Vudu, Amazon, Pandora, Skype, and MLB.tv. There's also an front panel SD card slot and USB input. CNET calls it the "best Blu-ray value of 2012". Pick one up for less than $100.

Potential Tradeoffs: No support for DivX, Xvid, or subscription music services like Spotify.

The Gold Standard: OPPO BDP-103

What's to Love: Brand new for this year, the BDP-103 includes everything we love about Oppo BD players -- 3D playback, the ability to play just about any digital file, 7.1 analog audio outputs -- but its Marvell Qdeo video processor is capable of upscaling video to 4K. There are also dual HDMI outputs as well as dual inputs to take advantage of the audio and video processing on board. Through in unmatched build quality, Netflix/Pandora/Vudu streaming, and Vertical Stretch Mode for constant height projection setups, and this is an outstanding Blu-ray player. [FYI, if you're big on importing titles, for a few hundred dollars more, you can get a Region Free OPPO BDP-93.]

Potential Tradeoffs: At $499, Oppo Blu-ray players are more expensive than many stand alone units.

A/V RECEIVERS

The Entry Level Bargain: Onkyo TX-NR616.

What's to Love: For less than $350, we have a networkable 7.2 AVR with 115w (x 7 channels) of power, 8 3D-ready HDMI inputs, iPod compatibility, Internet Streaming (vTuner, Spotify, Pandora, SiriusXM, Rhapsody, Last.fm), and it decodes all the modern HD Audio codecs. If that weren't enough, there's also THX Select 2 Plus certification, MHL HDMI port for portable electronics, and 4K upscaling.

Potential Tradeoffs: No built-in AirPlay.

The Mid-Level Performer: Denon AVR-2113ci.

What's to love: For right around $650, this 7.1 receiver (95 watts per channel) features AirPlay, 6 3D-ready HDMI inputs, FLAC HD Decoding, streaming (Pandora, Flickr, Rhapsody), GUI overlay, and decodes all the modern codecs including Dolby Pro Logic IIz. Some will argue the AVR-1913 is the better deal, but for about $70 more, the 2113ci includes an extra year of warranty, Audyssey's MultEQ XT calibration software, powered Zone 2 audio, and 4K upscaling.

Potential Tradeoffs: Less powerful than the cheaper Onkyo and the more expensive Denon 2313ci.

The Beast: Marantz SR7007.

What's to Love: 125 watts times 7.2 channels with seven 1.4a (3D capabile) HDMI inputs and three selectable HDMI outs, streaming on your home network or Internet, 4K video upscaling, built-in AirPlay multiple room calibration software options, and some higher end connections for remote control systems. This AVR will blow the doors off all but the largest media rooms.

Potential Tradeoffs: Well, there's no built-in power for 9 or 11 channels of sound.

ACCESSORIES

A Portable Pocket Projector: Nikon Coolpix S1200pj

What's to Love: This compact Nikon digicam is not only a 14.1 megapixel camera capable of recording 720p HD video, but it includes a built-in projector capable of creating up to a 60-inch screen from a distance of about 10 feet. There's also an adaptor cable that allows you to run the projector from your iPad, iPod, or iPhone. That way you can play any movie or TV show stored on your iDevice in addition to the picture and video content on the camera itself.

Potential Tradeoffs: Definitely not intended for Blu-ray viewing, the screen size isn't exactly mind blowing and it's not full 1080p projection.

Bargain Cables: Monoprice & Amazon Basics.

What's to Love: Monoprice is my go to supplier for all cables and connectors. They're cheap and well made. Relative newcomer Amazon Basics has some good prices as well (though not as much of a selection).

Potential Tradeoffs: None. I can't say it enough… you save boatloads NOT buying big box store wires and cabling for your system. Audiophile-super-cables? Please. Audiophiles have been tricked in listening tests over and over again.

Universal Remotes: Logitech Harmony Touch Universal Remote .

What's to Love: I really enjoy my Harmony One and PS3 Adapter even though my PS3 Adapter is on the fritz (who knew something that just sits on a shelf could break?), but this year's new Harmony remote features an all new touch screen configuration with a customizable interface for each of your devices and/or activities. Another nice feature is that it doesn't require software installed on your computer, but utilizes MyHarmony.com.

Potential Tradeoffs: No RF support for this model and those used to previous Logitech software may take some time to learn the new system.

DEMOS

Now that you've picked up awesome new gear -- and calibrated picture and sound with something like 'Disney WOW World of Wonder' -- it's time to show it off and test it out. 2012 has been a fantastic year for Blu-ray, with a rising number of reference quality video and audio presentation. A figurative and literal Holy Grail of classic titles from Steven Spielberg and Alfred Hitchcock and David Lean are now available. Here's a sampling of my favorite 2012 discs in the audio and/or video departments:

Box Sets and Classics. We're still in the middle of reviewing all the titles from 'Alfred Hitchcock: The Masterpiece Collection' and 'Bond 50', but these pricey collections offer many firsttime Blu-ray presentations of our favorite movies. Hitchcock fans will also enjoy seperate releases of 'Strangers on a Train' and 'Dial M for Murder', which is the first '50s-era 3D film I've ever seen. 'Lawrence of Arabia', after years of Sony's hard restoration work, is not only one of the best action movies ever filmed, but an absolute Blu-ray stunner. 'Sunset Boulevard', Billy Wilder's scathing tragic tale of behind-the-scenes Hollywood looks gorgeous. Lastly, 'Indiana Jones: The Complete Adventures' confirmed that Adventure only has one true name. The films practically look brand new.

5.1 audio. Fewer and fewer blockbuster films are being produced with 5.1 surround sound thanks to the advent of 7.1 and Dolby ATMOS theatrical surround formats, but there are a few must-haves that will show off your system. 'The Dark Knight Rises' (also available in full trilogy form) mirrors its IMAX presentation by alternating between 2.40:1 and 1.78:1 aspect ratios; the native IMAX footage looks gah-mazing and the reference quality soundtrack is bombastic. 'The Raid: Redemption' is an uber violent martial arts movie that will delight your inner Kung Fu master. 'The Grey' is a poetic look at a broken man's struggle against his guilt and the wolves hunting him. Though not for everyone, I can't recommend it enough. And though it won't win any audio awards, save for a few moments of rumbling thunder, 'Ted' looks pretty darn snazzy as well -- you'll never believe the foul-mouthed stuff teddy bear is a fully CGI creation.

7.1 audio. Most of the awesome 7.1 sound mixes are also available in 3D, one paragraph below. 'Mission Impossible - Ghost Protocol' includes reference quality audio that is dynamic and immersive throughout (the only complaint is, unlike TDKR, its IMAX-filmed scenes are not 1.78:1 aspect ratio). Also, while I wasn't sure whether to list these under classics, but since I needed more 2D 7.1 options, 'E.T.' and 'JAWS' have been born again with modern 7.1 mixes. Not to say that they're completely different experiences, simply what we loved about the original with a little bit more of an immersive feel.

3D. I've become a little 3D-obsessed, personally, because I finally purchased my first 3D display. What a year for the format. Computer animated movies are always guaranteed demo material. Favorites like 'UP' and 'Finding Nemo' join newer productions like the merry 'Arthur Christmas', the fate-changing 'Brave' -- which you can watch with the Dolby-prepared Audio Lover's Guide -- and suprisingly hilarious 'Madagascar 3'. As a stop-motion film, 'The Pirates! Band of Misfits' is a delightful, family romp. If live action is more your style, 'Avatar' is finally available to non-Pansonic customers, and 'Titanic' might be the best post-conversion ever done. 2012 blockbusters 'Prometheus' and 'The Avengers' feature stunning imagery and killer sound mixes. Lastly, don't forget to check out the best 3D Halloween Movies.

Well, the HD Gear & Demo Gift Guide for 2012 , dear readers. What's your dream gear or demo disc for this holiday season? Hit up the forums to let us know what your giving, or getting, or both!

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High-Def Digest's Essential Picks: November 2012

Mon Nov 26, 2012 at 05:55 PM ET
Tags: High-Def Digest's Essential Picks, High-Def Retailing, Steven Cohen , Fun Stuff (all tags)

by Steven Cohen

From important classics to contemporary blockbusters, these are the discs that we consider to be the absolute cream of the crop. High quality releases with great video, audio, and supplements, these are the Blu-rays that are truly worth every penny. If you can only buy three titles that hit Blu-ray in November, here's what we suggest you pick up, starting with the most essential...

'Lawrence of Arabia' - David Lean, Peter O'Toole, and a really, really big desert -- all shot on 70mm, beautifully restored, and presented in nearly pristine 1080p. What more needs to be said? While motion picture epics already existed before its release, this is the film that defined the genre. This is the film that set the standard. This is the film that went on to influence countless imitators. And this is the film that still stands high above them all.

Grand, sweeping, and utterly captivating, 'Lawrence of Arabia' is a flawless exercise in cinematic splendor. Lean's images are so wide and breathtaking that they seem to extend forever, infinitely cascading beyond the edge of the frame, evoking an almost limitless scope. O'Toole's iconic performance blends pride and mortality, capturing the larger-than-life grandeur of myth, and the fragile sting of flawed humanity. Maurice Jarre's famous music soars so high, that if one listens to the score with their eyes closed, they can still see the film's boundless vistas. Filled with rich thematic texture, the movie offers a stirring character study on par with the greats of literature, and somehow manages to simultaneously push the visual boundaries of the medium. A mesmerizing fusion of tantalizing sight, rousing sound, and powerful storytelling, the film's nearly impossible ambitions are only rivaled by those of its central character -- but while Lawrence might falter at the hands of his own hubris, Lean somehow succeeds completely, revealing an almost inhuman command over epic moviemaking.

Coupled with exceptional video, audio, and extras, this is the month's truly indisputable MUST OWN release, and big fans should seriously consider picking up the beautiful 4-Disc 50th Anniversary Collector's Edition that contains even more goodies. While the high-definition medium is home to many standout demo worthy discs, in many respects, this is the film that Blu-ray was made for.

'Sunset Boulevard' - During his acceptance speech for Best Picture at the 84th Academy Awards, 'The Artist' director Michel Hazanavicius made special note to thank three very important people: "I want to thank Billy Wilder, I want to thank Billy Wilder, and I want to thank Billy Wilder." While it might seem like overkill, there really is no exaggerating Wilder's immense influence on cinema, and Hazanavicius' gracious sentiments mirror those of countless filmmakers across the globe. Why is Wilder such a revered figure in the world of motion pictures? Well, to answer that question, one needs to look no further than 'Sunset Boulevard.' A scathing satire, grotesque tragedy, and suspenseful film noir all skillfully bound together, the movie is among the celebrated director's very best work -- putting it among the best the industry has to offer.

After already covering the movie at length in my own review, I was initially worried that there might not be much left to talk about here. As it turns out, that isn't the case at all. You see, with films like 'Sunset Boulevard' there is an almost infinite amount of material to discuss. Why, after perusing my original critique, I now realize that I didn't even mention Eric von Stroheim's masterful turn as Norma Desmond's loyal servant, or Nancy Olson's spirited portrayal of the plucky and innocent Betty Schaefer. I also didn't address how the film's script mirrors the actual lives of several of its actors, paralleling some of Swanson and Stroheim's own experiences in rather incredible ways. And then there's Franz Waxman's powerful score which perfectly complements the escalating drama, and all of the little details that Wilder places in the background of his scenes, and the sweet but doomed love story, and the scene where Gillis and Betty take a romantic stroll through the Paramount lot, and the various, biting jabs at Hollywood, and that shot where Gillis stands behind the mansion's gate with Desmond perched up behind him, invading the frame like an ominous specter, and the… well, I could go on and on. Suffice to say, this really is a timeless classic worthy of all the praise it receives, and thankfully, this disc does the movie justice.

To understand the immeasurable gratitude expressed by contemporary filmmakers toward Billy Wilder, one could really watch any number of his movies ('Some Like it Hot,' 'The Apartment'), but 'Sunset Boulevard' ranks up there with the best. As I said in my review, this is perhaps the greatest film from one of Hollywood's greatest directors, and it's presented on Blu-ray in a fantastic release, easily cementing it as one of November's essential picks.

'The Amazing Spider-Man' - To be honest, I really wasn't sure what to expect from this comic book reboot. While there are aspects of Sam Raimi's trilogy that never really clicked with me (especially in the troubling third installment), I mostly enjoyed the 'Evil Dead' director's take on the character. This left me wondering if the franchise really needed a brand new start, and unfortunately the film's initial trailers did nothing to mitigate my concerns. Though noticeably grittier, Marc Webb's effort looked like more of the same, and the strange emphasis on Peter Parker's parents and their mysterious past seemed like a very misguided attempt to set this origin story apart. Thankfully, despite a few minor missteps, the movie succeeds wonderfully, and even manages to improve upon some elements that Raimi and company never really figured out.

Sure, some major beats from the 2002 film remain (this is still 'Spider-Man' after all), but the filmmakers offer a fresh enough take on the material to make it all worthwhile. Most notably, Andrew Garfield presents a more well-rounded version of Peter Parker/Spider-Man. While Maguire did a solid job with the character's nerdy, goofy, and heroic qualities, Garfield not only nails the lonely outcast aspect of the webslinger, but he also elaborates on his sarcastic side as well. You see, Peter Parker might be a shy introvert when he's not in costume, but as soon as he puts that mask on he becomes… well, kind of a jackass. In a good way, of course. Don't get me wrong, he grows into a selfless hero through and through, but he also likes to trash talk with his enemies while spitting out various quips at their expense. This was something Raimi's film's never really got right, but here the filmmakers play up the character's sarcasm gleefully. Going along with Spider-Man's more limber personality, Garfield and his stunt doubles (both living and CG) seem more agile in the costume. This makes the fight scenes and webslinging feel a little more dynamic than some of the comparatively stiff sequences from the previous trilogy. There are still some stumbles here and there (the villain's splintered psyche is a little too similar to the Green Goblin's, and a few scenes are pretty cheesy) but the casting is mostly spot on and the action is great. Despite being a retread of the character's origin story, the movie differentiates itself just enough and shows some very promising potential for future installments.

The Blu-ray disc comes packed with demo worthy video and audio, as well as an extensive collection of supplements, making it one of the month's most impressive releases. Really, the only downside to the flick is that it now desperately makes me wish that this version of Spider-Man could go hang out with 'The Avengers.' Though the properties are owned by different studios, some of the producers have expressed interest in making this happen. I'm not exactly holding my breath, but anything is possible (especially when there's money to be made). Come on, Sony, look at how much fun the characters in Marvel's cinematic universe are having together. Spider-Man wants to play too! Nerdy wishful thinking aside, even all by his lonesome, the character shines, and this great disc is easily one of the month's essential picks.

So, there you have it. While there are many titles worth picking up this November, those are our top three must own recommendations. We'll be back next month with three more essential picks, but for now, what do you think of our selection? What are your choices for November's must own titles?

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High-Def Digest's Favorite Deals for Black Friday 2012

Wed Nov 21, 2012 at 03:15 PM ET
Tags: High-Def Retailing, Black Friday, Black Friday 2012 (all tags)

Black Friday is a very cool time to pick up cheap gear, but there's a lot to wade through to find the stuff that's actually worth buying. For the average shopper, a $300 TV from a no-name brand may be fine, but it becomes more difficult when you're looking for quality. We've looked through the ads, parsed out the goods, and come up with a list of some of the best retail deals available this Black Friday.

Keep in mind, this list doesn't include Amazon, which is constantly shifting its deals. Before getting in a 4am line outside your local big box store, make sure you check the net first. You just might find the same deal there, but without the hassle of waiting in the freezing cold.

Best Buy

Roku 2 XS - $79, XD - $59

Roku makes some of the best set-top streamers on the market, and Best Buy is knocking $20 off of the already low price for Black Friday. For $79, the Roku 2 XS gives you motion control, 1080p video, a free copy of Angry Birds and all of the streaming options you'd expect from Roku.

Logitech Harmony 650 - $39

The Harmony 650 goes for around $60 during the rest of the year, so you're getting a good chunk off here. The remote handles up to five different devices and gives you a color screen to assist with control and setup.

Denon AVR1613 5.1 Channel Receiver - $274

The AVR1613 is a fairly baseline home theater receiver, including more common features like AirPlay, USB connectivity and Ethernet networking, but for those simply looking for 5.1 channels of quality audio will find Denon's receiver more than adequate – especially at $120 off of its usual price.

The Lord of the Rings Blu-ray Trilogy Extended Edition - $39

The whole purpose of the sentences written after each item is to give the reader context, and explain the benefits of something. If you need to know the benefits of picking up 'The Lord of the Rings' on Blu-ray for a surprisingly low price, nothing I write can help you.

Panasonic TC-L55ET5 55” TV and SC-HTB350 Soundbar with Wireless Sub - $1,049

This is a pretty slick setup for the price, netting you not only a 55" Panasonic LED backlit set, but a soundbar with a wireless sub as well. The soundbar in question is one of Panasonic's, and it offers you the ability to split the bar apart to create left and right speakers or to recombine it for a simpler setup.

Toshiba 40” 40E220U - $179

This is the one that's going to get attention. This is also the one that will almost certainly be available for a very small number of customers. $180 for a 40" set is a ridiculously inexpensive proposition, and one that we'd recommend checking out.

HH Gregg

Mitsubishi 73" WD73C12 - $799

You'll be hard pressed to find a TV of this size at a lower price. DLPs may have their flaws, but economy isn't one of them.

Pioneer VSX822 5.1 Channel Receiver - $199

Normally priced at $379, Pioneer's receiver offers six HDMI inputs, 3D passthrough and the ability to stream from Pandora or straight from your iPhone thanks to AirPlay. It's also a cheaper introduction to entry level receivers than the Denon that Best Buy is selling.

Sears

Panasonic 50” TC-P50X5 - $299

Sears takes the cake when it comes to a big TV at a low price, helped on by the fact that the $300 Panasonic TC-P50X5 comes from a respectable name, especially in plasmas. The P50X5 isn't perfect though, and is said to cast a bit of green over everything.

Sam’s Club

LG BP325W 3D Blu-Ray Player $68

LG BP125 Blu-ray Player $38

Sam's Club has the cheapest Blu-ray players from a respectable manufacturer this year, with a pair from LG. The BP125 is the same one that Walmart will be selling for $38 and is about as simple a player as you're going to find in 2012. The BP325W has Wi-Fi built right in to let you access streaming services, plays back 3D Blu-rays and can be controlled by your Android or iOS device with a free app.

Walmart

Sharp 70” LC70LE640U Aquos LED - $1,798

You might not expect Walmart to top the list in terms of high-end sets but they do. The LC70LE640U is a 70 inch Aquos LED that usually retails at around $2,300. Some stores list it at $1,999 but Walmart beats them out by around $200.

High-Def Digest's Holiday Gift Guide 2012: The Essential Holiday Blu-rays

Fri Nov 16, 2012 at 01:35 PM ET
Tags: HDD Holiday Gift Guide, Holiday Gift Guide 2012, High-Def Retailing, David Krauss, Fun Stuff (all tags)

Just like so many years before, David Krauss is dreaming of a Blu Christmas. Here are your newest Blu-ray options for the season!

Although retail stores have been shamelessly hawking Christmas items for the past few weeks, now that Halloween is over we can all begin openly preparing for the biggest holiday of the year. As the song says, Christmastime is here, so why not jump-start the seasonal spirit by cranking up some high-def Christmas classics (and not-so-classics) on Blu-ray. After all, if you can't beat 'em, join 'em, and for the fourth year in a row, High-Def Digest is here to tell you what's new, what's essential, and what to avoid when it comes to yuletide viewing. Whatever your taste, be it romantic or irreverent, there's a disc that will infuse you with that warm, fuzzy holiday feeling, so mull that cider (or wine), cuddle up under your favorite Christmas blanket, and add some serious blu to the reds and greens that color your season!

New Releases: The most notable holiday film to join the Blu-ray family this year would have to be 'The Muppet Christmas Carol.' It's been 20 years since Kermit and the gang first paid homage to the Charles Dickens classic, and this surprisingly faithful adaptation mixes humor and warmth with an array of top-notch Paul Williams songs and a generous helping of Muppet lunacy to become a bona fide holiday favorite. Michael Caine makes a marvelous Scrooge, and Brian Henson's slick direction turns this family musical into a very delightful package. Also from Disney, the original 'The Santa Clause' and its saccharine sequel, 'The Santa Clause 2' join the insufferable 'The Santa Clause 3: The Escape Clause' on Blu-ray, at last completing the high-def transition of this popular trilogy. The clever first film is by far the best, filled with whimsy and wonder, but the sequel scores some points, too, as it charts the newly crowned Santa's search for a suitable mate. Tim Allen just might make a believer out of the crustiest naysayer, as the unassuming everyman who's tapped for arguably the biggest job in the universe, and strong supporting casts add appropriate verve to all three films. 'The Santa Clause 3' has been out on Blu-ray for five years, so it's about time Disney stepped up and released the first two films, and a special three-disc set is available for those looking to pick up the entire Santa saga.

A number of animated Christmas tales make their Blu-ray bow this season, beginning with the charming 'Arthur Christmas – 3D,' which puts a fresh spin on the age-old Santa story and features the voice talents of such esteemed actors as James McAvoy, Jim Broadbent, Hugh Laurie, and Bill Nighy. There's also 'Kung Fu Panda Holiday,' 'Alvin and the Chipmunks: Christmas with the Chipmunks,' 'Prep & Landing: Totally Tinsel Collection,' featuring both the original 'Prep & Landing' and the 'Naughty vs. Nice' sequel, and 'DreamWorks Holiday Classics,' which includes 'Shrek the Halls,' 'The Madagascar Penguins in a Christmas Caper,' 'Merry Madagascar,' 'Donkey's Christmas Shrektacular,' and 'Dragons: Gift of the Night Fury.' After all, what good is a franchise if it doesn't spawn a special Christmas installment?

Also on the family friendly list are two dubious sequels. While many rank 'A Christmas Story' (see below) as one of the all-time holiday masterpieces, did we really need 'A Christmas Story 2,' which takes place five years down the road and finds Ralphie eyeing a new car instead of an Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle? I think not. Nor is there much purpose behind 'Santa Paws 2: The Santa Pups,' a tale of benevolent talking dogs on a mission to save Christmas that's exclusively for canine lovers. And do we really need 'An American Christmas Carol'? Isn't the British tale sufficient? I'm sure Henry Winkler makes a good Scrooge (renamed Benedict Slade here) in this 1979 TV movie, and shifting the setting to Depression-era New Hampshire adds an interesting twist, but if you crave a retelling of the inspired and inspiring holiday story, there are plenty of better options (see below).

Double Dips: Two notable double dips debuted last Christmas – one that's worth of your money and one to avoid at all costs – and they're still hanging around this year. The one that's worth an upgrade is VCI's 60th anniversary edition of the 1951 classic, 'A Christmas Carol,' starring arguably the cinema's finest Ebenezer Scrooge, Alastair Sim. This version is regarded by many as the most faithful adaptation of Charles Dickens' immortal tale, and Sim's portrayal – by turns sullen, dour, defiant, wounded, and joyously giddy – lends Scrooge more dimension than the role often receives. Though VCI initially put out 'A Christmas Carol' on Blu-ray a mere three years ago, this Diamond Edition substantially improves on that release with a slightly upgraded video transfer, lossless LPCM audio (the previous disc had a compressed track), and a slew of all-new supplements, including a fold-out, abridged reproduction of the film's American pressbook. (Note: The packaging and disc menu lists the audio as Dolby Digital 5.1, but it is indeed a lossless LPCM 5.1 track.) The second double dip – the one to steer clear of – is, surprisingly enough, a "collector's" edition of the all-time classic yuletide tale, 'It's A Wonderful Life.' I know, I know…say it ain't so! Believe me, I'm as disappointed as you. I love this film; it's an undeniable treasure and worthy of all the praise and affection heaped upon it. But this release is a travesty. The transfers (which are quite nice) and extras are exactly the same as the ones on the previously released edition, and the collector's extras – flimsy packaging, a chintzy commemorative Christmas ornament, and a generic booklet – are hardly worth the extra expense. Even if you've never purchased the movie before (and if you haven't, you need to!), go with the original Blu-ray, which takes up less shelf space and presents the emotionally affecting and inspirational (in the best sense of that word) story of George Bailey just as well as this unnecessary "upgrade."

All-Time Classics: We've already mentioned the 1951 version of 'A Christmas Carol' as well as 'It's A Wonderful Life,' both of which rank high on the list of all-time classics. (Other versions of 'A Christmas Carol' available on Blu-ray include Disney's 2009 blockbuster 3D interpretation starring chameleon Jim Carrey [available in both 3D and 2D versions] and an acclaimed 1984 television adaptation featuring the esteemed George C. Scott as the irascible Scrooge.) Not far behind them is the 1954 favorite, 'White Christmas,' a spritely Irving Berlin musical starring Bing Crosby, Danny Kaye, Vera-Ellen, and Rosemary Clooney. With high-spirited numbers galore, along with two renditions of the iconic title song, this breezy tale of romance and friendship ranks right up there with Hollywood's best holiday fare. Another great musical is 'Scrooge,' a buoyantly tuneful adaptation of Dickens' yuletide yarn. Starring the versatile and always impressive Albert Finney (who was just 34 years old when he tackled the iconic, miserly curmudgeon), this spritely film remains surprisingly faithful to the original novel, contains a host of memorable songs by Leslie Bricusse, and features a gallery of top British actors (Alec Guinness, Edith Evans, and Kenneth More among them) in key roles. The high quality video and audio transfers make this "spirited" film come alive even more, filling us with plenty of Christmas cheer. Though only about a third of Vincente Minnelli's classic Americana musical, 'Meet Me in St. Louis,' takes place at Christmas, the cheer quotient of this classic musical is pretty high, too, making this year-in-the-life chronicle of a typical American family circa 1904 one of the most beloved and endearing holiday movies of all time. (It covers Halloween, too!) First and foremost, it contains one of Judy Garland's finest performances, as well as a number of instantly recognizable tunes, including 'The Trolley Song,' 'The Boy Next Door,' and of course, 'Have Yourself a Merry Little Christmas,' which was written expressly for this film and performed with exceptional beauty and grace by Garland. And no discussion of classic Christmas tales would be complete without a nod to the original 'Miracle on 34th Street,' featuring an Oscar-winning performance from Edmund Gwenn as Kris Kringle. It's impossible not to believe in Santa Claus after watching this charming yet incisive comedy that gently reinforces the season's true meaning. Though the video quality isn't a huge upgrade from DVD, it's good enough to stuff this little beauty in your holiday stocking. (The 1994 remake starring Richard Attenborough, Elizabeth Perkins, Dylan McDermott, and Mara Wilson, is also available on Blu-ray, but who would ever want to see that?)

Modern Classics: If you like your annual helping of 'A Christmas Carol' a little more on the comedic side, you'll be happy with Richard Donner's 'Scrooged,' featuring Bill Murray as the Ebenezer-esque Frank Cross. With an updated take on the classic yarn that strikes a more relatable chord, and fine supporting work from such stalwarts as John Forsythe, Robert Mitchum, Karen Allen, and Alfre Woodard, this light-hearted comedy merges laughs with wonderful warmth and a bit of edgy bite, and will ultimately charm even the crustiest Christmas killjoy. Upgraded video and audio make this one a keeper. Sometimes age alone transforms a run-of-the-mill movie into a classic, and that seems to be the unfortunate fate that's befallen 1985's clunky, elephantine Kris Kringle biopic, 'Santa Claus: The Movie.' I remember loathing this bloated behemoth when it was first released, and haven't mustered the courage to see it since. Fonder (or at least more realistic) Christmas memories are explored in the nostalgic 'A Christmas Story,' the darkly comic 1983 adaptation of humorist Jean Shepherd's fictional memoir. Who among us can't identify with nine-year-old Ralphie and his dogged pursuit of his dream toy? With both wide-eyed wonder and a mischievous twinkle, this fan favorite deliciously skewers the season. And if you can't identify with Ralphie, then surely you've fantasized at least fleetingly about making your parents and/or siblings disappear, like Kevin McCallister does in 'Home Alone.' C'mon, admit it. Cute-as-a-button Macaulay Culkin battles bungling house burglars Joe Pesci and Daniel Stern after his family leaves on a Parisian vacation without him, learning a lot about independence and the meaning of Christmas in the process. Deftly juggling uproarious slapstick with honest sentiment, this John Hughes production makes us laugh and cry and appreciate the simple pleasures that make this holiday special. And speaking of Christmas vacations – or should I say "stay-cations" - no yuletide celebration is as wacky or wacked out as the one Chevy Chase and family experience in 'National Lampoon's Christmas Vacation.' Running a close second, though, would have to be Buddy the Elf's Big Apple odyssey in Jon Favreau's surprisingly sweet, festive, and hilarious Christmas comedy, 'Elf.' As the orphan child raised at the North Pole and now on a quest to find his real family, Will Ferrell captures the essence of wide-eyed innocence, while James Caan makes a fine foil as his crusty, Scrooge-like dad.

Romantic Comedies: Christmas is certainly one of the most romantic times of the year, and two films blanket us with that warm, fuzzy feeling only a good love story can provide. 'Love, Actually' takes a mosaic approach as it chronicles the exhilaration and heartache of several couples as they navigate love's treacherous minefield. The all-star cast includes Hugh Grant, Liam Neeson, Emma Thompson, Alan Rickman, Bill Nighy, Colin Firth, and Keira Knightley, and though I'll never forgive Alan for what he does to Emma (and will never be able to listen to Joni Mitchell again without thinking about it), it's impossible not to embrace this well-crafted film. I also really like 'The Holiday' (sssshhh! Don't tell anyone!), Nancy Meyers' chick flick supreme about two lonely women (Cameron Diaz and Kate Winslet) who trade houses at Christmas and find unexpected love with Jude Law and Jack Black. (I won't spoil who hooks up with whom.) It's a bit predictable and trite, but also strangely irresistible, especially if you've got the tree lit and a roaring fire in the fireplace. It's also one of the few movies in which I don't find Diaz unbearable.

Romance lovers and those who like their Christmas movies filled with inspiring messages might want to check out 'The Christmas Shoes' and its sequel, 'The Christmas Blessing,' two TV movies that emphasize the power of love, faith, and family in the face of disillusionment and despair. Rob Lowe and Kimberly Williams-Paisley star in the first film about a young boy determined to make his mother's final Christmas special, and Neil Patrick Harris plays the grown-up version of that boy in the sequel, grappling with issues from his past and strained familial relationships. 'The Most Wonderful Time of the Year' also falls into this category, with a more whimsical spin, as a harried single mother (Brooke Burns) and cynical son find the true meaning of the season, thanks to jovial Uncle Ralph (Henry Winkler) and the hunky stranger (Warren Christie) he brings home for the holidays.

Animated Fare: When I was a kid, one of the few things that could help speed the interminable wait between Thanksgiving and Christmas was the steady stream of children's holiday specials that flooded the network airwaves, and now almost all my favorites are now available on Blu-ray! Leading the charge are such perennially delightful programs as 'A Charlie Brown Christmas' (let Linus tell your family "what Christmas is all about") and 'Dr. Seuss' How the Grinch Stole Christmas,' as well as a must-have box set called 'The Original Christmas Classics.' And classics they are! 'Rudolph the Red-Nosed Reindeer' (narrated by Burl Ives), 'Santa Claus Is Coming to Town' (narrated by Fred Astaire), and 'Frosty the Snowman' and 'Frosty Returns' are all included. Also high on the animated list is another top-notch entry, 'The Year Without a Santa Claus,' featuring the talents of Mickey Rooney and Shirley Booth as the beleaguered Mr. and Mrs. Claus, as well as one of the lesser titles in the Rankin/Bass catalogue, 1974's ''Twas the Night Before Christmas,' which was inspired by Clement Moore's immortal poem and deals with the timeworn premise of doubting Santa's existence. Joel Grey, Tammy Grimes, and George Gobel are among the stars who lend their voices to this charming tale. For Disney fans, 'Beauty and the Beast: The Enchanted Christmas,' the direct-to-video companion to the acclaimed original, takes place while Belle is still a prisoner in the Beast's castle, and finds the lovely heroine on a mission to celebrate Christmas with festive cheer, much to the chagrin of her hairy and humbug captor. Though a far cry from its parent film, both artistically and thematically, 'The Enchanted Christmas' may not be 100% enchanting, but it provides enough tuneful warmth to satisfy audiences of all ages. There's even a cartoon adaptation of Dickens' 'A Christmas Carol' starring the myopic Mr. Magoo – 'Mr. Magoo's Christmas Carol.' For those who prefer more innovative animated fare, check out Tim Burton's ghoulishly delightful 'The Nightmare Before Christmas' and Robert Zemeckis' magical 'The Polar Express,' which is available in both flat and 3D versions. Remember, it's never too early to get your kids addicted to high-def discs.

Quirky Christmas: Viewers with more offbeat taste may find these curios interesting… 'Santa Claus Conquers the Martians,' the 1964 cult classic about the abduction of Santa to the Red Planet, arrives at last on Blu-ray in a newly restored edition from Kino, while 'Santa Claus' is a 1959 Spanish language film from Mexico that checks in at #54 on IMDb's list of Bottom 100 Films (as rated by site users) and charts St. Nick's battle with the devil Pitch, who's determined to – you guessed it – ruin Christmas. Tyler Perry's indefatigable character Madea is also on a mission to save the holiday when family strife and secrets threaten to sabotage it in 'A Madea Christmas: The Play,' while a homosexual college student (Keith Jordan) crawls back into the closet to survive the holidays with his conservative parents (Derek Long and Kelly Keaton) until his boyfriend (Adamo Ruggiero) unexpectedly shows up in the warm-hearted comedy 'Make the Yuletide Gay.'

Turkeys: We all love turkey around the holidays, except when it comes to movies, and there are a couple of rancid offerings that will only serve to sour us on the season. Despite a strong cast that includes Oscar-winners Reese Witherspoon, Robert Duvall, Sissy Spacek, and Jon Voight, make sure you keep away from 'Four Christmases,' a tiresome slapstick comedy about a selfish couple (Witherspoon and Vince Vaughn) who visit a quartet of quirky, annoying, even frightening relatives when their balmy Christmas plans get canceled. Equally wretched is 'Deck the Halls,' a tiresome, completely unfunny chronicle of neighbors (Matthew Broderick and Danny DeVito) trying to outdo and ultimately sabotage the other's massive holiday light displays. Thankfully, 'Christmas with the Kranks' hasn't yet found a Blu-ray release, and if studio executives are smart, it never will.

Dozens of other holiday Blu-rays are available to brighten (or darken) this Christmas, from traditional Yule log presentations and concerts to irreverent black comedies ('Bad Santa'), action flicks (I always enjoy giving the original 'Die Hard' a spin over the holidays) and, yes, even horror films. ('Silent Night,' a remake of the 1984 slasher flick 'Silent Night, Deadly Night' that chronicles the deadly rampage of a psycho axe murderer disguised as Santa, joining 'Silent Night, Zombie Night,' an equally bloody yuletide exercise from last season, and the always entertaining 'Gremlins.'). But for those who desire a well-balanced, family-friendly selection that plays well from year to year, you can't go wrong with any of the above choices (well, maybe with the exception of 'Santa Claus: The Movie,' 'Four Christmases,' and 'Deck the Halls'). So plop a few marshmallows in your hot chocolate, grab a comfy blanket, light that fire, and let these movies infuse you with seasonal spirit. Happy Holidays!!

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"Mastered in 4K" and the Road to Ultra HD

High-Def Digest's Essential Picks: April 2013

High-Def Digest's Essential Picks: February 2013

High-Def Digest's Essential Picks: January 2013

High-Def Digest's Essential Picks: December 2012

HDD Home Theater Connections: Year-End Wrap Up

High-Def Digest's Holiday Gift Guide 2012: HD Gear & Demo Material

High-Def Digest's Essential Picks: November 2012

High-Def Digest's Favorite Deals for Black Friday 2012

High-Def Digest's Holiday Gift Guide 2012: The Essential Holiday Blu-rays

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