Aliens: 30th Anniversary Edition
- Street Date:
- September 13th, 2016
- Reviewed by:
- M. Enois Duarte
- Review Date: 1
- September 15th, 2016
- Movie Release Year:
- 20th Century Fox
- 154 Minutes
- MPAA Rating:
- Release Country
- United States
Portions of this review also appear in our 2010 coverage of 20th Century Fox's 'Alien Anthology'.
The Movie Itself: Our Reviewer's Take
Hot off the success of 'The Terminator,' James Cameron directed a follow-up to Ridley Scott's film and took the storyline in a slightly different direction. Making it completely his own, while still maintaining its roots as a direct sequel, Cameron injected a heavy dose of action and adventure. In fact, 'Aliens' pretty much raised the bar in that area, which is a striking contrast to the intense horror elements of the original. The movie is also vastly unique and distinct from the 'Star Trek' and 'Star Wars' movies many were cheering for at the time. Much like its predecessor seven years earlier, this sci-fi feature surprised audiences everywhere, using standard genre tropes and then defying them. Living up to its tagline, "This Time It's War," 'Aliens' is a brash, bare-knuckle display of frenetic action and grandiose violence that, surprisingly, is just as good as Scott's film.
If the first movie can be described as "Jaws in space," as O'Bannon once put it, then Cameron's sequel is essentially "Rambo in space." Instead of a commercial freighter crew battling one vicious monster, a gung-ho, trigger-happy Marine Corps will face off against an entire horde. Part of the excitement comes from watching the soldiers interact aboard the warship Sulaco, their aggressive and combative attitudes being a big focus of the first half. Led by the inexperienced Lt. Gorman (William Hope), the colonial marines refuse to show any fear or apprehension before landing on LV-426. They display a disregard for Ripley's caution and a lack of respect for the danger they're about to encounter. But both Ripley (Weaver) and the audience understand the seriousness, which creates tension and concern. Once they meet their enemy, and most of the team is killed in a matter of minutes, the mission of those reminaing is suddenly one of survival, rather than the seek-and-destroy attitude seen earlier.
What ultimately works best — that is, other than the exciting action — is Cameron carrying over and expanding on many of the same themes explored in Scott's amazing work of horror. In 'Aliens,' the Weyland-Yutani Corporation is given a personhood through talking head Carter Burke (Paul Reiser), a guy who immediately rubs us the wrong way. Whereas the first film only mentions human life as expendable and preserving an alien specimen as priority, this follow-up now turns it into a focal point of soulless corporate greed. Amid all the death and chaos, the company seeks to protect its investment and sees potential profit in the biological weapons area. In this gloomy and miserable future, even the military has been privatized for further commercial opportunities. Ripley is once again forced to battle two types of monsters and helped by Corporal Hicks (Michael Biehn), Vasquez (Janette Goldstein) and Hudson (Bill Paxton).
By placing our tough heroine in the middle of this harsh reality, Cameron is also able to expand on Ripley's character as a strong female voice. Just as in the previous film, she is compelled to prove herself as a woman within a masculine society, which is in sharp contrast to Vasquez's just-one-of-the-boys appearance and posture. In introducing little Newt (Carrie Henn) to the storyline, Ripley takes on a larger, more powerful role, readily accepting a maternal place without leaving behind those characteristics we've already come to admire in her. Indeed, this new attribute of protecting the child — who later eventually calls her "mommy" — from the other violent, monstrous mother, makes her more of a determined and confident hero than the soldiers. Ripley's relationship with Hicks and Bishop (Lance Henriksen) shows a masculine presence that can live peacefully alongside her, listen to her, and work as equals.
And just as in Scott's horror masterpiece, Cameron's 'Aliens' can be enjoyed for the intense action and suspense alone. But for someone like myself, it's these aspects and qualities of the film which make it a well-crafted classic of science fiction. The 1991 Special Edition cut of the movie retains this same feel, if not actually making it more apparent to viewers. Most of the extra seventeen minutes in fact seem to add depth and motivation to the Ripley character, such as an early scene with Burke where the two talk about her daughter. It is later mentioned during an intimate moment with Newt, and the idea provides weight to their emotional hug at the end. Other scenes are neither here nor there, information that fans can do without, like Newt's family discovering the alien spacecraft and Hudson's "state-of-the-art" speech. Either way, both cuts are equally enjoyable in my book, and the theatrical version is a classic sci-fi actioner with brains.
The Blu-ray: Vital Disc Stats
20th Century Fox Home Entertainment brings the awesome sci-fi sequel to Blu-ray as a single-disc standalone, as part of the film's 30th Anniversary celebration. The Region Free, BD50 disc is housed inside a blue, eco-cutout case with a code for downloading a Digital HD Copy.
It arrives an attractive and sturdy side-sliding slipcover made of a hard cardboard material with glossy artwork. The package is joined by ten shiny postcards and a 24-page booklet featuring awesome artwork from Dark Horse Comic's Aliens comic book series. At startup, viewers are taken directly to an interactive screen with the usual menu selection along the bottom on top of a faux computer screen displaying various layouts and schematics in connection with the movie.
The Video: Sizing Up the Picture
The classic sci-fi actioner assaults Blu-ray with the same, somewhat controversial AVC-encoded transfer as the one seen in 2010's Anthology box set. Exhibiting plenty of natural film grain throughout, the stunning and spectacular 1080p picture shows astounding resolution and clarity in the clothing, weapons and exposes intricate, distinct lines in the architecture of the Hadley's Hope colony. Facial complexions display amazing lifelike definition and texture. Blacks are deep and penetrating, often rich, while contrast levels are crisp and precise. The balance is so good, in fact, that early sequences in space can easily serve as demo-material for calibration purposes. Shadow details are also superb and revealing. Colors are deliberately limited, but accurately rendered, especially in the primaries, with strong variation in the palette.
The one major caveat in the entire presentation is also a rather significant change from all previous home-theater releases, something Cameron mentioned in an interview while touting this new restoration. Of course, the application of some digital noise reduction and sharpening is a considerable alteration for fans and purists, as it is quite noticeable in a couple scenes. However, it's not obtrusive or distracting enough to ruin the movie. The issue here is with the change in color timing, from warmer redish hues with a strong blue push to an obvious green-teal appearance with orange hues. This is most apparent when characters arrive on LV-426 in Chapter 9 and at the beginning of Chapter 11 when the team walks around the research lab.
Nevertheless, since this was scanned from the original camera negative, the high-def transfer is beautiful and remarkable on Blu-ray.
The Audio: Rating the Sound
As with the video, James Cameron's follow-up to Scott's horror landmark lands with the same excellent DTS-HD Master Audio track that appears, for the most part, faithful to the original design.
This is understandably a front-heavy presentation with great fidelity and acoustical presence. Dialogue reproduction is terrific, even amid the loudest moments. Channel separation and movement feels expansive and convincing, creating a spacious and engaging soundstage. Sharp, room-penetrating dynamics exhibit plenty of clarity detail, keeping things lively and entertaining, while the low-end packs a clean, responsive wallop during explosions. Rears are not always active, but subtle ambient effects are employed on occasion to enhance the soundfield and can envelop the listener satisfyingly. James Horner's musical score receives the biggest upgrade by spreading to the background evenly, adding to the imaging and pulling viewers into the action persuasively. Overall, 'Aliens' sounds terrific on Blu-ray.
The Supplements: Digging Into the Good Stuff
- Audio Commentary — Ported over from the 2003 special edition DVD, the commentary features several participants recorded separately and edited together later. James Cameron is by his lonesome and of course, talks heavily about the production, design, and filming techniques. Producer Gale Anne Hurd and special effects wizard Stan Winston discuss issues that arose during shoots and a few comments on the creatures, especially on the Queen. Visual effects supervisors Robert and Dennis Skotak spend their time on specific scenes along with the photography and the film's overall design. Pat McClung is the effects supervisor of miniatures, and his voice is only heard when his work is seen on screen. The last group is the cast Michael Biehn, Lance Henriksen, Bill Paxton, Jenette Goldstein, Carrie Henn, and Christopher Henn. The group may not be as rambunctious as in the first movie, but they definitely have a good time and talk about their time together in great length. The track is available on both versions of the movie.
- Introduction (SD, 1 min) — This is a short intro from James Cameron for the 1990 Special Edition cut where he explains his preference for that version over the theatrical.
- Deleted Scenes Index (HD, 20 min) — Sixteen scenes are collected here which are the same seen in the 1990 Special Edition cut.
- Isolated Score — Two versions of James Horner's musical composition are made available as separate tracks. I can't find a similar option on the DVD releases, so I have to assume this is the first time such an opportunity is offered for the home video market. It can only be selected for the theatrical cut.
HD Bonus Content: Any Exclusive Goodies in There?
- MU-TH-UR Mode — The same, very cool interactive feature is ported over, where an all-in-one interface tool, similar to pop-up menu, allows viewers to interestingly connect this disc with others from the 2010 box set. Admittedly, I did not test this out, but it is supposed to work in theory. Once activated, a selection bar appears along the left side of the screen with a small marker on the top right corner which keeps track of bookmarked clips. This version of the tool comes with a short tutorial and the "Data Tags" option.
Providing fans with more buying options, 20th Century Fox brings 'Aliens' as a single-disc package, a separate standalone from 2010's impressively attractive six-disc box set. James Cameron's sequel is arguably the best and most impressive follow-up, delivering a suspenseful thrill-ride of action and adventure. It's a rare treat to enjoy a sequel that's as good as its predecessor and still hopes up after four decades. To celebrate the film's 30th anniversary, the Blu-ray arrives with the same, excellent audio and video presentation as the one seen in the aforementioned box set. With a good set of bonuses and a cool interactive feature, the overall package is recommended for those who decided to wait for a standalone release.
- BD-50 Dual-Layer Disc
- Region Free
- 1080p/AVC MPEG-4
- English DTS-HD Master Audio 5.1
- English Dolby Digital 4.1 Surround
- French DTS 5.1
- German DTS 5.1
- Portuguese Dolby Digital 5.1
- Spanish Dolby Digital 5.1
- English SDH
- Audio Commentary
- Deleted Scenes
- Theatrical and Special Edition Cuts
- Isolated Score Track
- Digital HD Copy
Exclusive HD Content
- MU-TH-UR Mode Interactive Experience
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