- Street Date:
- November 23rd, 2010
- Reviewed by:
- Aaron Peck
- Review Date: 1
- November 24th, 2010
- Movie Release Year:
- 104 Minutes
- MPAA Rating:
- Rated R
- Release Country
- United States
The Movie Itself: Our Reviewer's Take
Most males who were alive during the 80s and early 90s rejoiced when they heard Stallone was setting out to film a send-up to the action movies of old. He was going to gather together every action star he could get his hands one (sadly Van Damme wasn't included) and create a movie piled full of manliness and machismo. A movie that relied more on real explosions and real fire than on CG and special effects. He wanted to create an old school action movie that appealed to the fans of 'Rambo' and 'Die Hard.' So, the question is, did he succeed? Yes and no.
The plot is pretty straight forward. Barney Ross (Slyvester Stallone) leads a gang of mercenaries who work for whoever is cutting the biggest check. Don't worry, they aren't ruled by money. They have principles. They're the good guys, but that doesn't negate the fact that they're badasses. The team is comprised of new and old action stars. Jason Statham and Jet Li represent the older generation of action stars who have been doing this for a while now, while guys like Terry Crews and Randy Coture offer some new blood to the mix. Throw in a disheveled and all together unbalanced Dolph Lundgren and you've got quite the mix of hard-punching, muscle-bound soldiers.
Barney Ross has a level head. He never overdoes anything. He thinks about everything in a very logical fashion. He's exactly what a team like this needs, a pragmatic leader. Bruce Willis makes a cameo as a mysterious employer who wants to hire Barney and his team to help out in an island country called Vilena. The country has been taken over by an evil dictator, who is being controlled by a wealthy bad guy who wants to use the country's resources to produce cocaine.
So far so good, this has all the basics for an over-the-top action movie, the likes of which we haven't seen for at least a decade. Today action movies have become a high-gloss version of what they once were, but 'The Expendables' isn't afraid to get down and dirty. Unfortunately, even though Stallone has gathered together all his buddies, and has crafted a story and movie that is full of gun fights, explosions, hand-to-hand combat scenes, and gore, there's still a feeling that some of the modern day gloss has carried over. Many of the combat scenes are filmed with the ever-popular shaky-cam technique that I don't think held much place in action movies of old. Here, while martial arts masters like Statham and Li battle henchmen with perfectly choreographed moves, and deadly accuracy much of it is incoherent as the camera swings and cuts so fast that most times the actors are blurred.
'The Expendables' succeeds when it relies on its huge action pieces. We've gotten so used to seeing special effects and CG takes on explosions, that we've forgotten what it's like to see a real building explode and burn.
While 'The Expendables' doesn't offer us a completely faithful vision of the action movies of yesteryear, it still provides a heaping helping of fun mixed with just the right about of manly sweat and blood. When Stallone and Statham turn that big plane around and start blowing away a line of Vilena army men, followed by a huge explosion, it's hard not to sit back and smile.
The Video: Sizing Up the Picture
'The Expendables' explodes onto Blu-ray with a 1080p picture that shimmers with fiery explosions and glistens with giant oiled man muscles.
Let's start with the fine detail that looks amazing. Stallone is a terrifying specimen of a man. Looking at his arms in high-definition is something to behold. I'm pretty sure that the vein running along the top of his bicep is bigger than my biceps put together. The man is humongous, and each ripple of muscle, each exposed vein winding its way down his arm is completely visible. Skintone is always right on the money with whoever is on screen. Dolph Lundgren's subtle facial scars are perfectly perceptible as they creep along his cheek. Colors are rich and vibrant. From the multi-colored tattoos that are draped over Stallones burly body, to the lush green jungles of Vilena.
The transfer isn't without its issues though. If there was one gripe I have its that there are a few times when blacks come across as flat. For example when Monroe goes to meet Garza in his office around the last third of the movie, Monroe moves to the center of the room through the shadows. His hair takes on a matte black finish for some reason. It's an almost metallic one-dimensional feel that looks really weird. There are a few CG effects, like knives being stabbed through people, that looked fake in the theater and still look fake at home. Besides the few instances with flat blacks, the rest of the movies has great delineation with blacks that add depth and substance to the image. Tool's motorcycle shop/tattoo parlor are great scenes to see some really deep inky blacks.
I didn't notice any aliasing, blocking, or any other type of artifact that may creep up. Also, the transfer is pristine, harboring not one speck of errant source noise.
The Audio: Rating the Sound
What would a big beefy movie be without a bigger and beefier sound mix to go with it. 'The Expendables' sports a bombastic and jarring 7.1 DTS-HD Master Audio mix that should come with a warning that says "Please beware. Constant bass may shake your valuables off the shelves."
This is a non-stop, rumbling soundtrack that never ceases to jar you. As was expected it's absolutely filled to the brim with LFE that thunders throughout the movie. The explosion on the docks produces a massive amount of bass, but it doesn't feel unnatural. The automatic shotgun that Terry Crews uses throughout the movie also provides a deep resonant thwump, thwump, thwump that will definitely wake up the kids if they're asleep and possibly your neighbors. Panning effects are done to perfection as grenades sail from one side of the screen to the other, or as Ross' huge airplane slowly gains speed and takes off.
Think this mix is all bass? Think again. Even the more subtle sounds, like guns clicking into place, magazines being shoved home, or the whizzing noise of a tattoo gun come out clear and intelligible. The surrounds are constantly engaged and the mix makes great use of the extra two channels provided in the 7.1 mix. During the battle scenes it's like evil henchmen have surrounded your living room and are trying to blow you to smithereens. Bullets fly past your head and explosions happen all around you. It's an engaging, violent soundtrack that's for sure. My only nitpick is that Mickey Rourke's lines are constantly hard to hear. This is partly because the guy is a mumbler, but after watching the Post Production featurette and hearing Stallone talk extensively about sound design and how he wants every line of dialogue to be heard it seems Rourke's few lines got overlooked.
The Supplements: Digging Into the Good Stuff
You can tell 'The Expendables' was a labor of love for Slyvester Stallone from the beginning. It wasn't until I got this Blu-ray and watched all the special feature that I realized just how much passion Stallone put into this movie.
- Audio Commentary – Stallone is alone on the commentary, but there's something about the guy that keeps you listening all the way until the end. You wouldn't think it by looking at him, but the man is one of the most thoughtful directors I've ever had the pleasure of listening to. He delves deep into not only how he made the movie, but why. He talks about his motivations, what it's like working with certain actors. He shares how he likes to direct because he's been on both sides of the camera and he knows how actors want to be treated. He dives into a world of psychology here with his characters and describes what really motivates them and pushes them to be who they are. This commentary is a must listen. Stallone knows what he's talking about, and takes great pride in what he's made.
- Inferno: The Making of 'The Expendables' (HD, 92 min.) – By far this is one of the best, most intensive Making Of features out there. Nothing remotely promotional here. This is like a diary inside the mind of Stallone the filmmaker. It's a candid look behind the scenes as Stallone directs the movie. It cover day one to the last day of shooting. It shows the obstacles that had to be overcome, like Stallone's numerous injuries on set. It shows Stallone yelling instructions to his crew like a man on a mission. Really, it's just amazing to see him work. He's relentless. Stallone also narrates this feature, giving us even more insight into his thought process as a director. This making of is almost as enjoyable as the movie itself.
- From the Ashes: Postproduction (HD, 26 min.) – Another making of documentary that sheds light on how Stallone approaches the editing, sound mixing, and test screening process. I've never seen a special feature that included the questionnaires filled out by audience members at test screenings, but here that information is not only included, Stallone talks about how those suggestions helped make the film better. It shows him present as the original score is written, as the scenes are edited, and as the sound is mixed. He's there every step of the way and it's just amazing to watch.
- Comic-Con 2010 Panel (HD, 46 min.) – Harry Knowles from Aint It Cool News hosts a panel for 'The Expendables' at Comic-Con. After watching the two making of features this was a bit of a letdown. It's much more EPK, but still, Stallone offers insight into the movie and his thought process as a director. Plus if you were at Comic-Con, maybe you'll be able to pick yourself out in the crowd.
- Deleted Scene (HD, 1 min.) – Only one deleted scene here. It's more of an extended scene that was cut out at the beginning during the pirate scene. Dolph Lundgren tells a really bad, and mostly incomprehensible joke. I'm sure it was cut because of those two reasons.
- Gag Reel (HD, 5 min.) – Line flubs, and miscues. This is your standard gag reel. Most of the actors are already laughing and we don't know why. A few funny parts, but nothing you haven't seen a million times before.
- Marketing Archive (HD) – A theatrical trailer, a couple of TV spots and a poster gallery are all contained here.
HD Bonus Content: Any Exclusive Goodies in There?
- Ultimate Recon: An Interactive Bonus View (HD) – This is a picture-in-picture option that plays along with the movie. It offers behind-the-scenes views of the sets that they used in each scene. It shows the crew at work creating the scene that you're seeing. Stallone's commentary is spliced in at certain segments and used to supplement the experience. There are also points where members of the crew show up and the movie shrinks into a little window as the crew member talks about certain subjects. The first of these is when one of the producers shows up and describes the time and effort that went into the shoot in New Orleans when Statham goes to his girlfriend's house.
I love Stallone as a director. He's dedicated to his craft, and becomes deeply immersed in whatever project he's working on. While 'The Expendables' didn't feel exactly like a return to the old action movies we used to love, it was definitely something we haven't seen for a while. I love it for all its cheesy macho madness, and for all its familiar action faces. The video, for the most part, is incredible, and the audio is going to rumble your house into oblivion. On top of that, there was some time and care put into these special features. The two making of documentaries are two of the best, most informative special features I've ever seen included on a Blu-ray. Altogether this disc comes highly recommended.
- Blu-ray/DVD/Digital Copy Combo Pack (3-Disc Set)
- 1080p/MPEG-4 AVC
- English DTS-HD Master Audio 7.1
- French Dolby Digital 5.1
- English, Spanish
- Audio commentary with Sylvester Stallone
- From the Ashes: Post-production documentary
- Deleted scene
- Gag reel
- Marketing archive, including trailers and TV spots
Exclusive HD Content
- The Expendables: Ultimate Recon Mode: in-movie BonusView where Stallone and the other Expendables provide a multi-layered, all-access look at the making of the film as it runs
- ComicCon 2010 panel
- Inferno: feature-length making-of documentary
- Metamenu remote and BD Touch enabled
- D-BOX motion control enabled
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