Blu-ray
Highly Recommended
4.5 stars
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Overall Grade
4.5 stars

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The Movie Itself
5 Stars
HD Video Quality
4.5 Stars
HD Audio Quality
4 Stars
Supplements
4 Stars
High-Def Extras
0 Stars
Bottom Line
Highly Recommended

12 Angry Men (1957)

Street Date:
November 22nd, 2011
Reviewed by:
Review Date: 1
November 29th, 2011
Movie Release Year:
1957
Studio:
Criterion
Length:
96 Minutes
MPAA Rating:
Unrated
Release Country
United States

The Movie Itself: Our Reviewer's Take

Back in the mid-1950s, when television began to captivate the American public and erode box office returns, movie studios scrambled to find ways to entice audiences back into theaters. "Bigger is better" was the prevailing philosophy, sparking the production of sprawling epics and splashy musicals that could give viewers a brand of entertainment TV couldn't. So it was quite a risky venture for United Artists to go (way) against the grain and bank on a small yet intense drama that took place not just in a single location, but almost entirely in a single room! '12 Angry Men,' like the Oscar-winning 'Marty' before it, was first an acclaimed one-hour television program, but whereas 'Marty' was relatively easy to "open up" for the screen, the premise of '12 Angry Men,' which chronicles the heated deliberations of a fractured jury on a capital murder case, required it to remain anchored in the confines of a stark, utilitarian meeting room. Director Sidney Lumet, in his freshman effort, sunk his teeth into the project, creating a riveting atmosphere of entrapment, claustrophobia, and moral conflict, and with a first-rate cast headlined by Henry Fonda and a taut script by Reginald Rose, the finished film was a critical triumph. Yet despite the fine reviews, the public dismissed '12 Angry Men.' Today, however, it's a bona fide classic and a shining example of how any situation can be thrillingly filmed when approached with creativity and a steadfast commitment.

'12 Angry Men' is a fascinating study of men under pressure who stubbornly cling to deep-seeded prejudices and a smug closed-mindedness, even as a man's future rests in their hands. It's also an indictment of mob mentality and a call to all of us to stand up against the establishment and express our views, however unpopular and derided they may be. It takes guts to set ourselves apart, question the status quo, and examine facts from a multitude of viewpoints before taking a stance and making a judgment, and '12 Angry Men' champions such fortitude and perseverance.

As an all-male jury retires to determine the fate of an Hispanic teen accused of killing his father, 11 of the 12 members, some of whom bring a lifetime's worth of preconceived notions to the table, stand convinced of the defendant's guilt. The lone holdout, Juror #8 (Fonda), doesn't necessarily disagree, but believes the jury owes the accused a thorough examination of the evidence before handing down a death sentence. His "not guilty" vote halts the rush to judgment, and his willingness to debate inspires ridicule and disdain from his fellow jurors, who are eager to flee the stuffy confines of the courthouse, return to their daily lives, and revel in the freedoms they take for granted and enjoy.

Once the discussion commences, the hidden agendas and buried demons of many of the jurors rise to the surface, and we see how outside forces, such as bigotry, background, and conceit, influence decision-making and cloud one's powers of deduction. The ensuing resentment and belligerence protracts the examination of the case, which begins to buckle under the scrutiny. Suddenly, what seemed like a slam-dunk guilty verdict becomes a quagmire, as reasonable doubt begins to slowly permeate the panel.

Lumet was already an accomplished television director when Fonda, also the film's co-producer, approached him to helm '12 Angry Men,' and his small screen tenure stood him in good stead for his first big screen feature. Television forced Lumet to work in tight spaces with limited equipment and thus devise innovative ways to heighten both dramatic impact and visual interest, and he employs those tricks to terrific advantage here. His use of extreme close-ups and varied lenses to enhance the pressurized atmosphere and in-your-face bickering that characterize the tale is intentionally jarring and unsettling. And as truth - about the case and their own biases and shortcomings - closes in on the jurors, so does the camera.

Ironically, these dozen disparate citizens, who've been randomly thrown together to determine whether a man should be released from jail or forever incarcerated, are locked in their own unique prison, and must come to a unanimous accord to be released. Lumet tosses the audience into this cage of rage, providing a rare perspective. It's a stunning debut and a harbinger of a stellar career that would include such socially-conscious classics as 'Fail-Safe,' 'Serpico,' 'Dog Day Afternoon,' and 'Network,' to name but a few.

Fonda, along with James Stewart and Gary Cooper, specialized in portraying the common man often embroiled in extraordinary circumstances, and his performance in '12 Angry Men' is one of his best. Controlled yet passionate, with quiet courage and a forthright demeanor that's never self-righteous, Fonda disappears inside the role and seamlessly blends into the film's fabric. Though all of us may not possess the gumption to step apart from the favored viewpoint and fight for our convictions, Fonda embodies the man we'd like to be, and if we can't exactly identify with him, then at the very least we admire his stand-up manner, thoughtful comments, and ability to calmly deal with adversity.

Credit Rose for his searing script, which earned an Oscar nomination, and credit the impeccable supporting cast - without which '12 Angry Men' would have been a very different film - for its essential contributions. Only a couple of the actors were well known at the time, but almost all went on to achieve great success. Lee J. Cobb is a standout as Fonda's most intimidating and stubborn adversary; Ed Begley shines as a blustery closet bigot; and Martin Balsam as the beleagured foreman, E.G. Marshall as a tightly wound businessman, Jack Warden as an apathetic blue-collar worker, Jack Klugman as a mild-mannered clerk, Robert Webber as a slick ad man, and John Fiedler (perhaps best known as the voice of Piglet in Disney's 'Winnie the Pooh' movies) all contribute finely etched portraits and form a tight ensemble that carries this movie to massive heights.

'12 Angry Men' also received Academy Award nominations for Best Picture and Best Director, and stands as one of the most iconic legal dramas in film history. The jury system may not be perfect (the O.J. Simpson and Casey Anthony trials certainly proved that), but Lumet's blistering snapshot of one panel in action is a blueprint for how it should work. Anyone who watches this brilliant film can't help but come away with renewed respect for the process and the truth it's capable of unearthing, as well as a deep appreciation for fine writing, acting, and direction.

The Blu-ray: Vital Disc Stats

'12 Angry Men' comes packaged in Criterion's standard clear plastic case that's a little thicker than most Blu-ray cases. The 50-GB dual-layer disc lies inside, along with a 24-page booklet (described in the supplements section below). Video codec is 1080p/AVC MPEG-4 and audio is LPCM monaural. After the disc is inserted in the player, the full-motion menu with music immediately pops up; no previews or promos precede it.

The Video: Sizing Up the Picture

'12 Angry Men' was shot in a gritty, naturalistic style, and old circulating prints of the film often showed plenty of wear and tear. Criterion, however, has completely restored the movie using a 35mm fine grain master positive, and the results are indeed impressive. Grain is quite evident most of the time, but that's to be expected from a low-budget, black-and-white film of this vintage, and adds to the authentic feel. Contrast is excellent, with the resulting wide gray scale adding marvelous depth and texture. Black levels are rich and sturdy, and whites hold up against the harsh lighting.

Lumet uses close-ups often for emphasis, intensity, and to heighten the feeling of claustrophobia, and these are beautifully rendered here. Crisp and bold, they expose all the marvelous facial details of the gallery of character actors appearing in the movie. Details also are nicely delineated, from the grain on the wood table and cigarette butts in the ashtrays to the weave of Jack Warden's straw hat and design on Martin Balsam's tie. The sweat glistening on the mens' foreheads is also distinct, and fabrics, such as Jack Klugman's wool jacket, sport a fine degree of texture.

No dirt, scratches, or specks are visible, and the transfer is free of any artifacts, noise, and edge sharpening. This is another top-flight effort from Criterion that presents this classic film in the best possible form.

The Audio: Rating the Sound

Criterion has also noticeably cleaned up the monaural soundtrack, presented here in lossless LPCM form. Any surface noise, hiss, pops, or crackles have been painstakingly erased, leaving a natural-sounding track that keeps the focus solidly on the dialogue. All the heated exchanges, bickering, and spirited banter are easy to understand, with even Lee J. Cobb's bellowing outbursts resisting distortion. Accents, such as fist-pounding, enjoy good presence, and the heavy rain that pours down outside the jury room windows is nicely integrated into the sound scheme. The music score by Kenyon Hopkins is sparsely employed and marked by the subtle use of percussion, but all the instruments can be identified, and the warm tones fill the room well.

Audio is not this movie's strong suit, but this transfer presents the nuts-and-bolts track in a no-nonsense manner, keeping us involved in the story's drama. And you can't ask for more than that.

The Supplements: Digging Into the Good Stuff

Criterion, as usual, provides a solid supplemental package that caters to the serious film fan.

  • Original Television Production (HD, 52 minutes) – '12 Angry Men' first premiered as a live TV production as part of the 'Westinghouse Presents Studio One' series on CBS in 1954. Robert Cummings, who won an Emmy Award for his portrayal, played the role Fonda would recreate in the theatrical film; Franchot Tone took on the confrontational part Lee J. Cobb would portray; and Edward Arnold assumed the role of the bigoted juror later realized by Ed Begley. This version is fascinating from a logistical standpoint, and the performances are quite good (though I strongly prefer those in the movie). The tighter timeframe also makes the drama and the difficult conclusions that must be reached feel a bit rushed, but the play still maintains its power. Video quality is a bit sketchy and the audio is problematic, but this is an artifact we're lucky to have in any form, and it's a treat to be able to see it here. There's also a 14-minute introduction to the show by Ron Simon, curator at the Paley Center for Media in New York City, who addresses the program's impact, its cast, and provides background on the golden age of TV and the live dramatic productions that were such a major part of the network schedules.
  • Featurette: "'12 Angry Men': From TV to the Big Screen" (HD, 25 minutes) – Film scholar Vance Kepley chronicles the history of '12 Angry Men' from its inception as a teleplay through the acclaimed 1957 production. He discusses how the live TV broadcast was mounted, how Hollywood began looking to television for suitable projects during the mid-1950s, the involvement of Fonda, the hiring of the fledgling Lumet and his influence, and the picture's weak public reception following its premiere. Rare behind-the-scenes stills and some film clips add some visual flair to this interesting, informative piece.
  • Interview: Sidney Lumet (HD, 23 minutes) – An intercut compilation of several interviews, this piece allows Lumet to cover a variety of topics, from his early life as a child actor on Broadway and stint in the Army as a radar repairman to how he fell into directing and was hired to helm '12 Angry Men.' He also talks about the great degree of creative freedom that existed during the formative years of TV and notes how the frenetic atmosphere of TV production prepared him to be a disciplined, reliable film director. Lumet is always well-spoken and insightful, and these recollections engender more admiration for his talent and career.
  • Featurette: "Reflections on Sidney" (HD, 9 minutes) – Longtime Lumet friend and collaborator Walter Bernstein recalls his relationship with the director and the qualities that made him a fine artist and human being.
  • Featurette: "On Reginald Rose" (HD, 15 minutes) – Paley Center curator Ron Simon returns to discuss the work of Reginald Rose, author of '12 Angry Men' and one of the great television writers of his day. (Unfortunately, Rod Serling and Paddy Chayefsky received more renown.) Simon talks about, among other things, Rose's relationship with Lumet and how almost every script Rose wrote dealt with the idea of mob justice and, indirectly, McCarthyism.
  • Vintage Television Program: 'Tragedy in a Temporary Town' (HD, 55 minutes) – This searing drama about a lynch mob out to avenge an attack on a teenage girl in a remote wooded area was produced in 1956 for the Alcoa Hour on NBC. Reginald Rose also wrote this teleplay, and it's tightly directed by Lumet. Lloyd Bridges and Jack Warden star, and both file memorable portrayals. Watching this today, it's tough to believe something so raw and disturbing was broadcast on the network airwaves more than a half century ago. Believe it or not, 'Tragedy in a Temporary Town' is even more powerful and tension-filled than '12 Angry Men,' and its anti-prejudice message is timeless. Make sure you definitely check out this affecting and riveting production.
  • Featurette: 'On Boris Kaufman' (HD, 38 minutes) – Cinematographer John Bailey salutes his colleague, who worked on seven films with Lumet and three with director Elia Kazan, including 'On the Waterfront.' Bailey provides information on Kaufman's background, influences, and bold technique, and examines specific shots in '12 Angry Men,' as well as another of his collaborations with Lumet, 'The Fugitive Kind.' This is a lengthy piece, but highly interesting, and makes one want to see more of Kaufman's work.
  • 24-Page Booklet – Printed on glossy paper and featuring full-page illustrations of all 12 jurors, this handsome booklet includes a cast and credit listing and a thoughtful, well-written essay by writer and law professor Thane Rosenbaum.
  • Theatrical Trailer (HD, 2 minutes) – The movie's original trailer is presented in high-def.

HD Bonus Content: Any Exclusive Goodies in There?

There are no high-def exclusives.

Final Thoughts

One of the all-time great legal dramas, '12 Angry Men' provides a fascinating look inside the jury room and remains a probing portrait of interpersonal dynamics and the destructive powers of prejudice and apathy. A fine ensemble cast led by Henry Fonda and expert direction from the young Sidney Lumet enhance this riveting tale that hasn't lost its bite more than 50 years after its initial release. Criterion's Blu-ray does the film proud with an excellent black-and-white transfer, solid audio, and a bountiful array of substantive supplements. Beyond any doubt, reasonable or otherwise, this one comes very highly recommended.

Technical Specs

  • Blu-ray
  • 50-GB Dual-Layer Disc

Video Resolution/Codec

  • 1080p/AVC MPEG-4

Aspect Ratio(s)

  • 1.66:1

Audio Formats

  • English Uncompressed Monaural

Subtitles/Captions

  • English SDH

Supplements

  • Original Television Version
  • Featurette
  • Interviews
  • Additional Teleplay
  • Theatrical Trailer
  • 24-page Booklet

Exclusive HD Content

  • None

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