- Street Date:
- February 5th, 2013
- Reviewed by:
- David Krauss
- Review Date: 1
- March 27th, 2013
- Movie Release Year:
- 20th Century Fox
- 87 Minutes
- MPAA Rating:
- Release Country
- United States
The Movie Itself: Our Reviewer's Take
Few films can be identified solely by their theme music, but 'Laura' is definitely one of them. David Raksin's haunting, melodic score has become almost as famous as the movie itself, spawning more than 400 recordings and exquisitely capturing the air of mystery and romance that pervades this hypnotic whodunit. Like the story's intoxicating heroine, the lush music deftly draws us into the drama, and swirls around our brain as we try to unravel the sticky web of lies entangling the characters. Yet even without its memorable theme, Otto Preminger's film flirts with and often achieves perfection. A sharp, literate script, richly textured plot (with a clever angle), first-class performances, and superb cinematography all combine to create a masterful motion picture that seems as fresh today as it certainly did upon its initial release almost 70 years ago.
Many critics classify the movie as a film noir title, but lumping 'Laura' in the same category as the gritty 'Double Indemnity,' 'The Postman Always Rings Twice,' and 'Murder, My Sweet' unfairly pigeonholes this sleek, sophisticated tale. Sure, 'Laura' contains a number of standard noir elements — stark contrast, murky shadows, twisted passions, a tough-talking detective, and a beautiful, ambiguous heroine — but there's a glossy quality to the film that, like cream, allows it to rise above more typical noirs. No seedy locales or sordid liaisons dirty up its plot. On the surface, 'Laura' is antiseptically clean, and its well-scrubbed, high society characters behave with decorum throughout. More akin to Agatha Christie than Raymond Chandler or James M. Cain, 'Laura' revels in its Park Avenue trimmings, and its searing wit adds a lightness of tone that cuts tension and makes the characters more accessible.
Adapted from Vera Caspary's novel, 'Laura' opens with Det. Mark McPherson (Dana Andrews) investigating the murder of chic advertising director Laura Hunt. He interviews the ultra-refined, acid-tongued columnist Waldo Lydecker (Clifton Webb), who relates how he fell under Laura's spell and used his stature and influence to foster her career. McPherson also questions Laura's on-again-off-again fiancé, playboy Shelby Carpenter (Vincent Price); her wealthy aunt, Ann Treadwell (Judith Anderson), with whom Shelby occasionally dallies; and Laura's devoted housekeeper, Bessie Clary (Dorothy Adams). Through intimate flashbacks, narrated by Waldo, McPherson comes to know Laura (Gene Tierney), and as her stunning portrait beckons to him while he scopes her apartment for clues, he finds himself unable to resist her seductive aura.
Divulging further details would spoil the fun of this engrossing mystery, which marked Preminger's emergence as one of Hollywood's top directors. At just under an hour-and-a-half, 'Laura' breezes along, aided by its razor sharp script and Preminger's flawless yet invisible technique. Every scene is visually interesting, but only on a second viewing can one appreciate all the subtle touches. With a confidence that belies his inexperience, Preminger seamlessly merges character, mood, and story, so that we, too, become captivated by Laura and her colorful friends — even as we wonder which one is a killer. The director would delve more deeply into noir with 'Fallen Angel,' 'Where the Sidewalk Ends,' 'The 13th Letter,' and 'Angel Face' (a personal favorite), but 'Laura' started the cycle and remains a unique, unforgettable entry in a cluttered genre.
Amazingly, Tierney resisted the title role. "Who wants to play a painting?" she quipped in her autobiography. Yet that iconic portrait cemented Tierney's career, and her cool demeanor, exotic beauty, and natural sincerity both shade her performance and compensate for her limited acting range. Andrews also impresses, filing his own breakout portrayal as the outwardly sullen but inwardly romantic detective. In a classic scene where McPherson wanders through Laura's apartment, soaking up her lifestyle and rifling through her personal effects (lingerie included), Andrews quietly conveys his growing obsession with and bizarre attraction to the dead girl. Price affects a lazy Southern drawl as the spoiled, weak-willed Shelby, and Anderson dazzles in a brilliantly underplayed confrontation with Tierney in a favorite '40s locale — the ladies' room.
Yet despite these marvelous performances, 'Laura' belongs unequivocally to Clifton Webb. The 55-year-old actor had appeared in several silent films, but spent the bulk of his career on the Broadway and London stage before Preminger cast him as the priggish Waldo, whose withering one-liners cut down every character he encounters. Just like George Sanders' equally venomous Addison DeWitt in 'All About Eve,' Webb punctuates his narrative with a string of stinging verbal barbs, at once setting the film's sophisticated tone and making a fine foil for the macho, no-nonsense McPherson. Even Tierney's glamorous painting can't upstage Webb's pitch-perfect portrayal, which justly earned the actor his first Oscar nomination. Without his caustic wit, 'Laura' would be just another assembly-line whodunit, instead of one of the most slick and stylish productions of the 1940s.
The Blu-ray: Vital Disc Stats
'Laura' arrives on Blu-ray packaged in a standard case, though as hard as I try, I can't make the actress on the cover art look like Gene Tierney. The 50GB dual-layer disc houses a 1080p/AVC MPEG-4 video transfer and a DTS-HD Master Audio 1.0 audio track. Once the disc is inserted into the player, the static menu with music immediately pops up; no previews or promos precede it.
The Video: Sizing Up the Picture
Cinematographer Joseph LaShelle won an Oscar for his work on 'Laura,' and Fox's 1080p/AVC MPEG-4 transfer salutes his achievement. A nice step up from the 2005 DVD, this fine effort maintains the film's warm yet unobtrusive grain structure, presenting an image of exceptional clarity and lovely texture. The picture runs a tad hot, which somewhat diminishes the stark contrast of the film noir style, but gray scale variance is still pleasing and shadow delineation is superb. LaShelle reportedly took hours to light each scene and his painstaking efforts pay big dividends. Whether manipulating natural or artificial light, he creates stunning shots that maximize contrast and depth. Blacks are solid and rich, whites are vivid but never overexposed, and the grays in between display enough variation to lend the film a polished sheen. In short, 'Laura' has never looked more lush.
The DVD sported some isolated specks and a couple of pesky vertical lines, but those have been meticulously removed here. No grit or marks of any kind mar the pristine source material, and subtle details pop out like never before. The knickknacks and grandfather clock in Waldo's apartment are stunningly sharp, and close-ups ooze Golden Age glamour. Noise is never an issue, even during nocturnal scenes, and no digital fixes seem to have been applied. This is a superior effort from Fox, and exactly what this classic romantic mystery deserves.
The Audio: Rating the Sound
The DTS-HD Master Audio 1.0 track supplies clear, clean sound that's been noticeably cleaned up since the 2005 DVD release. Gone is the faint hiss that plagued the DVD, and the errant pops have been erased, too. The track beautifully showcases David Raksin's iconic score, thanks to a wide dynamic scale that handles the swelling strings well, while marvelous fidelity and tonal depth allow the music to sound richer than ever before. All the priceless dialogue is 100% discernible, and the track superbly renders the distinct vocal timbres of the principals.
Subtle accents, such as footsteps, the turning of doorknobs, and the closing of a purse clasp, are crisp and pronounced...sometimes too much so. Occasionally, the track seems heavy and clunky, exhibiting a slight reverb and faint echo that lends the sound an artificial hollowness that's a bit distracting. Atmospherics are generally well integrated into the mix, but as Laura and McPherson talk quietly in her apartment as a driving rain falls outside, it sounds as if a technician is pouring water down a floor drain to achieve the desired audio effect.
Still, the cleanliness and purity of the track outshine any minor deficiencies. All in all, 'Laura' sounds great on Blu-ray, making it hard for us to believe it was recorded nearly seven decades ago.
The Supplements: Digging Into the Good Stuff
All the extras from the 2005 DVD release have been ported over to this Blu-ray edition, and it's a fine collection of material.
- Audio Commentaries – Two commentary tracks provide a wealth of fascinating information about the film by a trio of speakers who know what they're talking about. First up is Jeanine Basinger, a film professor and archivist at Wesleyan University, which houses a collection of Gene Tierney memorabilia. Basinger touches upon the production history of 'Laura,' discusses various proposed or rumored alternate endings, and imparts some interesting trivia. (For instance, the famous portrait of Tierney that forever looms over the characters is actually a painted photograph.) Most of the track, however, addresses the look, mood, and impact of 'Laura,' and Basinger's observations are well worth a listen. Composer David Raksin, who penned the film's lyrical and instantly recognizable theme, also contributes sporadic comments that help us understand the scoring process. He believes 'Laura' is "not a detective story, but a love story in a detective milieu," and confesses the demise of his marriage inspired the movie's classic music. He also notes the scenes where he resisted using music (a brave and unique choice) and tells us why.
The second commentary features film historian Rudy Behlmer in another stellar performance, marked by impeccable research, organization, and delivery. Using studio memos and quotes from interviews he conducted himself, Behlmer offers an exhaustive and engrossing chronicle of the production of 'Laura.' He discusses the original Vera Caspary novel, how it evolved into an unproduced play, and details its development at Fox. We learn Jennifer Jones was originally slated for the title role, that studio chief Darryl F. Zanuck opposed casting Clifton Webb because of his homosexuality, and how producer Otto Preminger took over the film's directorial reins from Rouben Mamoulian, among many other terrific tidbits. Behlmer also provides extensive bios on all the principal actors and creative personnel, outlines an array of deleted scenes, and offers background on the Fox studio and Zanuck's managerial style. No doubt about it, Behlmer's the best in the business, and he proves why on this mandatory track.
- Documentary: "Gene Tierney: A Shattered Portrait" (SD, 45 minutes) – This absorbing and beautifully produced profile of the star of 'Laura,' which originally aired on television as an installment in the popular 'Biography' series, uses a wealth of film clips, home movies, newsreel footage, and rare photos to illustrate Tierney's exciting yet incredibly troubled life. Narrator Peter Graves calls the actress "the embodiment of unattainable beauty, the image of perfection," yet a series of tragedies and failed romances caused her to become so mentally unbalanced she was forced to leave the screen in the mid-1950s and enter a sanitarium, where she would undergo a series of wrenching electroshock treatments. The program details her volatile marriage to designer Oleg Cassini (who terms her "the unluckiest lucky girl in the world"), and relationships with such legendary figures as Howard Hughes, a young John F. Kennedy, and Prince Aly Khan. In addition, actor Richard Widmark, composer David Raksin, Tierney's sister Pat Byrne, and daughter Christina Cassini offer vital insights into Tierney's character and actions. 'A Shattered Portrait' is hands down one of the best 'Biography' episodes I've seen, inspiring renewed appreciation and admiration for this attractive and courageous woman.
- Documentary: "Vincent Price: The Versatile Villain" (SD, 45 minutes) – Compared to Tierney, Price led a sedate and traditional life, but 'The Versatile Villain,' another 'Biography' profile, examines it with style. Narrator Richard Kiley calls Price "a modern Renaissance man," who complemented his passion for drama with an equally avid interest in art. We learn Price - at the tender age of 12 - purchased an original Rembrandt etching, and would later lend his name to a line of affordable fine art marketed by Sears. Reminiscences and testimonials from Jane Russell, Roddy McDowell, Dennis Hopper, director Roger Corman, and Price's daughter Victoria enhance the documentary, which charts Price's rise from a member of Orson Welles' fledgling Mercury Theater Company to dashing Hollywood character actor to star of some of the campiest and most gruesome horror films of the 1950s and 1960s. The film also chronicles Price's memorable appearances on the 'Batman' TV show (as Egghead) and in Michael Jackson's 'Thriller' video. Though less captivating than the Tierney bio, 'The Versatile Villain' still paints an intimate, involving portrait of one of the screen's most recognizable personalities.
- Deleted Scene (HD, 90 seconds) – A brief deleted montage, running a minute-and-a-half, can be viewed with or without Rudy Behlmer's commentary, and offers a more detailed depiction of Laura's social ascension and personal refinement under Waldo's Svengali-like tutelage. Apparently, Fox executives believed the public would resent a woman who pursued such frivolity during wartime, and severely truncated the sequence. The montage can be viewed on its own, or edited back into the film by selecting the Extended Version option when the disc first fires up. (The extended version can also be accessed through the Extras menu.).
- Extended Movie Version (HD, 89 minutes) – View 'Laura' with its deleted montage edited back into the film by choosing this option.
- Featurette: "The Obsession" (SD, 13 minutes) – This 2005 featurette examines 'Laura' as an atypical film noir. A host of historians, along with writer-director Carl Franklin, analyze the movie's characters, Preminger's objectivist shooting style (unusual for the time period), and the monothematic score. Though obviously produced for the 2005 DVD, this slick, interesting piece was not included on that disc, so it's a pleasure to see it here at long last.
- Theatrical Trailer (SD, 3 minutes) – The film's original preview, presented here in absolutely atrocious condition, makes us appreciate all the more the fine restoration of 'Laura' on this Blu-ray disc.
HD Bonus Content: Any Exclusive Goodies in There?
There are no high-def exclusives.
Like her portrait on the wall, 'Laura' hasn't aged a day, maintaining its impeccable sense of style, incomparable wit, and sleek noir accents. Gene Tierney, Dana Andrews, Clifton Webb, and the rest of the stellar cast contribute some of their best work, while director Otto Preminger displays considerable talent on his first big movie. Fans of '40s fare will appreciate Fox's meticulous video transfer, solid lossless audio track, and bountiful supplemental package. Anyone who loves a good mystery shouldn't hesitate to take 'Laura' home, and this Golden Age classic earns a high and hearty recommendation.
- BD-50 Dual-Layer Disc
- 1080p/AVC MPEG-4
- English DTS-HD Master Audio 1.0 Mono
- Spanish Dolby Digital 1.0 Mono
- French Dolby Digital 1.0 Mono
- English SDH
- Spanish Subtitles
- French Subtitles
- Audio Commentaries
- Deleted Scene
- Extended Movie Version
- Theatrical Trailer
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