- Street Date:
- April 21st, 2009
- Reviewed by:
- Drew Taylor
- Review Date: 1
- April 21st, 2009
- Movie Release Year:
- Universal Studios Home Entertainment
- 0 Minutes
- MPAA Rating:
- Rated R
- Release Country
- United States
The Movie Itself: Our Reviewer's Take
It’s become something of a movie geek pastime to bash Ron Howard’s work.
Now, this largely has to do with his middle-of-the-road populism (God forbid he make movies that are commercial successes while garnering mild critical praise), but the cardinal offense was probably that his feel-good schizophrenia epic “A Beautiful Mind” won Best Picture over Peter Jackson’s first “Lord of the Rings” film. Keep in mind that, on its winning spree, it picked up an Oscar for Best Adapted Screenplay for Akiva Goldsman, a man who had written the scripts for such critical darlings as “Batman Forever,” “Batman & Robin,” and “Lost in Space.” Oh, the reign of carnage never ended that night.
But when you get down to it, Howard is a solid, if unexceptional, filmmaker, able to churn out perfectly enjoyable (if somewhat over sentimentalized) product every couple of years. Occasionally, he makes really, really good movies (like “Ransom” or “Splash”) and sometimes he makes really, really terrible movies (“How the Grinch Stole Christmas,” say, or “The Missing”).
In short: he’s an average director.; one that doesn’t deserve such vitriolic lambasting.
And I hope “Frost/Nixon” shut all those haters up, because this is a good movie that borders on being a great one.
Based on the stage play by “The Queen’s” Peter Morgan (I saw it in New York but it originated in London), it dramatizes the television face-off of hack-y talk show personality David Frost and former president/evil genius Richard Nixon. At the time it was a television sensation, and racked up huge ratings, but Howard and company are more interested in the behind-the-scenes machinations.
Since this is really all there is to the story, it takes a couple of powerhouse performances to anchor the whole production. Thankfully, the stage play’s original dynamic duo of Michael Sheen (as Frost) and Frank Langella (as Nixon) return for the film.
I was originally wary of the play’s adaptation, but Ron Howard has stacked the deck in his favor, lining up a truly awe-inspiring supporting cast to serve as the camps of the two adversaries. Kevin Bacon, Rebecca Hall, Toby Jones, Matthew Macfayden, Sam Rockwell, and Oliver Platt all do wonderful jobs in largely thankless roles, but thanks to Morgan’s keen script and Howard’s smart direction, they all come off as integral components in the intellectual cage match of “Frost/Nixon.”
While the film is structured very much like a boxing movie, with each camp training vigorously for the big match, Howard chose to shoot and edit the movie like a tense political thriller.
Howard gives just the right amount of historical back story and thrusts the plot forward with savvy editing choices and a whirling, swirling camera that seems to glide between actors and scenes on its own accord, all set to the tense, militaristic score by Hans Zimmer (one of his best).
If it’s not a great film (there are a couple of flabby moments), then it’s at least a very, very good film, easily one of Ron Howard’s best.
The Video: Sizing Up the Picture
One of the more interesting aspects of “Frost/Nixon” is the way it mixes real life historical footage, culled from televised news reports, with the dramatic movie footage. While it made for a striking theatrical presentation, it seemed a worrisome prospect in high def – how, exactly, would this look, when grainy stock footage bumped up against glistening 1080p?
As it turns out, the 2.35:1 VC-1 encoded disc boasts a fairly impressive image.
The movie has a muted color palette that never seems washed out. The archival footage sits alongside the movie well, with a seamless transition. When the detail is amped up in the new footage, it’s staggering. At one point, there’s a scene where light is coming from outside and the beam of light seems to illuminate pieces of dust coming off an actor’s jacket. The image is that clear and crisp.
Since this doesn’t rely on any of the big time Hollywood clichés (special effects, explosions, etc.), it’s the little things that matter. And those little things shine through on this disc.
Again: contrast and detail are remarkable; skin tones look good, and the period detail never leaps off the screen to outshine the performances (this was the orange-and-gold-obsessed 1970’s – the threat was there). There aren’t a whole lot of blacks as in moonless nights black, but the movie does contain many deep, velveteen shadows, and the image represents these beautifully here.
The Audio: Rating the Sound
Again, the DTS-HD Master 5.1 works wonderfully for the movie. And again: this movie isn’t one with a lot of opportunities for surround sound usage (there aren’t any gunshots or alien spacecraft zooming around), but the sound here is crisp and well done.
The mix is mostly front-centered, which isn’t shocking for a film with this kind of emphasis on dialogue. Still, the rear channel stuff is subtle and clear, and there are moments when the surround elements are used – Nixon’s motorcade, a scene of air travel, and whenever there are many team members in the room.
The other interesting note to the sound mix should be how great Hans Zimmer’s score sound. It really thunders, adding much weight and suspense to the events of the film.
Overall, an excellent mix.
Also available as sound options: dubs in Spanish and French (5.1), with subtitles in English (SDH), Spanish, and French.
The Supplements: Digging Into the Good Stuff
Thankfully, Universal has chosen to include a nice assortment of special features that illuminate both the history of the event and the production of the film. It should also be noted that all of these special features can be utilized by using the U-Control feature, accessible through your remote or the main menu (which also includes a short video tutorial on how to use U-Control). For probably the first time in my encounters with the feature, Universal has added some neat U-Control content (more on that in a couple of sections). U-Control is also where you can store your bookmarked scenes.
- Audio Commentary with Director Ron Howard Again, this is something that people might not think is all that interesting, but again – Howard knocks it out of the park. He seems incredibly prepared and passionate about the project, and that’s infectious as he speaks. It’s just a wonderful commentary, incredibly insightful (his goal with the camera movements was to place you on the stage of the play, he claims), and a whole lot of fun. If you love the movie, this is definitely worth checking out.
- The Making of “Frost/Nixon” (HD, 22:58) This is a nice little featurette, although it often leans more towards an electronic press kit than anything meatier. A lot of what’s said here is covered elsewhere on the disc, but it’s still a good, if brief, look at the production.
- The Real Interview (HD, 7:28) While I was expecting maybe some extended excerpts from the original interview, instead there are only a few minutes of the interviews (almost all from the riveting section on Watergate), with commentary offered by Frank Langella, Ron Howard, and Kevin Bacon. It’s interesting but too brief, thankfully other extras cover similar ground.
- The Nixon Library (HD, 6:22) A brief look at the Nixon Library, which helped the film out immensely. This short feature includes some interviews with the staff of the library, many of whom worked for the former president in the years leading up to his death, and lovely shots of the truly beautiful library, adjacent to both the president’s childhood home, as well as his grave sight. While some of the interviewees occasionally sound like Kool-Aid drinkers, they were very helpful to the production of the movie and it’s nice to see them spotlighted.
- Deleted Scenes (30:28) More than a half hour of deleted scenes, which aren’t missed but are fun to watch. Of particular interest to me were some scenes that were in the original stage play but were excised for the film.
HD Bonus Content: Any Exclusive Goodies in There?
- U Control Picture-in-Picture This is neat, like a running documentary about the movie, with interviews with the filmmakers, actors, real life personalities (like Frost and Jim Reston Jr., who Sam Rockwell plays in the movies). Over all, it’s really a lot of fun to watch and a nice complement to the other features.
- U Control Nixon ChroniclesThis, again, is a running feature, with the focus on the history behind the movie. Original historical footage of the president, including footage from the interviews themselves, mixed with historical facts that pop up as text blocks, are present. (What? Is that Barbara Walters telling you about Nixon’s daughter’s wedding? Yes, yes it is.) Again: worthwhile and wonderful.
- Discovering Secrets: People & Places Behind History (HD, 13:19) This has interviews with the real people, mixed with behind the scenes footage (they actually filmed at Nixon’s retirement home, known as the Western White House), and while it’s interesting enough, everything is covered elsewhere.
This is a wonderful, wonderful disc. It’s a great movie, one of last year’s finest, and the disc is exemplary – loaded with commendable audio and video content and a whole host of engaging extras. It goes a long way in proving that a movie doesn’t have to be stocked with explosions and special effects to be an outstanding Blu Ray disc. In short: They don't come more HIGHLY RECOMMENDED than this.
- BD-50 Dual-Layer Disc
- Bonus View (Profile 1.1)
- BD-Live (Profile 2.0)
- English DTS-HD Lossless Master Audio 5.1 Surround
- English SDH
- Audio Commentary
- Deleted Scenes
Exclusive HD Content