- Blu-ray/DVD/UV Digital Copy
- 2- BD50 discs
- Region A/B/C
- 1080p/AVC MPEG-4
- English DTS-HD Master Audio 5.1
- English Audio Descriptive Service
- French DTS-HD Master Audio 5.1
- Mandarin Dolby Digital 5.1
- Portuguese DTS-HD Master Audio 5.1
- Spanish Dolby Digital 5.1
- Thai Dolby Digital 5.1
- English, English SDH, Cantonese, Chinese Simplified & Traditional, French, Indonesian, Korean, Portuguese, Spanish, Thai, Commentary subtitles
- Deleted Scenes
- Commentary with Marc Webb, Avi Arad and Matt Tolmach
- The Oscorp Archives - Production Art Gallery
- Stunt Rehearsals
Exclusive HD Content
- The Amazing Spider-Man Second Screen App
- Developing the Amazing Spider-Man Videogame (HD)
- The Amazing Spider-Man Behind-the-Scenes Documentaries (HD)
- 16 Pre-Visualization Sequences (HD)
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The Amazing Spider-Man (Combo Pack) (Blu-ray)
Sony / 2012 / 136 Minutes / Rated PG-13
Street Date: November 09, 2012
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Reviewed by High-Def Digest Staff
Thursday, November 08, 2012
Portions of this review also appear in our coverage of 'The Amazing Spider-Man - 3D.'
Too soon? I'll admit to more than my fair share of sour grapes when it was announced that Sam Raimi's 'Spider-Man 4' wasn't to be, despite the finished script, when Sony decided to reboot a franchise not even ten years old. Raimi's trilogy wasn't exactly the best, nor did it perfectly capture any of the characters, and, well, the third film was an atrocity (with blame being shared with the studio for shoe-horning extra villains to try to sell tickets...), but it was beyond successful (1.1 billion dollars in domestic earnings, including numerous records at the time of their releases). It was familiar. In fact, the plans for the fourth film would have finally paid off a long-running tease, with Dylan Baker's role as Curt Connors in the second and third film hinting at the film appearance of one of Spider-Man's oldest foes, the Lizard.
So, with this reboot, we would bid Raimi adieu, along with Tobey Maguire, Kirsten Dunst, James Franco ("sooo good"), the late Cliff Robertson, three shades of Bruce Campbell, and the perfectly cast Rosemary Harris and J.K. Simmons. Usurping the iconic Raimi and his wealth of experience would come a man with only one feature film credit to his name, as Marc Webb was selected after his work on the romantic-comedy '(500) Days of Summer.' Real-life couple Andrew Garfield and Emma Stone would replace the somewhat hammy, over-the-top (and somewhat over-aged for their roles) Maguire and Dunst, and Rhys Ifans would get the role Baker had been primed for. I can't say that I was exactly excited to see the finished product, and it took me some time to get used to this new image, especially after years and years of repeat viewings of the original trilogy.
The 'Spider-Man' franchise took a step back, financially, providing the lowest domestic earnings (including inflation and 3D ticket pricing) of any film in the saga by almost $100 million, but took a brave step forward by going back to retread an origin story we all know, while defying the odds and creating a truly inspired film that captures the spirit of the characters in a way we've never seen before. Growing pains, warts and all, 'The Amazing Spider-Man' is worthy of the title, both the adjective and the full name of the original comic series from 1963.
In a clever mixture of modernization and respect for the well-known past, 'The Amazing Spider-Man' lays the foundation for what may be a spectacular series. The character of Peter Parker (Garfield) isn't as much of a high school reject as we once knew. He's a bit more troubled, though grounded and generally more an outcast by his own doing, an introvert who focuses on his studies and extra-curricular activities. After discovering some of his father's secret genetic formulas in a long-forgotten bag, Parker sneaks his way into a group of potential Oscorp interns as a way to meet Dr. Connors (Ifans), their head geneticist and former family friend. It's on this tour that Parker winds up where he shouldn't be, and gets bitten by a spider (a bio-engineered one, not one exposed to radiation), only to discover his own DNA is altered by the accident, giving him greater speed, agility, the ability to stick to walls, and a sense that warns him of incoming danger.
That's where the similarities to 'Spider-Man' end for the most part. While Uncle Ben (Sheen) still meets his demise by the bullet of a fleeing criminal, the set-up is changed enough to feel like real New York. The origins of the costume are no longer cartoony, and the wrestling match that was found both in the comic and the 2002 film no longer even exists, though an homage to said origin is done in very classy fashion. Most importantly, the true origins for Spider-Man are made more mature. As Peter seeks out his uncle's killer, he comes across numerous thugs fitting the description, and decides to hide his identity after a close-call. His numerous attempts and failures to locate the fiend also leave him with a police rap sheet that makes the "friendly neighborhood Spider-Man" seem more like a menace, a petty thug than anything else, who has caught the attention of Captain Stacy (Dennis Leary). It's through this identity, as Peter struggles with loss through anger, that a hero is born, while a villain is also hatched, as Connors' quest to regenerate his missing limb causes him to become his own test subject, with disastrous results. The newly coined Spider-Man now has a chance to do right for his wrongs, as the city needs a hero to combat a reptilian menace.
'The Amazing Spider-Man' works, it really does. When the film begins, we're introduced to a young Peter and his parents for the briefest of moments, to establish loss, and really drive home his living situation with Aunt May and Uncle Ben. From here, we have the outcast rather than the nerd, and establish his awkward relationship of sorts with Gwen Stacy (Stone), which directly ties in to the Oscorp segment that puts the film in motion. This film, unlike the 2002 version, seeks to keep Peter Parker in high school, as the innocence of the character, his naivety and euphoria over being "born again," as it were, works far better as a dependent minor than as an adult making his way in the big city all by his lonesome. While segments like the humiliation of Flash Thompson (Chris Zylka) are present in a different fashion, we're mostly given a different Peter, one that younger audiences can relate to more. More specifically, he doesn't spout out dialogue that sounds like it's straight out of 'Pleasantville.'
Once Peter is bitten by the cross-species spider (remember, no radiation...), the story takes off, and we're given a new vision, one that shows great respect to the origins of old with slight retouches that add a bit of modernism and believability to the character. The sequence featuring the discovery of powers, and the odd fascination and bewilderment, becomes an action set piece. The technology of Oscorp plays its hand a few times in the film, most importantly when their material is stolen by Peter to help create his iconic webshooters, following the original path of the comics, opening the door for some real danger when disabled or empty. More importantly, the webslinging isn't some talent that Peter instantly masters, as we see pratfalls along the way, even in the most dire of situations, lending more reality and urgency to the film. As the character that is to be Spider-Man emerges, we see the little bits of Peter's personality infused in the character, most noticeably in the smart-assed, sarcastic banter that shows the ego of the kid behind the mask. We see him struggling with his powers, and not just in some stupid cafeteria mishap, as Peter regularly forgets his newfound strength and destroys objects he didn't mean to. Heck, he even comes home bloodied and bruised from his odd little adventures, adding a sense of realism to the happenings.
What's really interesting about 'The Amazing Spider-Man' is the way it makes Connors a character that we come to know and understand, more than we do Uncle Ben in his limited time. This seems awkward, but I felt it made more sense, since the 2002 iteration seemed like it was a film divided into distinct chapters, rather than maintaining a steady flow and story. We don't have lengthy transformation sequences for the villain, as story is the focus rather than effects, and it works, helping keep this extraordinary story grounded in realism rather than going off the fantasy deep end. The villain, who seems like a bit of the ol' Jekyll and Hyde, is one we care for, and his path mirrors Parker's from loss to gain, though it is twisted in a more tragic manner.
'The Amazing Spider-Man' came about for all the wrong reasons (the fear of the property being reabsorbed into Marvel's cinematic universe, wrestled away from Sony), but proves to be just the right kind of film for the character. I'm more than a little dismayed at how poor an Aunt May Sally Fields proves to be, but the rest of the cast really do sell their performances and characters, in some cases making us forget all about the past films. By the time the film ended, I found myself thankful rather than upset with losing Maguire's somewhat dopey Peter Parker and the prospect of a film featuring Baker as the lead villain, as Garfield and Ifans truly embody the characters. I'm now anxious for 2014, even if it means I have to stare at Garfield's ridiculous hair again for two hours. This reboot was worth it, and I can't believe I'm saying that.
The Disc: Vital Stats
Sony's three disc Blu-ray/DVD combo pack release of 'The Amazing Spider-Man' comes with two Region A/B/C BD50 discs and a DVD copy of the film, along with an UltraViolet digital copy code.
There is an additional scene in the credits, after the main names get their flashes before the title scroll, featuring Dr. Curt Connors anda man seen only in the shadows, setting up a sequel. It will be interesting to see how they tie this sequence into the proposed 2014 sequel, since so little of the other character is seen, and a voice is committed.
Presented in 1080p (with an AVC MPEG-4 encode at 2.40:1), 'The Amazing Spider-Man' surprised me with its visuals. I was so used to the Raimi films, which featured candy coated bright colors and lots of daylight, that it took me some time to get comfortable with the constant gloom that lingers over this film, this isn't meant for Saturday morning viewing. Once I got my bearings with the change in visuals, though, I came to appreciate this as one of the best looking Blu-rays on the market, in a somewhat subliminal way, as the picture isn't at all "in your face" with how truly amazing it is. The credit goes to the RED camera system, but more specifically, the RED Epic, capable of filming 3D picture at 5K resolution.
The picture is stable and constant from start to finish, so you won't hear me say the opening half looked like this, but the closing half looked like that. This is wall to wall greatness. Textures are perfect, utterly perfect, as furniture, skin, clothing, hair, lizard scales (that one I don't get to use all that often!) are all so lifelike, so real, you can't help but rationalize the film as real, too. The depth of picture, naturally, is astonishing, from the top down looking at the floor or from standing level looking at the distance, even in 2D the picture is deep, deep, deep (no better way to say it than to say it three times). The amount of character and detail on display is amazing, even in the darker shots, like the grimy sewer sequences, which bring their own level of beauty to the picture in an icky kind of way. When the Spider-Man suit is finally unveiled, the texture, the detail, and the way it gets dirty and muffed up, it's a character of its own. What's really impressive, though, is the way special effects are seamless in the picture, as not a single moment stands out, not to emphasize "hey look what we can do!" or even in a negative light, where an effect fails and draws the eye.
Aliasing is never visible, not in the tightest checkered shirts, not in the sharp windows of the skyscrapers in the NYC sky, not in any of the Lizard's scales, Gwen's fine blonde hair, or the sharp ridges in the Spidey suit. There is no sign of artifacting or banding, edges are extremely crisp, white levels are enough to put Mr. Clean to shame, and there isn't any bit of information lost due to crushing, no matter how dark the picture gets. This isn't a glossy, shiny film, but it's still visual perfection and demo worthy from start to finish. A real master constructed this disc to make it look this good.
I suppose I gushed a little bit in the video portion of this review. I promise I won't do it again...
'The Amazing Spider-Man' has a fantastic DTS-HD Master Audio 5.1 track. Really, it's swell. It just isn't as overpowering, attention grabbing, or even as system testing as I'd expect from a tent pole franchise. I like the warm, in your face dialogue, the amazing localization and movement effects that keep us in the midst of Spidey's actions, and I was really wowed by how much work was put into making webslinging not just a visual aspect of the film, with swoops through channels accented by bass that sells the speed the action takes place at. The gunfire in the film is top notch, too, and the action sequences really are designed like miniature masterpieces. But, and this is a big but, this disc lacks something, that presence that keeps you engaged at all times. Not only is the subwoofer used somewhat sparingly, the score and soundtrack (ugh, the soundtrack...) don't grip from the rear channels, and environments aren't anywhere near as busy as one would expect from the most populated city in America. Yes, atop the skyscrapers we get a slight authentic busyness that's to be appreciated, but it's rare in this film, that enveloping effect that really puts you in the moment. That's something that only the best sounding discs do.
The way extras are sorted on the various 'The Amazing Spider-Man' discs isn't quite as cut and dry as one would think, considering some features are also found on DVD. The shared extras are spread across the film disc and the bonus disc, the exclusive extras are primarily found on the bonus disc (though the bonus viewing mode is on the main disc), and the 3D edition has its own exclusive.
- Audio Commentary - With Marc Webb, Avi Arad, and Matt Tolmach. Webb explains how he got the job, for more reasons than his spider-y name, which is made to sound quite innocent. The trio discuss how the 50 years of Spider-Man comics opened the door for the various changes in the characters, due to the varying origins and retellings we've seen over the years, the film's primary themes, the homages and references. What I found awkward here was the way we hear praise for how actors play a role, when, really, that's the kind of thing that directors tell the actors to do. It seems like backhanded egoism, and the group have their moments where they try to be "hip" and "in" using terms like SPOILER ALERT and whatnot, in very annoying ways. There's lots of information in this track, and there's also lots of commenting on scenes with generic stupid observations that we already notice by, you know, watching the movie.
- Deleted Scenes (HD, 17 min) - Eleven deleted scenes, playable individually or as a whole. We have a slightly different sequence of the Uncle Ben shooting (including a bit where you can see the time as 4:58 in the morning on May 13, 2011 on Peter's cell phone) that is more in an alley than on the sidewalk, a sidewalk conversation between Peter and Connors, a bit with Connor's son, more smooching, more schizophrenia (complete with extensions on Ifans' fingers to show where his claws would end), an emergence from the toilet of the high school (complete with a second shot overlapping awkwardly, where you can sometimes see Ifans instead of the Lizard), and more interaction between Peter and the quasi-human Connors in the sewers. There's really nothing here that's all that missed in the film; these bits just would have bogged the film up and ruined its flow.
- Stunt Rehearsals (HD, 12 min) - Eight segments shown before they were filmed for real. Meet an Asian Peter Parker, and yes, he kicks ass. Parkour is a regular component of this feature, so if you're a fan of flicks like 'District B:13,' you're in for a treat. There's some really fascinating stuff here, and a giant plastic lizard tail!
- The Oscorp Archives: Production Art Gallery - This feature has three segments, divided between Spider-Man, the Lizard, and environments. Comic fans should recognize more than a few of the unused costume ideas, especially since the costume design segment goes on for forever, showing how much thought was put into it (seriously, there are more than ten images of costumed feet). With the Lizard, we get some neat progressions and a few alternate versions, while the environment tab shows us more than a few alternate takes, some of which would have been better than what was in the film. Trust me when I say this, there's more than enough to satisfy fans here, as this gallery goes on forever. The only downside is the forced use of the color buttons, which are a pain in the butt for PS3 users to utilize.
- DVD - The third disc in this set is a copy of the film on DVD.
The pre-menu trailers and play button on the main menu both advertise the Second Screen viewing experience. Seeing as how I'm without a tablet or smartphone, this is not a feature I can partake in. Readers, visit our forums and inform us on whether this feature enhances the film or distracts from it!
- Rite of Passage: 'The Amazing Spider-Man' Reborn (HD, 101 min) - A seven part feature that's full film length, that acts as the making of feature for this release. Aside from some very shoddy justifications for rebooting the film series so soon (they're laughable, I promise), this feature says '(500) Days of Summer' enough to be an advertisement. This feature has separate sections for casting, costuming, production in Los Angeles (like Avengers West Coast...), the Sony Studios, and New York, post-production, and on to release. To say this feature is extensive is about right. It's not over-the-top and ridiculous in its effort, but in depth enough for Marvel comics fans to appreciate. A good job.
- Pre-Visualization (HD, 39 min) - Sixteen sequences (yes, sixteen), shown through storyboards (with the slightest animation) and CG animatics. The storyboards are really quite a kick, and show us some minor, minor changes to the film, like the train fight where Peter first discovers his powers, as the aggressors were to have been a little younger, and a bit more obviously a group of sports fans.
- Image Progression Reels (HD, 12 min) - Four sequences, viewable individually or as a whole, showing how particular scenes were made. We learn the high school hallway fight was 100% CG, which makes it even more awesome, considering how real it looks. Heck, we even see how the Lizard was designed for the right amount of loose flesh in the first sequence. The second segment covers the poses from the comics, making them come alive, while the latter options show how the Lizard was created and mo-capped, and how the sewer battle was mapped out and created, a daunting task, indeed.
- Developing the video game (HD, 3 min) - I'm not so much a fan of this game, released before the film hit theaters following a story taking place immediately after the film, so this feature was fairly meh to me. The creators discuss how amazing it is to free-explore Manhattan as Spidey, despite the fact that there have been games long before that did it (and one did it better, to boot!).
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The thought of 'The Amazing Spider-Man' may offend fans of the original series, especially since the death of one series and the birth of another are forever connected, but this take really does hit the spot in a way the Raimi films could have only dreamed of doing. I was hesitant, and while some of the casting is questionable, the end result is the 'Spider-Man' film I've always wanted, the closest to the comic we've ever seen. The Blu-ray combo pack features some of the best looking video on the market, and the audio is beyond impressive, as well, and with a whole disc's worth of supplements, one almost as long as the film, it's hard to say that this is anything but a must-own title.
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