- BD 50
- 1080p/AVC MPEG-4
- English: DTS-HD Master Audio 5.1
- Spanish: DTS 5.1
- French: DTS 5.1
- Commentary with David Fincher
- Commentary with Fincher, Brad Pitt, Edward Norton, and Helena Bonham Carter
- Commentary with Novelist Chuck Palahniuk and Screenwriter Jim Uhls
- Commentary with Production Designer Alex McDowell, Cinematographer Jeff Cronenweth, Costume Designer Michael Kaplan, and Visual Effects Supervisor Kevin Haug
- A Hit in the Ear: Ren Klyce and the Sound Design of Fight Club
- Flogging Fight Club
- Insomniac Mode: I Am Jack's Search Index
- Behind the Scenes Vignettes
- Deleted/Alternate Scenes
- Publicity Materials
- Art Gallery
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Fight Club: 10th Anniversary Edition (Blu-ray)
20th Century Fox / 1999 / 139 Minutes / Rated R
Street Date: November 17, 2009
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Reviewed by High-Def Digest Staff
Tuesday, December 01, 2009
It's sort of hard to fathom that 'Fight Club,' David Fincher's blistering thriller, was released ten years ago. It makes me feel very old. It was a film released in the midst of a wave of energetic filmmaking, made by a media savvy crop of young filmmakers that looked like it would affect the way that movies were made (and viewed) for the new millennium. Its Films of 1999 classmates included such boundary-pushing affairs as 'Being John Malkovich,' 'Three Kings,' 'Election,' 'The Matrix' and 'Magnolia' (imagine that yearbook).
Standing amongst those giants, 'Fight Club' still towers as a singular experience, one that seems to almost burst with the limitless possibilities of turn-of-the-century filmmaking. Think about all those computer-assisted camera moves that zoomed through buildings and brains. We see those every week on the various 'CSI' series, but at the time nobody had done that before (or even thought to do that before). In fact, virtually every stylistic element of 'Fight Club,' from its opening title sequence to its casual mixture of violence and nihilism to its gotcha(!) twist ending have been aped, parodied, or shamelessly ripped off in the decade since its release.
For those who have been living under a rock for the past decade, the story of 'Fight Club' goes a little something… like this: Edward Norton plays a nameless office drone (keep in mind that 1999 was also the year that the office drone fought back - 'American Beauty,' 'Office Space') who works for an insurance company. Eventually his fly-everywhere-feel-nothing lifestyle catches up with him, giving him terrible insomnia. He then starts visiting Self Help groups for survivors of various terminal illnesses (Norton is perfectly healthy), where he runs into Martha (Helena Bonham Carter), a similar "tourist." Sometime later, on one of his trips, he meets Tyler Durden (Brad Pitt), a freewheeling, freethinking man who positively vibrates with anarchistic energy. After his apartment is mysteriously destroyed, our narrator moves in with Durden and before long they've started the Fight Club, and underground boxing ring where angry young men mercilessly beat the shit out of each other. When the Fight Club mutates into something more nefarious, it's up to Norton to figure out who Tyler Durden really is, and if he can shut the operation down before catastrophe strikes on a wider scale.
Is the movie perfect? Well, no. It's too long, there's way too much narration, and occasionally the scattershot nature of the narrative makes the movie like a series of vignettes instead of a cohesive whole. Also, while the movie often adheres too rigidly to the Chuck Pahlniuk novel of the same name, there are some deviations that make little-to-no sense (the dramatic scale is lessened when the final denouement is a "controlled demolition" instead of a "murder suicide").
But the things that Fincher's 'Fight Club' gets right far outweighs the bad. The movie is revolutionary in almost every way. You can feel that everything that was done in this movie was done for the first time, whether it be The Dust Brothers' experimental electronic score, those zooming, computer-assisted camera moves, or the movie's sweaty up-front homoeroticism. Everyone brings their A-game, particularly Brad Pitt, and by the time the movie is over, you feel like you've become a member of the Fight Club, pummeled and bruised by the sheer force of the movie. I remember the first time I saw it I just went home and went to bed. Just watching it exhausted me. It's not the kind of movie that you watch; it's the kind of movie that downloads into you.
The Blu-ray: Vital Disc Stats
This 50GB disc is Region "free." There are no annoying ads when you press play. That's pretty much it.
Having seen this movie at least a couple dozen times since 'Fight Club's' 2000 DVD bow, I was still excited to see what this disc's MPEG-4 AVC 1080p transfer (2.40:1 aspect ratio) had in store. And, without reservation, I can say that this transfer delivers.
Does it deliver in the ways you'd expect? Not exactly. While Fox claims that David Fincher was deeply involved with the production of this Blu-ray, his involvement isn't really apparent anywhere (save for a cute Easter Egg I'll get to in a minute). Considering Fincher was knee-deep into pre-production on 'The Social Network' (aka 'The Facebook Movie'), I don't think he devoted a whole lot of time or attention to this release. Remember the 'Seven' DVD that had Fincher explaining how he re-corrected every frame of the movie? There's nothing like that here.
Still, this is probably the best 'Fight Club' has ever looked after its initial theatrical run. There were times when my mouth was agape as I took in all the extra detail that had been missing from the previous DVD edition. Stuff like a thin, misty layer of dust that trails the giant art ball in the 'Operation Latte Thunder' sequence, which was impossible to discern on the previous release.
The image has a consistent layer of grain, which never overwhelms. Similarly, there are no technical issues to worry about, aside from a few brief instances of crush. On that front, blacks and shadows (of which there are many) are deep and dimensional. Skin tones look good, detail is heightened (especially in regards to textures and fabric - Norton and Pitt's dilapidated mansion never looked so gloriously grimy), and there are no instances of artificial sharpening or DNR.
There are a few moments which look somewhat muddy, but that is most likely an aesthetic decision rather than a fault of the transfer. There isn't a whole lot of color in this movie, but the moments that are punctuated by color are done brilliantly (a fireball erupting from a computer store, a flash cut to a lush green rainforest).
Despite being produced without much involvement from the legendarily picky David Fincher, this Blu-ray transfer is a bold leap forward from the previous DVD, and reason enough to buy this movie again.
As impressive as the video is, it doesn't compare to the room-shaking dexterity of the DTS-HD Master Audio 5.1 mix. Literally from the opening frame, with the aggressive Dust Brothers title music pumping in (as we rocket through the synapses firing in our narrator's brain), I was impressed. I think I might have let out an audible yelp.
This is an amazing, amazing track. It's everything you'd expect it to be and more. The fight scenes are brutal, with the surround sound coming to life not only with the thwacks and cracks of the violence but with the sound of the spectators huddled around watching the blood sport. Similarly, when the action of the Fight Club leaks out into the real world, the track becomes even more muscular and visceral. And as amazing as an explosion or a car alarm sounds, I was taken aback by the simpler directional elements like the squeak of Brad Pitt's shoes as he scuttles across a bathroom floor or distant siren effects.
But as impressive as all the bang, boom, pow! of the track, the subtleties have not gone unnoticed. Dialogue is always clear, crisp, and well prioritized (the narration sounds wonderful), and the Dust Brothers' breakneck score is given new life. And there are no noticeable technical hiccups either, no hiss or hums or crackle.
This track really is reference-quality. It's the kind of track you put on and strap in for - and, again, never at the cost of nuance. Just great.
Sadly, most of the extras on this disc are simply carried over from the admittedly high-water-mark-setting 2000 DVD. There are a couple of new special features, but nothing in the way of retrospective documentaries - I would have loved a feature about the post-'Fight Club' fallout like then-Fox head Bill Mechanic getting axed. Also, Fincher recently spoke about doing a 'Fight Club' Broadway musical to celebrate the movie's tenth anniversary, with a score by Nine Inch Nails mastermind Trent Reznor. Wouldn’t it have been fun to hear more about that? Yeah, I thought so too.
Still, there are a staggering number of extras from that original disc. They hold up well. The only disappointment in this regard is that very few of them have been upgraded to high definition. I was particularly looking forward to seeing the brief teaser trailer (which ran, amazingly, with 'Star Wars: Episode I - The Phantom Menace' that summer) in crystal-clean HD only to see a cropped, standard def teaser. Insert frowny-face emoticon here.
- Commentary Tracks There are FOUR, count 'em FOUR commentary tracks on this disc. The first is director David Fincher's solo track, which is highly recommended. He may be a bit dry but he's also really captivating. If you've heard one of his other commentary tracks, then this is a must. Next up is the Cast and Director commentary, with Fincher, Brad Pitt, Edward Norton, and Helena Bonham Carter. This is another must-listen, even though the track is cobbled together from separately recorded tracks (Fincher, Pitt and Norton are together and Carter is separate). It's just a lot of fun - you won't learn as much as from the Fincher track (although they do identify which scenes were doctored by 'Se7en' screenwriter Andrew Kevin Walker) but you'll have a blast anyway. The third track is original 'Fight Club' novelist Chuck Palahniuk joined by the 'Fight Club' screenwriter Jim Uhls, and the two talk about the differences between the source material and the script and other things along those lines. If you're interested in the writing and are a fan of either the script or the novel, this is a must listen. The fourth track is a technical track, with production designer Alex McDowell, director of photography Jeff Cronenweth, costume designer Michael Kaplan and visual effects guru Kevin Haug. This is the only track on the disc that I would not designate as a "must listen," as it's far more technically oriented, but if you're crazy about the movie, give it a shot.
- Behind the Scenes (SD) There are 16 separate micro-featurettes, back when DVD was all about "interactivity!" (Now, I'd hope we've moved beyond this and would just have a feature-length commentary. But maybe that's just me.) Anyway, these are broken down into three sections - Production, Visual Effects, and On Location. From these sections you can watch various sections, with commentary by the following people - Kevin Haug (visual effects supervisor), Cliff Wenger (special effects coordinator), Kevin Mack (visual effects supervisor for Digital Domain), and Richard 'Doc' Bailey (digital animation supervisor/producer). You'll learn a lot if you get through all this stuff, but it's a long haul, and I hope that now people value a condensed approach to special features these days.
- Deleted Scenes (SD) There are seven scenes here, which total around 16 minutes. Many of them are just alternate versions of scenes already in the movie, like a more explicit sequence where Jared Leto gets pulverized, and a "tonally" darker scene where Ed Norton threatens his boss. These minor tweaks equal major changes, and it's really interesting to see. A text screen describing what the scene is, and why it was changed or deleted precedes each scene in this section. The screen also gives you context to where it would have been in the movie. For example, there's that scene after the car crash where Tyler Durden is giving his grand view for a post-apocalyptic utopia. The little screen says something "notice how the simple addition of fades adds so much" which is kind of trite - but totally true! This is highly recommended.
- Publicity Material (SD) Located in this section are the trailers, which includes the theatrical teaser that ran with 'Phantom Menace' (:47), the theatrical trailer (2:26), and the '8 Rules of Fight Club' teaser (:46) which was considered for the theatrical release but not actually finished by Fincher until the 2000 DVD. Also on here are a bunch of TV spots - 10 from America, 2 that are just deemed "international," and 3 that are Spanish. These all last about thirty seconds each. There are also two Public Service Announcements, which Fincher created for movie theaters the summer before the movie hit theaters but that was nixed by the MPAA. There's one for Jack (:29) and Tyler (:37) and feature sassy advice like, if the building catches on fire and you're caught inside, you can drink your own urine. There's also a weird music video (3:32), which was for a track called "This is Your Life" that combined some great Dust Brothers music with Tyler Durden-isms from throughout the movie. (I remember them actually playing this on the radio when the movie came out. Bizarre.) There are also some really cool, scratchy internet spots (five in total, all around :30), which features Ed Norton talking into the camera, uttering various Durden-isms while frantic images from the movie race across the screen. Rounding out this package is a promotions gallery, which features lobby cards (1:30), the press kit which was in the form of a hilariously subversive 'Fight Club' catalog (2:5) and a collection of stills (13:05). There are also text screens of an interview Ed Norton did with his former college, Yale, around the time of the movie's release. This section is well worth digging through, even if it takes you all night.
- Art Gallery (HD) Yes! This stuff is in HD! It is comprised of storyboard stills, visual effects stills, pictures of the Paper Street house, costumes, makeup, pre-production artwork, and the “brain ride” map of the unforgettable opening title sequence. Check this stuff out - it's in HD!
There are a few HD exclusives, including one Google-y feature that could revolutionize the way that we watch Blu-ray discs (seriously). Read on - you've made it this far!
- A Hit in the Ear: Ren Klyce and the Sound Design of 'Fight Club' (HD) This is a really cool little section. After a brief introduction by Ren Klyce, where he basically says that the best thing about working with Fincher is that he'll tell you that your work is terrible (and thus forces you to do even better work), you've given four scenes (Welcome to Fight Club, Angel Face's Beating, the Crash, and Kudzu Vine Speech), which you can tinker with. You can tune up or down the two groups on display - the Real World (realistic audio) and Jack's POV (expressionistic audio). What's cool is you can crank them up per SPEAKER, which is just awesome. If I'm not explaining this well enough, then you'll just have to play with it when you buy the disc (which you will). This is pretty interesting but I'm not sure how many times you'll tinker with it. Still, it's nice to see the immersive Blu-ray technology given a spotlight in the special features section.
- Flogging 'Fight Club' (HD, 9:58) This great, NEW little feature shows the Spike TV Guy's Choice Awards show presentation wherein Mel Gibson (on horseback, with a Viking helmet on, no less) gives 'Fight Club' an award for manly excellence (or something). It's pretty funny. Since this feature is produced by David Prior (who did the previous DVD), we get cool behind-the-scenes footage from before and after they received their award (including an awkward moment when Mel Gibson introduces himself to David Fincher). Great stuff; highly recommended.
- Insomniac Mode Okay, this is the special feature that borders on the revolutionary. There are two options with this Insomniac Mode. The first one is a "Topic Search," which lets you search from a long-ass list of topics. When you find a topic you like, you will be zapped to either the scene in the movie or the moment in whatever commentary track it is. Very cool. The section option is "Commentary Guide," which, and I'm quoting the little introductory screen here, "Allows you to view the topics being discussed in each of the four commentary tracks in real time. You can then switch between commentary tracks during the film to pursue the discussion topics that most interest you." Very cool, huh? You can toggle between tracks. It's a very neat little feature and when a disc has as many special features and commentaries as this bad boy, well, this could prove to be an invaluable tool.
When I first got the Blu-ray, there was a warning note not to give away a very funny gag when you put in the Blu-ray disc. But, considering Fox issued a press statement on the very DAY that the damn thing came out, I'm going to give it away here. Basically, you put it in and instead of a 'Fight Club' menu screen popping up, a 'Never Been Kissed' menu pops up. Pretty funny. Fincher designed the gag himself and got Drew Barrymore's approval and everything. Oh that Fincher. What a prankster.
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David Fincher's 'Fight Club,' ten years on, is just as cutting edge and in-your-face as it was a decade ago. While the Blu-ray retains all of the special features from the groundbreaking 2000 DVD, it does add some interesting features, including a borderline revolutionary Google-y search feature that could be adopted for Blu-ray discs in the future. The AV on this disc is beyond exemplary, and overall this disc is a must own. Fincher has been responsible for two of the best Blu-ray discs this year (with 'Zodiac' and 'The Curious Case of Benjamin Button'), and now he's responsible for a third.